The other 4% is sucking at math.
I’ll admit it: I did English Literature in high school. I wasn’t particularly good at it. I’ll exclude all my other excuses as to why I didn’t do well in Lit – like my general lack of motivation in school and desperate need to complete the final level of DOOM – and blame my poor grades on the above graphic.
Obviously not the graphic itself, that would be silly. I mean the message that the graphic is trying to relay, and not just that the curtains may be blue. In school and even now, I find that literature is often over-interpreted. I remember clearly one example of this when we were forced to study Shakespeare’s MacBeth. Studying a play by reading it already had me wanting to throw stuff at the teacher, as plays are meant to be watched, not read. But I remember the teacher being adamant that there was a very important juxtaposition and allegory in the comedic scene of the drunken porter.
If you can’t remember this scene in MacBeth, suffice to say it is one big joke about how being drunk makes you pee and ruins erections. Dick jokes never go out of fashion.
Apparently there is a lot of deep and meaningful stuff going on….. Dick jokes can be deep and meaningful. I always thought that MacBeth chucked in that joke scene because the rest of the play was so dark, and it gave his actors a chance to change costumes before the next act. Essentially, I thought that it was just a necessity and the master playwright had made it fun for the audience. My teacher disagreed.
But that is the thing, unless Shakespeare wrote down his intentions, or there are some amazing insights recorded from his time, then it is just conjecture, or playing with themselves. Occam’s Razor would have us take the simplest answer that fits and not try to overcomplicate things.
That isn’t to say that there isn’t deeper meaning in any artistic work, far from it. But a lot of the deeper meaning is about the reader’s projection as much as what is/was written. Take as an example the list that the wonderful Mental Floss put together:
Many famous authors, many misinterpretations.
Now some authors and genres love to go overboard with the hidden meanings, or at least like to make it seem deep and meaningful (see Steve Hely’s satire on this). Some authors just do it accidentally as part of including various themes and ideas in their work. But literary analysis really does take that interpretation to another level.
Essentially, why can’t people just enjoy a book?
It’s quite interesting to see how the premise for any book, movie or TV show is endemic. The above example of Breaking Bad is a classic, and especially funny given the current furore over affordable health care in the USA. But there are plenty of others.
Sherlock Holmes is a classic example. Imagine a drug addicted, genius, arsehole detective in the modern age where drugs are illegal. Yep: Sherlock and the Hounds of B-Block. Also, before anyone says House, think about how long House would have spent in malpractice suits.
Robinson Crusoe would be pretty difficult to see happening in this day and age. Sure, Tom Hanks tried to convince us that modern people could be lost on an island and survive by their wits and a bunch of FedEx packages. But with modern tracking methods, mapping and the fact that no-one travels by boat now-a-days, Robinson Crusoe would be Bear Grylls or Survivor.
Huckleberry Finn is the tale of a young boy running away with his adult slave. That just wouldn’t happen these days. Now it isn’t that slaves don’t exist anymore (they do), nor the idea of run-aways. A young boy going missing in the USA with a grown man, sounds like an episode of Without a Trace.
The test of a premise really is to see if it would work anywhere else, any-time else. If it doesn’t work anywhere or any-when else, then it is interesting. If it can be transposed, how interesting was the premise to begin with?
A while back I wrote a post on how sharks aren’t the deadly monsters attacking people all the time that we think they are. Now I’m not suggesting that we all go and hug sharks, they only like to be touched by cleaning fish, nor that we jump in to swim with them, they play tag far too roughly for delicate humans. What I’m suggesting is that we really need to start worrying about stuff that is actually a concern rather than stuff that is just wild gesticulations in front of a camera for ratings.
So here is a list of things that kill more people than sharks annually:
The other night I was watching the Fast and Furious 6, which is a great story about how The Rock is proving you don’t need CGI for the next Hulk movie. With the announcement and post-credits scene showing they are making Fast and Furious 7, I thought it was worth re-capping the series so far.
1) The Fast and The Furious
This first instalment is pretty much Point Break with cars.
2) 2 Fast, 2 Furious
Also known as The Curious Case of the Missing Vin Diesel.
3) The Fast and The Furious: Tokyo Drift
Who are these people? Why are they driving sideways? Where are Paul and Vin?
4) Fast and Furious: Career Booster
After realising that people still like seeing cars at the movies but are only so-so about Vin Diesel and Paul Walker’s other films, it was time to film some car porn with the original cast.
5) Fast 5: Bicep Showdown
The Rock and Vin Diesel spend two hours showing off their gym time.
6) Fast and Furious 6: The Rock and some cars
The Rock dwarfs everyone on screen and no-one can see the cars clearly.
7) Fast and Furious 7: Back to Tokyo*
We quickly forget that Paul Walker has been a main cast member of the series as Jason Statham, Tony Jaa, Rhonda Rousey, Vin Diesel and The Rock beat the crap out of each other near some cars.
8) Fast and Furious 8: Reasonably Priced Car
Having realised that with all the protein and creatine the stars have been eating they can no longer afford fancy cars, Vin’s crew now rebuild some small hybrid cars to make them capable of a 20 second quarter mile.
9) Fast and Reasonably Furious 9: Repossession
Despite having downgraded to cheaper vehicles, the sheer weight of the bloated continuation of the series leads to the repo-men arriving and taking all the cars. When Vin and his crew confront the repo-men, the repo’s say “This is what we do.”
10) Fast and Not Really Furious 10: Nursing Home Drift
Now confined to wheelchairs and with rapidly deflating biceps, Vin’s crew trick out some wheelchairs and mobility scooters to pass the time between naps.
Update: According to my news feed, Paul Walker died in a car crash after a charity event at age 40. I’ve written before about Paul Walker seeming like a nice bloke who seems to have made it in films by being a decent guy and not because of acting ability. My comments above about the next Fast and Furious movie suddenly take on a new light, so I just hope the next instalment honours Paul’s involvement in the franchise (it was that initial screen chemistry between Paul and Vin that made the first movie a success). I’d already felt the franchise was drifting away from Paul as the main character, hence the joke about the massive ensemble cast above, so let’s hope they do something cool to honour him.
Radio and Wedding DJs like to dedicate songs, but rarely do they get past the “This one goes out to all the ladies.” or “This one’s for all the lovers.” It seems odd to me that DJs don’t mix it up a bit and play some songs for more specific groups of people. For example:
This one is for everyone who loves kids.
Michael Jackson – Beat It – because Michael Jackson loved kids too.
This one is for anyone at home playing with rope.
Joy Division – Love Will Tear Us Apart – because rope lovers identify with the Joy Division front man.
This one is for those who are having a good day.
Dimmu Borgir – Burn In Hell (Twisted Sister cover) – because a DJ is never having a good day.
This one is for everyone arguing on the comments of Youtube.
Jackson 5 – ABC – because clearly no one commenting there have learnt them.
This one is for everyone driving slow.
The Beatles – Can’t Buy Me Love – because you aren’t buying love on the street.
This one is for the Westboro Baptist Church.
AC/DC – Highway to Hell – because that is exactly where this church belongs.
This one is for all the politicians.
Guns ‘n’ Roses – Get in the Ring – seriously, one round, no holds barred, no tap outs.
Let’s face it, a large chunk of literature and non-fiction sales are nothing to do with people reading and everything to do with being seen to read. It was no surprise to early e-reader adopters that the romance and erotica genres took off as people on the bus to work could now read the stuff they wanted to without being judged. The Guardian posted this survey of readers (although I can’t find the source) listing off everyone’s favourite reading cred books, you know, the ones you claim to have read but fell asleep at page 2.
A recent survey of 2,000 people suggests that the majority of people pretend to have read classic books in order to appear more intelligent, with more than half of those polled displaying unread books on their shelves and 3% slipping a highbrow cover on books they’d rather not be seen reading in public.
The books most likely to be lied about are, naturally, the books most often filmed, talked about and studied in school (some of the respondents must have been lying since GCSE onwards). Are any of them in your pretend-I’ve-read/never-finished pile, or do you save your literary fibbing for Finnegans Wake and Infinite Jest? Share your guilty secrets below.
1) 1984 by George Orwell (26%) I have actually read this classic. I read it because Animal Farm was one of the only books I had to read in English Lit class that I actually enjoyed (I’m not counting plays, you’re not meant to read plays, you’re meant to see them performed!!!). I enjoyed it, but I can see how people would battle to read this one.
2) War and Peace by Leo Tolstoy (19%) Haven’t read this one and have no intention of trying. People always talk about battling through it in small chunks because it is such an important and blah blah blah book. If it was really important it wouldn’t have been so boring as to necessitate reading it in small chunks.
3) Great Expectations by Charles Dickens (18%) I watched the old black and white film, does that count?
4) The Catcher in the Rye by JD Salinger (15%) I’ve read this many times and hated it every single time. Each time I’ve re-read it I’ve done so because I felt I was too young and/or stupid to get it, so I must re-read it because I’m so much older and smarter now. Although, John Green did manage to convince me of its literary merits via Crash Course Literature, not that I’ll bother revisiting this novel.
5) A Passage to India by EM Forster (12%) I can honestly say I’ve never heard of this book.
6) Lord of the Rings by JRR Tolkien (11%) I’ve read it, but I will admit that I did so only after seeing the first movie. I really enjoyed the book, but it was long and waffly and I can see why others wouldn’t actually finish it. I will also say that I started reading The Hobbit when I was in school and then realised that life was worth living and stopped.
7) To Kill A Mocking Bird by Harper Lee (10%) Okay, I’m guilty of this one. It is on my TBR pile. I have it on Kindle and DTB.
8) Crime and Punishment by Fyodor Dostoevsky (8%) See #2
9) Pride and Prejudice by Jane Austen (8%) I’m going to read the zombie version.
10) Jane Eyre by Charlotte Bronte (5%) If there is a zombie version of this I may read it.