The scariest phrase you can hear: We’re from the CIA, we’re here to help.
Cora Sabino is a university drop-out barely holding onto temp jobs. Her dad has become something of a celebrity for his self-aggrandising journalism that saw him flee the USA and abandon his family. Ever since the CIA has been keeping an eye on her mother and now her. But then something falls out of the sky. Cora’s dad leaks documents that say it is aliens. Caught between the CIA and aliens, Cora is thrust into the most important role imaginable.
I’ve been a fan of Lindsay Ellis’ video essays for many years now. She has an eye for pop-culture analysis and dissecting the role of media in creating culture. So when she announced that she had written a book, I was interested.
But a few chapters into Axiom’s End I was a little underwhelmed. The novel wasn’t exactly what I was expecting from Ellis, who is often witty and humorous. This was more of a standard sci-fi novel. With that revised expectation, I settled in for the rest of the book. Which continued to be pretty standard underwhelming sci-fi stuff.
Of course, I should have expected this. Many of Ellis’ videos (particularly It’s Lit!) are filmed in front of her bookshelf which is adorned with authors like John Scalzi. It’s just that I’d have hoped she would bring that video essay wit to her novel.
As far as standard sci-fi novels go, Axiom’s End was good enough. I’m starting to accumulate a few books that sit in the category of “Books I have read”. Which is to say, they aren’t bad, but not particularly memorable either. And I think I can narrow down a good example of why (queue the spoilers).
Okay, so there is this scene where Cora is being asked to trust the CIA agent Saul. She accuses him/CIA of wiping minds. Saul does the big laugh at her thing and calls her a conspiracy nut like her dad. She gets understandably angry. But she doesn’t push hard. This was the moment for her to push back.
You see, for a character whose family was literally abducted by the CIA during the middle of the night in black SUVs, who has also been blackmailed/forced to work for the CIA and military, who knows that the CIA has been covering up aliens, who have been spying on her and her family for years, who have forced her dad to flee the country, and who has had her life and future threatened by the CIA agent, this was the moment to tell Saul to fuck off. It felt like we’d been building to this moment, but instead it was a reveal and undermining of her trust in her new alien buddy. (end spoilers)
Essentially, character moments like this were undermined in service of plot machinations that probably could have still worked whilst retaining the flow of the scene. From another author I’d probably have ignored this issue, but I went in expecting more.
I think Lindsay Ellis has the makings of a great author. But Axiom’s End was disappointing for me.