The small screen has continued to gain ground on the big screen in 2014, producing entertainment that is better written, produced, acted and engaging. Sorry, is it still a small screen at 50 inches?
Living hours away from the nearest cinema, TV, or at least the streaming version via my internet, is my go to pass time outside of reading. And like my lists of movies and music that have entertained me this year, TV has had a stella year.
24: Live Another Day
It is easy to forget how cool 24 was, especially with later seasons feeling a bit too recycled. But this shorter season was a return to form for Jack Bauer, reminding people why this show was such a success. Plus, I don’t think we have enough people being tortured on TV these days.
Suffered from the Firefly syndrome. Another sci-fi show on Fox that had episodes shown out of order, wasn’t given a proper time slot, and was cancelled before really finding its footing. I’ve written before about Almost Human and what it could have been. Pity.
There aren’t too many successful cartoon shows for adults that haven’t tried to be a Simpsons clone. Archer blasted into the world with a different style, especially in the humour department. So it was a pity that the Archer Vice season wasn’t up to the normal standard. There was plenty of humour, but not own it on Blu-Ray like the previous 4 seasons.
After following this show for the first two seasons I was looking forward to more action-drama from Arrow. Oh, and abs, CW is the abs network after all. Two episodes into season 3 and I’ve decided to not bother anymore.
The second season of Banshee had a high bar to jump over after such a fantastic first season. Things have only become more complicated, more violent and more naked. Awesome. Season 2 did have a slower pace, but the payoff was there every time. Can’t wait for season 3 in a few weeks.
Meh. Actually I’ll elaborate: David S Goyer should be kept away from comic book adaptations (still love Blade 1-3).
I have enjoyed this series as it managed to steer clear of a number of sci-fi and time travel pitfalls. The third season continued to entertain but started to make leaps in the story that seemed too convenient. With a fourth and final season announced, whilst the creators were planning 7 to 10 seasons, it is clear that they curtailed a few arcs.
Sometimes when a series is cancelled after one season you have committed an atrocity against television, such as Firefly. Other times you can see why it happened. Crisis was interesting enough a premise, had good enough performances, but too much of the show felt bland and lifeless. Also, much like Legends, there were too many lazy film-making moments, such as the exposition scenes that are only there for the audience and completely unnatural for the characters. Still, kept me entertained when my toddler refused to let me hold a book in front of my face that wasn’t Hairy Maclary.
By any measure this show should suck. Aliens on Earth, post-apocalypse civilisation, CGI that doesn’t rival some of the stuff on YouTube, and a home on SyFy. Yet Grant Bowler, Tony Curren, Jamie Murray and Julie “Darla” Benz head up a cast that make this show work. The writers keep a nice balance of wit, action, intrigue and drama flowing, without letting things become cheesy. All in all, an enjoyable show.
This show is a sequel to the terrible movie Legion. But it stars Anthony Stewart “Giles” Head and received a lot of promos during Defiance, so I gave it a go. Dominion has a more interesting premise than Defiance, but has less interesting characters, less impressive performances – bordering on wooden at times – and a plot that creates pointless conflicts. SyFy fans will probably love this one.
I have to admit that I DVR’d Fargo and only really watched the first few episodes. That speaks more to my time spent watching recorded or live TV as opposed to streaming shows than it does about Fargo. At some point I will be bothered enough to flick through all of those menus to retrieve the recorded shows and watch what struck me as a cool show. In the meantime, streaming is awesome.
Immortals, zombies, biological warfare, remote Arctic location, and scientists with really terrible autopipette technique: this show has it all.
Jack Irish: Dead Point
The third in the Peter Temple series of TV movies starring Guy Pierce was another winner. Peter Temple is one of Australia’s finest authors, so it is no surprise that his books are being turned into movies. I really enjoyed this series.
There are few shows that can claim to have impressed their audience so much that the author of the source material decides he needs to join the writing team. Justified is filled with great writing, great performances, and witty banter, enough to make Elmore Leonard proud. The new and final season arrives in January and I will be watching.
Last Week Tonight
John Oliver made the successful transition from The Daily Show to swearing friendly HBO. You’d have to have been living under a rock (in internet terms) to have missed seeing one of John’s fantastic segments this year. There was no subject too hard nor too grim for the Last Week Tonight team to cover. As a result another comedy show has handed out a lesson in how journalism can and should be done (hint: it starts with doing some bloody research!!).
Sean Bean doesn’t die in this show. Which is a shame. Legends is an annoying show as it flits between moments of greatness, such as Sean’s performance as an undercover operative who takes on different personalities for investigations, and then moments of sheer inept laziness. This could have been so much better.
Mad As Hell
Shaun Micallef is as close to Jon Stewart as we have in Australia. Mad As Hell is his ongoing satire of the week in news and 2014 has probably been his best yet. Off the wall and often forgoing the obvious jokes, this show deserves a bigger audience.
An offbeat Aussie crime drama, Old School didn’t quite wow me. Sam Neill and Bryan Brown work well together, the premise is good, if unoriginal, and the producers didn’t try to drag it out for too many episodes in the season. But it really didn’t rise above average entertainment.
A friend introduced me to this fabulous show late this year. I cannot say enough good things about it. Cillian Murphy and Sam Neill are fantastic actors, but unlike some shows, the entire cast are great as well. Cillian may well establish himself with this role, not to mention Tom Hardy’s performance in the second season. I’m a fan of Cillian Murphy’s work, even going so far as to watch the terrible In Time. I could cite The Wind That Shakes the Barley as an obvious display of his acting chops, but instead I’m going to say that it was the film Red Eye with Rachel McAdams that won me over. Red Eye shouldn’t have been more than a B-grade thriller, but Cillian and Rachel make the material rise way beyond potential. Now imagine what he’s doing with excellent material and more than one amazing co-star.
I mentioned in my 2014 in Movies article that I could watch Eva Green stare at the camera and find it entertaining. Well, she grabs the script and the scenery and chews them to pieces in this show. Much like Peaky Blinders, this is another well acted period drama, with no bad performances. But I want to like this show more. It suffers from a very slow pace of story telling, so much so that you almost thinking you are watching a soapie. Oh, and it has vampires in it. And they don’t sparkle. Boo-ya!
Person of Interest
Despite the modern setting, this is one of those classic TV shows. We’ve seen this “help someone each week” formula in show after show, but it never becomes boring. Whether it be The Littlest Hobo or MacGyver, shows about helping people in need always have a soft spot for me. Especially if they shoot people regularly like Jim Caviezel.
Rake – the Aussie version
Ignore the US version and check out Richard Roxburgh as a smarmy lawyer who defends any and everyone, whilst corruption and politics surround him. A classic show that doesn’t seem to have translated in the US version.
The third season of Sherlock was a bit of a let down. A few people described the season as suffering from a severe case of smug. Definitely not as good as the first two seasons.
I’ve drifted in and out of South Park. Much like The Family Guy, I still enjoy watching South Park, but don’t find myself compelled to watch every week/episode. That said, Trey and Matt have continued to skewer every topic with bravado.
This show has grown on me. At first I didn’t think much of it, too forced and episodic. But then James Spader won me over with his charm. I’m sure there are other people on the show as well, possibly even writers and directors.
The Colbert Report
With Stephen Colbert leaving The Report to take over from David Letterman, it feels like we are losing a satirical show that has been without equal. Whilst I’m actually more of a fan of The Daily Show and the new Last Week Tonight, The Report has held up a mirror to those blowhards in the media and screamed at them to take a good hard look at themselves.
The Daily Show
With the rise of Last Week Tonight and the end of The Colbert Report, it is easy to forget the show that launched them. Still the original and the best US news comedy show.
Watched the first two episodes and can sum the show up as: meh.
As a huge fan of Leverage I was excited to hear about the new Dean Devlin series, The Librarians. But then I realised that The Librarians sounded similar to a movie that made me want to cut myself. I was torn, watch a new show with Christian Kane in it and try to forget the horror that was The Librarian movies, or ignore potential awesome from the team that made Leverage. Well, a few episodes in and The Librarians looks like a lot of fun, much like Leverage was. Admittedly, the cheesiness that made The Librarian movies suck so badly is still present, but the fun factor is amped up. Did I mention Bruce Campbell makes a guest appearance? Oh, and Aussie actor John Kim is in the cast, and he keeps his accent, unlike many other Aussies and New Zealanders (e.g. the star of Banshee) cast in US shows.
One of the common complaints about Aussie TV is the lack of an equivalent to The Daily Show or Colbert Report. The problem with this complaint was that we did have one: The Roast. Unfortunately it didn’t garner the attention it richly deserved and with ABC budget cuts no-one was going to support a show that took a (satirical) razor to politics and media. I think the 10 minute format was ideal for a daily comedy show, roughly matching the amount of original content their US counterparts produce daily, sans interviews. Vale.