Reviews – Tyson Adams

Interpreting Music Review Terminology

Last week I posted a handy guide to Book Review Terminology. Book reviews aren’t the only area that has incomprehensible jargon. Music reviews are often troubling, they use industry jargon that not everyone understands, especially not the people using the jargon. So I have quickly summarised the commonly used phrases and interpreted them.

Solid album: every song sounds the same.
Standout tracks: the only decent songs.
The album grows on you: hated this album the first time I listened to it and after having to listen to it several times to complete the review have found I can tolerate it.
Intricate melodies: pretentious wank.
Outstanding musicianship: lots of solos.
Impressive guitar work: endless guitar masturbation.
Impressive vocal work: wow, an actual singer for a change. They didn’t even use autotune. Now if only they’d work on writing decent lyrics.
Concept album: lots of pretentious filler.
Soulful lyrics: singer recently dumped by their partner.
Soulful melodies: all band members/artist depressed.
Heartfelt emotion: band members/artist suicidal.
Catchy lyrics: I hate this album and all the songs on it, but I can’t purge the choruses from my brain.
Best album of the year: only new album I have.
The best release from this artist/band: it’s about time they put out something decent.
Epic: too long.
Pop sensibilities: commercial radio fodder.
Proponents of (insert name) style: I hate this sort of music.
Founders of (insert name) style: the artists that everyone else copied.
Challenging: annoying.
Diverse styles/sounds: imitates everything popular at the moment.
Critically acclaimed: only pretentious and annoying people will like it.
Commercially successful: listen to it on the radio instead.
New sensation: you’ll have forgotten this artist and their music existed in 6 months.
Uplifting: saccharine.
Back with a vengeance: last album was terrible.
Offers up some great tracks: band/artist only wrote one song then packed in filler.
Career defining: surprisingly good album.
On heavy rotation: has a huge marketing budget to waste.
Staple of radio playlists: inoffensive.
Politically charged lyrics: think they are better than everyone else.
Confrontational: annoying.
Distinguishes itself: will fade into obscurity in a month.
Stamped their mark: all the vapid DJ’s like it.
Most important album/artist of the year: utter crap that is inexplicably selling well.
Taken (insert country) by storm: some DJ overseas thinks that it’s good.
Radio friendly: bland.

Hope that clears things up a bit.

Book review, Reading

Book Review: Slipping by Lauren Beukes

Slipping: Stories, Essays, & Other Writing by Lauren Beukes
My rating: 4 of 5 stars

Could zombies be a viable replacement for slave labour? Asking for a certain electronics company. And most clothing manufacturers.

Slipping is an interesting collection of writing from the brain of Lauren Beukes. From enhanced athletes to bored ghosts, these stories display Lauren’s spec-fic interests. There are also a few essays at the end of the collection, one of which explains the personal inspiration behind The Shining Girls; an essay well worth reading.

I met Lauren at a writers’ festival where she was running a workshop on, surprise surprise, writing. I really enjoyed reading the aforementioned The Shining Girls as it was a highly enjoyable mix of crime and spec-fic. So I was looking forward to reading this collection. As with any collection of previously published works, there are highs and lows. For me, the highs outweighed the lows, with Slipping, The Green, and Ghost Girl being amongst my favourites. I think the strengths of this collection come from the South African cultural influence to Lauren’s writing, which gives far more grittiness to the bleak sci-fi stories than you usually see.

If you’re a spec-fic fan, or a fan of Lauren’s writing – and how could you not be? – then you will find some compelling stories in this collection.

I received a digital copy of this book from the publisher, through Netgalley, in exchange for an honest review.

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Book review, Reading

Book Review: Steelheart by Brandon Sanderson

Steelheart by Brandon Sanderson
My rating: 4 of 5 stars

I wouldn’t make much of a supervillain. My weakness is chocolate. And quality whiskey. And a beautiful guitar. And a great novel. And…. this would make a long list of things to kill me with.

Steelheart is the first book in the Reckoners series by Brandon Sanderson. David was only a child when the Epics (supervillains) appeared. He also has a secret: he saw the greatest of the Epics bleed. The supposedly invincible and invulnerable Steelheart is now the Dictator of Newcago and David wants to avenge his father’s death at the hands of Steelheart.

After enjoying the Mistborn series I have been trying other Sanderson book series, expecting more great novels from him. I struck out with The Way of Kings, which could best be described as using 100 words when 10 would suffice, but Steelheart promises an exciting series.

Leaving aside the (acknowledged) improbable superpowers and raised middle finger to physics, the novel manages to be engaging and intriguing. In this David versus Goliaths tale there is plenty of suspense and fear that the heroes may not triumph. The series is intended as a Young Adult adventure, but YA is the new A must read, so don’t be put off by that.

Can’t wait to read the rest of the series and see how the handwavium works.

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Book review, Reading

Book reviews: The King’s Deception by Steve Berry

The King’s Deception by Steve Berry
My rating: 3.5 of 5 stars

Have you ever wanted a thriller to star not one, but two book store owners? Well, this is the novel for you!

That’s right, our favourite book seller is back in action. This time Cotton Malone is caught up in a CIA operation called King’s Deception. See what Steve Berry did there? Cotton and his son Gary get caught up with the CIA, SIS – better known as MI6 – and The Dedalus Society’s deadly spy games. King’s Deception is their game and Cotton has to blah blah the McGuffin surrounding Elizabeth the First before the blah blah.

I’m a big fan of Steve Berry’s novels. They are always entertaining and well thought out thrillers. Berry is the writer Dan Brown wishes he was, but then takes a swim in his pool of money to console himself. As is typical with this genre, Berry seamlessly mixes the modern day with the historical McGuffin in a plausible and interesting manner. But for me, I found this to be one of Berry’s weaker novels.

My main fault with the book was that it was a story being recounted between the narrator and reader analogues, with the first and last chapters book ending the actual story. I hate this sort of story telling. It always feels hackneyed, even in films. At least flashbacks only last a short time, this is like having 95% of the story be a flashback. In this case you could cut the first and last chapters out and it would be a perfectly reasonable novel, so the additions of these parts feels superfluous.

Despite that criticism, the book was entertaining and would rank 4 stars, but I’m giving it 3.5 stars. I’m taking half a star off for the book-ends on the actual story.

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TV that entertained me in 2014

The small screen has continued to gain ground on the big screen in 2014, producing entertainment that is better written, produced, acted and engaging. Sorry, is it still a small screen at 50 inches?

Living hours away from the nearest cinema, TV, or at least the streaming version via my internet, is my go to pass time outside of reading. And like my lists of movies and music that have entertained me this year, TV has had a stella year.

24: Live Another Day
It is easy to forget how cool 24 was, especially with later seasons feeling a bit too recycled. But this shorter season was a return to form for Jack Bauer, reminding people why this show was such a success. Plus, I don’t think we have enough people being tortured on TV these days.

Almost Human
Suffered from the Firefly syndrome. Another sci-fi show on Fox that had episodes shown out of order, wasn’t given a proper time slot, and was cancelled before really finding its footing. I’ve written before about Almost Human and what it could have been. Pity.

Archer
There aren’t too many successful cartoon shows for adults that haven’t tried to be a Simpsons clone. Archer blasted into the world with a different style, especially in the humour department. So it was a pity that the Archer Vice season wasn’t up to the normal standard. There was plenty of humour, but not own it on Blu-Ray like the previous 4 seasons.

Arrow
After following this show for the first two seasons I was looking forward to more action-drama from Arrow. Oh, and abs, CW is the abs network after all. Two episodes into season 3 and I’ve decided to not bother anymore.

Banshee
The second season of Banshee had a high bar to jump over after such a fantastic first season. Things have only become more complicated, more violent and more naked. Awesome. Season 2 did have a slower pace, but the payoff was there every time. Can’t wait for season 3 in a few weeks.

Constantine
Meh. Actually I’ll elaborate: David S Goyer should be kept away from comic book adaptations (still love Blade 1-3).

Continuum
I have enjoyed this series as it managed to steer clear of a number of sci-fi and time travel pitfalls. The third season continued to entertain but started to make leaps in the story that seemed too convenient. With a fourth and final season announced, whilst the creators were planning 7 to 10 seasons, it is clear that they curtailed a few arcs.

Crisis
Sometimes when a series is cancelled after one season you have committed an atrocity against television, such as Firefly. Other times you can see why it happened. Crisis was interesting enough a premise, had good enough performances, but too much of the show felt bland and lifeless. Also, much like Legends, there were too many lazy film-making moments, such as the exposition scenes that are only there for the audience and completely unnatural for the characters. Still, kept me entertained when my toddler refused to let me hold a book in front of my face that wasn’t Hairy Maclary.

Defiance
By any measure this show should suck. Aliens on Earth, post-apocalypse civilisation, CGI that doesn’t rival some of the stuff on YouTube, and a home on SyFy. Yet Grant Bowler, Tony Curren, Jamie Murray and Julie “Darla” Benz head up a cast that make this show work. The writers keep a nice balance of wit, action, intrigue and drama flowing, without letting things become cheesy. All in all, an enjoyable show.

Dominion
This show is a sequel to the terrible movie Legion. But it stars Anthony Stewart “Giles” Head and received a lot of promos during Defiance, so I gave it a go. Dominion has a more interesting premise than Defiance, but has less interesting characters, less impressive performances – bordering on wooden at times – and a plot that creates pointless conflicts. SyFy fans will probably love this one.

Fargo
I have to admit that I DVR’d Fargo and only really watched the first few episodes. That speaks more to my time spent watching recorded or live TV as opposed to streaming shows than it does about Fargo. At some point I will be bothered enough to flick through all of those menus to retrieve the recorded shows and watch what struck me as a cool show. In the meantime, streaming is awesome.

Helix
Immortals, zombies, biological warfare, remote Arctic location, and scientists with really terrible autopipette technique: this show has it all.

Jack Irish: Dead Point
The third in the Peter Temple series of TV movies starring Guy Pierce was another winner. Peter Temple is one of Australia’s finest authors, so it is no surprise that his books are being turned into movies. I really enjoyed this series.

Justified
There are few shows that can claim to have impressed their audience so much that the author of the source material decides he needs to join the writing team. Justified is filled with great writing, great performances, and witty banter, enough to make Elmore Leonard proud. The new and final season arrives in January and I will be watching.

Last Week Tonight
John Oliver made the successful transition from The Daily Show to swearing friendly HBO. You’d have to have been living under a rock (in internet terms) to have missed seeing one of John’s fantastic segments this year. There was no subject too hard nor too grim for the Last Week Tonight team to cover. As a result another comedy show has handed out a lesson in how journalism can and should be done (hint: it starts with doing some bloody research!!).

Legends
Sean Bean doesn’t die in this show. Which is a shame. Legends is an annoying show as it flits between moments of greatness, such as Sean’s performance as an undercover operative who takes on different personalities for investigations, and then moments of sheer inept laziness. This could have been so much better.

Mad As Hell
Shaun Micallef is as close to Jon Stewart as we have in Australia. Mad As Hell is his ongoing satire of the week in news and 2014 has probably been his best yet. Off the wall and often forgoing the obvious jokes, this show deserves a bigger audience.

Old School
An offbeat Aussie crime drama, Old School didn’t quite wow me. Sam Neill and Bryan Brown work well together, the premise is good, if unoriginal, and the producers didn’t try to drag it out for too many episodes in the season. But it really didn’t rise above average entertainment.

Peaky Blinders
A friend introduced me to this fabulous show late this year. I cannot say enough good things about it. Cillian Murphy and Sam Neill are fantastic actors, but unlike some shows, the entire cast are great as well. Cillian may well establish himself with this role, not to mention Tom Hardy’s performance in the second season. I’m a fan of Cillian Murphy’s work, even going so far as to watch the terrible In Time. I could cite The Wind That Shakes the Barley as an obvious display of his acting chops, but instead I’m going to say that it was the film Red Eye with Rachel McAdams that won me over. Red Eye shouldn’t have been more than a B-grade thriller, but Cillian and Rachel make the material rise way beyond potential. Now imagine what he’s doing with excellent material and more than one amazing co-star.

Penny Dreadful
I mentioned in my 2014 in Movies article that I could watch Eva Green stare at the camera and find it entertaining. Well, she grabs the script and the scenery and chews them to pieces in this show. Much like Peaky Blinders, this is another well acted period drama, with no bad performances. But I want to like this show more. It suffers from a very slow pace of story telling, so much so that you almost thinking you are watching a soapie. Oh, and it has vampires in it. And they don’t sparkle. Boo-ya!

Person of Interest
Despite the modern setting, this is one of those classic TV shows. We’ve seen this “help someone each week” formula in show after show, but it never becomes boring. Whether it be The Littlest Hobo or MacGyver, shows about helping people in need always have a soft spot for me. Especially if they shoot people regularly like Jim Caviezel.

Rake – the Aussie version
Ignore the US version and check out Richard Roxburgh as a smarmy lawyer who defends any and everyone, whilst corruption and politics surround him. A classic show that doesn’t seem to have translated in the US version.

Sherlock
The third season of Sherlock was a bit of a let down. A few people described the season as suffering from a severe case of smug. Definitely not as good as the first two seasons.

South Park
I’ve drifted in and out of South Park. Much like The Family Guy, I still enjoy watching South Park, but don’t find myself compelled to watch every week/episode. That said, Trey and Matt have continued to skewer every topic with bravado.

The Blacklist
This show has grown on me. At first I didn’t think much of it, too forced and episodic. But then James Spader won me over with his charm. I’m sure there are other people on the show as well, possibly even writers and directors.

The Colbert Report
With Stephen Colbert leaving The Report to take over from David Letterman, it feels like we are losing a satirical show that has been without equal. Whilst I’m actually more of a fan of The Daily Show and the new Last Week Tonight, The Report has held up a mirror to those blowhards in the media and screamed at them to take a good hard look at themselves.

The Daily Show
With the rise of Last Week Tonight and the end of The Colbert Report, it is easy to forget the show that launched them. Still the original and the best US news comedy show.

The Flash
Watched the first two episodes and can sum the show up as: meh.

The Librarians
As a huge fan of Leverage I was excited to hear about the new Dean Devlin series, The Librarians. But then I realised that The Librarians sounded similar to a movie that made me want to cut myself. I was torn, watch a new show with Christian Kane in it and try to forget the horror that was The Librarian movies, or ignore potential awesome from the team that made Leverage. Well, a few episodes in and The Librarians looks like a lot of fun, much like Leverage was. Admittedly, the cheesiness that made The Librarian movies suck so badly is still present, but the fun factor is amped up. Did I mention Bruce Campbell makes a guest appearance? Oh, and Aussie actor John Kim is in the cast, and he keeps his accent, unlike many other Aussies and New Zealanders (e.g. the star of Banshee) cast in US shows.

The Roast
One of the common complaints about Aussie TV is the lack of an equivalent to The Daily Show or Colbert Report. The problem with this complaint was that we did have one: The Roast. Unfortunately it didn’t garner the attention it richly deserved and with ABC budget cuts no-one was going to support a show that took a (satirical) razor to politics and media. I think the 10 minute format was ideal for a daily comedy show, roughly matching the amount of original content their US counterparts produce daily, sans interviews. Vale.

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Movies that entertained me in 2014

Following on from my last post about my favourite music from this year, today I present the movies I watched that were released in 2014. Unlike my music list, this list is a review for the movies I watched, not just the ones I really enjoyed. As such I get the chance to highlight a couple of films that everyone should avoid watching, if they haven’t as yet been sullied.

There were a lot of good films released in 2014, especially in the action genre. But I will note that more films are suffering from the dreaded PG13 rating, whereby horrific violence is glossed over to save us from harm. All this really does is mean that we have violence without consequences portrayed in film. And no nudity. At least the DVD versions often have a more mature cut of the film available. Still no nudity. FSM forbid there be nudity. Won’t somebody think of the children!

By release date:

Snowpiercer
Technically released last year but only made it to Australia (US, etc) this year, as it was a South Korean production. I have been very impressed with the films coming out of Korea, with visuals and camera work that belie the production costs. Snowpiercer is no exception to this and managed to attract an international cast. Unlike many Hollywood films, Snowpiercer, and other Korean films I have seen, are not afraid of going for the hard ending to the film. Expect to see more from the Korean film-makers and their influence spread.

Jack Ryan: Shadow Recruit
Inspired by, or based upon, or royalty check paid to, Tom Clancy for his Jack Ryan series of novels; Shadow Recruit is the latest take on the character. Alec Baldwin, Harrison Ford (who killed Sean Bean) and Ben Affleck have all brought Ryan to the big screen, with adaptations of a series of books I gave up on back in my teens. There was nothing particularly wrong with this movie, it was entertaining enough, but there was also nothing that was going to see this franchise have another instalment soon.

The Raid 2: More Arse Kicking
You could be forgiven for thinking that there wasn’t further story to be had from The Raid. Given that the first film was pretty much one long fight scene that the hero won, what more was there to do? Aside from visit the hospital and spend months recuperating. But when a film that awesome is made there is always going to be a sequel, no matter how tenuous the narrative link is (although apparently the sequel is based upon a discarded script used in early development by the director). Where The Raid was flat out action, The Raid 2 has more suspense and plot, and plenty more awesome action. Can’t wait for the next Judge Dredd film to be based on it.

Non Stop: Taken on a Plane
Liam Neeson beats up bad guys on a plane. This time he’s an alcoholic and not really sure who he should be beating up. Not a patch on Taken but has a better plot than Taken 2.

RoboCop
It is hard to remake a classic film, especially in Hollywood, which generally requires writers and directors to gather up copies of the old classic to burn in a fire pit and then piss on the ashes in order to develop a script. When judged as a brand-new movie with no baggage from Verhoeven or the 80s (not one bad 80s suit or haircut appeared in this film), then Robocop is actually worth watching. In fact, I’d go as far to say that it is worth watching the film just to see Samuel L Jackson’s performance as a loud-mouth, arrogant, douchebag cable news anchor (you know, Bill O’Reilly). But we can’t ignore the baggage, so this comes off as a pale imitation. Still superior to the other Verhoeven remake, Total Recall.

The Lego Movie
Honey, where are my paaaants? The Lego Movie has grabbed a lot of attention and it is well deserved. The movie isn’t without its faults, but it is a kids film that doesn’t silently make parents wish they had decided to be ‘just good friends’ a decade ago.

3 Days to Kill
There were a lot of ingredients in this film that suggested it would taste fantastic. Instead it was a bit bland and made you feel guilty about eating all those calories for no reward.

300: Rise of an Empire
I am an unashamed Eva Green fan. I could happily spend 2 hours watching her stare at the camera, she is that good an actor (more on that in my 2014 in TV). All the ingredients that made 300 awesome are back (except Gerard Butler) with a more expansive stage. The director was clearly going for epic and almost made an action flick that got there. Unfortunately the cool visuals have been copied by too many other movies since the original, so much of the impact is lost.

Need for Speed
I played a lot of Need for Speed when I was younger, so it was awesome to watch the game being brought to life in the movies… Is that an oxymoron? Aaron Paul holds this film together, since the material is paper thin, and NFS wasn’t exactly weighed down with plot as a game. Enjoyable whilst being nothing amazing.

Captain America: Winter Soldier
This was just such an awesome film. The script was inspired by the classic run of comics by Ed Brubaker, with the writers and director managing to capture so much of what a good superhero comic is all about. Without much doubt, Captain America: Winter Soldier, was my favourite film of the year.

Sabotage
Just awful. There is virtually nothing to like about this film. All the characters are unlikable, the script doesn’t make sense, the ending feels like a let down, and not even Arnie’s charisma can stop this steaming pile of elephant crap from being one of the worst films I’ve ever watched.

Transcendence
Not many people liked this film, yet it wasn’t as bad as most claimed. The hate is probably a hangover from the last Johnny Depp vehicle, The Lone Ranger, which will haunt him to his deathbed. That doesn’t make Transcendence a good film, as it is slow, predictable, and crammed with undeveloped characters. But it has Cillian Murphy in it and Paul Bettany does his Paul Bettany thing, so the movie is watchable.

Brick Mansions
Brick Mansions is a remake of the French film District 13. They even got the original star, parkour legend David Belle, to play the same role again. There is nothing to like about this film, they even managed to ruin the parkour scenes with terrible camera work and editing. Watch the original, this was pitiful.

X-Men Days of Future Past
The problem with watching an X-Men movie is that we have seen The Avengers, Iron Man, and the previously mentioned Captain America. There is nothing particularly bad about this movie, but we have just had a slew of excellent comic book movies (which is a rarity), so this pales in comparison. X-Men suffers from being far too serious, lacking humour and interesting dialogue. Also, Hugh Jackman is a tad too lean and veiny in this film.

Edge of Tomorrow
I don’t know that I’ll ever forgive Tom Cruise for making Jack Reacher a foot shorter than he should be. But Edge of Tomorrow goes some way toward making amends. This was an excellent movie and was not the usual Cruise fare. The only thing that annoyed me about the film was the ending, which was the typical Hollywood rubbish. If they had stuck with the ending from the book then they would have had something remarkable.

A Million Ways To Die In The West
Family Guy is one of my favourite TV shows, despite having gone off the boil in recent seasons. Seth MacFarlane made a successful transition to movies with Ted, but some people aren’t enamoured with his brand of humour. I am and this was the funniest film I’ve watched since Ted. It isn’t as good, however, as A Million Ways To Die In The West suffers from being about 20 minutes too long. It seems all recent films are clocking in at 2 hours long, which is 30 minutes too long for a comedy, in my opinion. And A Million Ways could have retained most of the material and come in shorter, just by utilising tighter editing.

Guardians of the Galaxy
Of all the comics to become a blockbuster movie, Guardians is not an obvious choice. But everything about this film is done just right. Everything about Guardians says that it has to walk such a fine line that it should fail miserably. Instead the humour hits its marks, the acting stops the characters falling into Batman & Robin territory, the action is awesome but not overdone, and there is a sentimental note to the film that could have easily become soppy. My second favourite film of the year.

Lucy
It is hard to get past the ridiculous premise of this movie when it is a well known brain myth. But even if you dismiss that, Lucy is a rubbish film, so the use of the 10% Myth is the least of its problems. The main thing I hated was the problem that many of these “I’ve just become super smart” themed movies have (Transcendence had this as well to an extent), and that is the idea that the smarter you become, the more inhumane you become. Smart people = jerks, apparently.

The November Man
This was a solid action movie starring Pierce Brosnan (who killed Sean Bean) showing that he hasn’t lost his action chops. Nothing amazing about this spy-action-thriller, which means Brosnan carries the film. One thing I did hate was the ending, which seemed really odd. I’m sure there is a director’s cut that will be released that will make more sense, as clearly there was a scene missing.

The Equalizer
Denzel Washington is a Man On Fire…. Wait, different movie. Denzel Washington is a man with a particular skill set… Sorry, that’s Liam Neeson. Denzel Washington kills some Russian mobsters using hardware supplies and Sony product placement. The Equalizer is a pretty standard vigilante action movie. What sets it apart, or makes it worth watching, is Denzel, because when is he not worth watching, and the understated story-telling. A lot of films like this go out of their way to beat their audience over the head with various plot points, The Equalizer just pokes their audience in the face.

A Walk Among the Tombstones
Liam Neeson doesn’t beat up nearly enough people in this film.

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Music that entertained me in 2014

In the lead up to the end of 2014 and my announcement of The Awesomes of the year, I thought I’d cover things other than books that entertained me this year. To start with I thought I’d list some of the music I’ve bought and listened to this year. As always, I’m hoping that sharing the stuff I’ve enjoyed will promote artists and media so that maybe you’ll find something new to enjoy.

Devin Townsend
For me 2014 was all about Devin Townsend, with his new album Z2 and his back catalog on high rotation. Whilst Epicloud and Addicted remain my favourites, there is little Devin has done that isn’t worth listening to.

Epica
Whilst I’ve liked most of Epica’s work, their more recent album, Requiem for the Indifferent, had more pop-inspired vocals than Simone Simmons usual range. This lost my interest quickly. Fortunately The Quantum Enigma was a return to form for the band and Simone’s vocals. They also released one of the few lyric videos that didn’t suck, so there is that as well.

Arch Enemy
With singer Angela Gossow stepping down to manage the band, the new album, War Eternal, could have gone pear shaped. Instead Alissa White-Gluz stepped up and the band continued to kick arse.

Delain
With the second closest thing to pop on my list, Delain’s new album, The Human Contradiction, was a brighter, more rock, release than previous albums.

Diabolicus in Musica
Not to be confused with the classic Slayer album, Diabolicus in Musica share many of the elements I like in music (see if you can spot the similarities). Argia was their second album and released this year. Their studio production is improved over their first album, which makes them sound bigger and more epic.

Nightwish
Nothing new from them this year, but I did see them live so I’m counting that. With Floor Jansen stepping in as lead vocalist I was like an excited puppy to see them perform. Floor previously fronted After Forever, another band I love, not to mention her other projects.

Kontrust
This is cheating slightly because as I write this I haven’t bought the new album. But I did discover Kontrust this year and their music has also been on high rotation, particularly Secondhand Wonderland.

Deathklok
This is another cheat since Metalocalypse: The Doomstar Requiem A Klok Opera was released last year, but I’m justifying it on the basis that Australia has to rely on illegal downloads to get content in a timely manner. So I was only able to buy this Klok Opera recently, and what a cool piece of work it is.

Amaranthe
I was watching a parkour video last year that had a song from Amaranthe as the soundtrack. I subsequently bought their first two albums and love their mix of crushing guitars and pop-inspired vocals. Definitely the most pop-styled music on this list, the new album, Massive Addictive, is more good-fun music.

Within Temptation
Given the list so far it is no surprise that Within Temptation are included here. With the release of the first single from Hydra, which included guest vocals from Tarja Turunen (formerly of Nightwish) I was excited, to say the least. But I found the album to be too inconsistent and a little disappointing. Still some great moments on it, however, such as this track:

Nicki Minaj
Kidding, just kidding. I honestly have no idea who Nicki Minaj is, except that she was one of the musicians satirised on the South Park episode I watched last night. Just wanted some clickbait. #NickiMinajNaked

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Misleading packaging: why reviews matter

There is nothing worse than picking up a book, movie, whatever, expecting to be entertained based on the cover. The above example is the movie Far Cry, starring Til Schweiger, in what looks like a cool action flick. The description even makes you look past the fact that this is a video game adaptation, promising a slick action-eer:

An ex-special forces soldier turned boatman is hired by a journalist to investigate a top-secret military base on a nearby island.

The problem with this packaging is that this is a film by Uwe Boll. Til Schweiger is a fantastic actor and a major box office draw card, especially in his home country of Germany. He was also the driver behind one of my favourite films of all time, Knocking on Heaven’s Door. Yet not even Til can save us from the worst director of all time.

One of the things that amazes me about Uwe Boll is not so much the fact that he is still making films (petition to stop him making films) but the fact that he is able to attract the money and star power to his movies. You would think that actors would be keen to avoid working with Uwe so that they don’t sign a career death note. But Til, Ron Perlman, Burt Reynolds, Jason Statham, Ray Liotta, Eric Roberts, Christian Slater, Stephen Dorff, Claire Forlani, Leelee Sobieski, John ‘Gimli’ Rys-Davies, and Ben Kingsley (although, Kingsley may be an Oscar winner, but he has appeared in some truly awful films), have all lined up to appear in a Uwe Boll production. Why!?! Rys-Davis has implied that the money is good and Uwe is easy to work for. No mention of exactly how good Uwe is to work with; I’m going to assume running hot and cold hookers and blow.

This speaks to the underlying problem with picking good entertainment. We can be easily mislead with a cool blurb, impressive trailer, a spot at the front of the store, a stand that tackles you to the ground and forces you to buy the movie/book. It is why movie stars are paid big money, because they have a brand that audiences recognise, and that can guarantee box office sales. In publishing you have name brand authors like James Patterson occupying the front of the store because they are reliable bestsellers. And Lee Child was recently shown to have the strongest brand in publishing, with fans following him from book to book more than any other author, because of his reliably entertaining books. Uwe Boll is the opposite of this brand of success and reliability.

Essentially media consumers like us are less likely to try a new author, or watch a film by a new director, or one that stars actors we haven’t heard of, because of the Uwe Boll’s of this world. We want our entertainment to be entertaining – I know, not much to ask really – and we hate being mislead by slick tricks. We see a cool poster or cover, we see a big name actor attached, or read a cool blurb, only to be sorely disappointed. So instead of trying something new, we stick with what we know and trust.

I guess that is why I promote books I’ve read and liked on this site. That is why we need people to review books, movies, TV shows and music. That is why we need to find people with similar tastes to make recommendations to us. If we can’t stop Uwe Boll making films, at least we can tell people about the films that are worth watching.