Book Review: Criminal by Karin Slaughter

Criminal (Will Trent, #6)Criminal by Karin Slaughter
My rating: 3.5 of 5 stars

If you ever want to feel better about yourself and your life, there is nothing like reading a book with characters that have a litany of personal problems and struggles. I can’t think of too many people with serial killers for dads, so that has to make your lot in life look better.

Unlike the previous Will Trent story I read from Karin Slaughter, this novel novel is split into two timelines, one in the modern day with Will, the other in the 1970s focuses on the early career of Will’s boss, Amanda Wagner. Karin handles the multiple POVs and timelines seamlessly and I really enjoyed the trials and tribulations of Amanda’s first homocide investigation, and the insights it gave into equality. It is really odd to think that only 30-40 years ago that people would have been phoning the police to report women impersonating police officers, because the idea that women could actually do the job seemed too ridiculous. Check out the interview with Karin discussing this:

It’s good to know that society has come a long way in a generation, not that you’d notice on the Youtube comments section.

Despite enjoying this novel, the characterisation, the social insights, the murder mystery, I could only give it 3.5 stars. The only reason for this was that I’ve had a very busy time of late, with many things competing for my spare time, and this book wasn’t compelling me to pick it up and keep reading. I didn’t have to force myself to read the book, by any means, more that I wasn’t drawn to it in the way I am with my favourite reads.

I’d recommend this book for people who’ve already read some of the Will Trent series, as they’ll get more out of the story than someone new to the Will’s world.

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The surprising decline in violence

Damn. How can a thriller or crime writer make a crust if violence is declining?

I know that we writers are generally known for writing fiction, but we readers – yes, I’m both – are also a fickle bunch who like things to have a level of realism to them. We need there to be a basis for our stories so that you can become more emotionally involved with the protagonists. If violence keeps declining then thriller and crime authors are going to have to look to the sensationalism of media reporting for story ideas. I think we can all agree that you can’t base fiction upon fiction.