Book review: Dear Child by Romy Hausmann

Dear ChildDear Child by Romy Hausmann
My rating: 3 of 5 stars

I imagine lion voice is pretty much speaking like Aslan.

For 13 years, Matthias and Karin have been desperate to find their daughter Lena. Then one evening, their estranged friend and local detective phones with news. A woman matching their missing daughter’s description has just been hit by a car and is in hospital. But the woman isn’t Lena. The young girl with her, however, is definitely their granddaughter. How can that be? Where has this woman and their grandchildren been all these years? And where is Lena?

When I read the blurb for this novel I was immediately interested. Normally these sorts of mystery stories (they call it a thriller, but it is a crime-mystery) are all about finding the missing girl. This novel starts after she has been found. Interesting take.

As you can imagine, a large part of the story deals with trying to piece together what happened as the victims try to process their trauma. The police are trying to figure out identities and piece together the evidence. The grand/parents (primarily Matthias) are still trying to push the investigation. The children are trying to process being out of their regimented cabin life. And the rescued Jasmin (not Lena), having escaped her tormentor, is still haunted by her experience.

After finishing Dear Child I wasn’t quite sure what I thought of it. The initial premise and first few chapters really grabbed me. The story is very well written and feels like the recounting of actual events. And similarly, the ending is great and offers catharsis to the story and characters. But I think the middle only really served to keep those two sections apart. So much of the mystery and events of the story are driven by characters doing stupid things. Sure, that also makes it feel human and real, but at some point it stops being how that character would behave and more of a contrivance. I wanted things to progress, not get bogged down.

Or to put it another way: I felt the story needed less Matthias and more Hannah (the daughter of Lena). Having her perspective for the story would have kept the mystery interesting and buried. It would have also kept Matthias from being the annoying speed-hump in the story.*

I can see this novel appealing to the psychological thriller audience. But for me, I can’t give Dear Child more than 3 stars. It’s a good book, but probably not exactly my cup of tea.

I received a review copy of Dear Child in exchange for an honest review.

* In fairness, Matthias’ actions are completely understandable and well-drawn. He isn’t a bad character but he is annoying, deliberately so.

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Book review: Thirteen by Richard K Morgan

ThirteenThirteen by Richard K. Morgan

My rating: 3 of 5 stars

When society stops being violent someone will try to genetically re-engineer violence.

Carl Marsalis is a specialist bounty hunter. Genetically engineered and indoctrinated from birth to be a dangerous weapon, he now hunts others like him. After landing in prison in the wrong part of the former USA – Jesusland – he is seconded to track down someone who is killing his way across the former USA after eating his way through the crew of a Mars-to-Earth flight. But the cannibal seems to be a step ahead of the game and not picking targets at random. It’s as though he has help and is possibly working for someone as their hitman.

After recently finishing the Altered Carbon series, I decided to see what other Morgan novels I could get my hands on. Thirteen promised to be similar to Altered Carbon. The setting was similarly cyber-punk, the mystery/detective narrative is front and centre, and Marsalis likes to get violent and have sex with any and all female characters.

But where Altered Carbon used those elements in a compelling way, Thirteen was too indulgent with them. The novel feels padded out and runs far too long. This leads to pacing problems, with some sections really bogging down. The charisma of Kovacs is not present in Marsalis, despite their similarities, so you don’t feel the same thrill from him dispatching a bad guy or having the love interest* throw herself at him.

I think I could have forgiven those aspects a bit more if it weren’t for the “conversations” between characters about genetics. These were long discussions that bashed the reader with the point. I’d have had less of a problem with them if they weren’t quite so wrong on the science. The “conversations” amounted to telling us that we are essentially only our genetics. That’s not only nonsense (GxExM is how we discuss genetics in science) but is pretty much spouting modern-day scientific racism.**

That point is particularly ironic given the obvious analogies for racism and backward thinking being drawn. “Look at how backward these religious bigots are. Look at how badly they treat black people. Hey, check out my thinly veiled racism disguised as science!” I don’t know if I missed something, but this really did read to me as admonishing racism whilst justifying it as not something we can get over. If that was Morgan’s point, then it would have been great if he could have done it in about 150 pages less.

With all that said, this was still enjoyable and I am looking forward to reading more from Morgan.

* I’m being overly flippant and critical here. Sevgi Ertekin is a fairly well-developed character but her role does appear to be just the love interest and character motivation.

** Yes, scientific racism is back. Modern-day phrenology comes in many forms. Often it is IQ studies and hereditarianism, sometimes it is labelled Human Biodiversity (HBD), other times it will be straight up eugenicists and white nationalists. Reading about its insidious creep into academia and mainstream discourse is sickening.

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Book review: Death on the Nile by Agatha Christie

Death on the Nile (Hercule Poirot, #17)Death on the Nile by Agatha Christie

My rating: 3 of 5 stars

You will never find a more wretched hive of scum and villainy than a group of rich people travelling together.

Hercule Poirot decides that he has earned himself a holiday and thinks it would be nice to travel up The Nile in Eygpt. As he ventures out he meets a newlywed couple, their stalker, their maid, their trustee, a romance novelist and her daughter, a socialite and her cousin and nurse, a mother and son, a communist, an archaeologist, a solicitor, a doctor, and Poirot’s friend Colonel Race. He is soon taken into the confidence of newlywed Linnet and her stalker Jacqueline and thinks that it will not be long before something tragic happens. But more than one person is targeting Linnet and it isn’t long before Poirot has another mystery to solve.

I read my first Agatha Christie Poirot novel a couple of years ago and felt that it was time for another. In that previous outing, I had enjoyed discovering many of the mystery tropes in their original form. This time, knowing what to expect, I was more interested in the story itself. Which was okay.

This mystery was interesting and I enjoyed the use of multiple crimes to muddy the waters. Christie certainly earned her reputation. But it did all feel just a little bit quaint. Whether it be the characters reminding you of the class system the Brits loved (and still do), or that the setting could have been the steamer or a country manor – as long as it had a sitting room. You can’t help but agree with the commie character that a few more could do with shooting.

I’m probably being a little harsh. This was a quick and entertaining read that was enjoyable. And they are making it into a movie soon, so best to read it before watching the movie.

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How JK Rowling writes mystery

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We don’t often think of fantasy novels as being mysteries. And yet, in JK Rowling’s Harry Potter novels, the mystery elements are cornerstones of the plot.

Mystery isn’t easy to do well, either, as we will see in the two videos below from Just Write. In the Harry Potter novels we see the elements Rowling used to great effect, and in the new Fantastic Beasts movies, we see how Rowling bungles those elements.

I suppose the big takeaway is that even a master writer* can mangle the craft.

*Feel free to disagree with this assertion and point out to me Rowling’s various flaws as an author in painful detail that assumes I’ve never read the Potter books. That’s why they invented the comments section.

Book review: Bleak Harbor by Bryan Gruley

Bleak Harbor: A NovelBleak Harbor: A Novel by Bryan Gruley

My rating: 3 of 5 stars

If you received a dollar for everytime someone said “X business is a license to print money” you’d have the first instance of that statement being true.

On the day before the Dragonfly Festival in Bleak Harbor, Danny Peters goes missing. Pete Peters, his stepdad, is having a quick beer after work at his medicinal marijuana shop before he and Danny go fishing when he receives a strange text message. Carey Peters is halfway through her long commute, thinking of her work problems, when she receives the message. At first, they aren’t sure if Danny has run off again or if something more sinister has happened until they receive the photo. But which of their secrets has gotten Danny in trouble?

From the very start, we see that this mystery will be built upon the layers of secrets Danny’s parents have been keeping. The twists and turns this gives us are tightly woven together. Pete and Carey feel like painfully human characters stumbling through life and now stumbling through the disappearance of their son. Danny is a refreshing and interesting portrayal of someone with autism, steering clear of the usual cliches and errors.

But I really did find it hard to engage with this novel. I liked Danny, but Pete and Carey weren’t particularly interesting or charismatic. It is hard to follow along with their trials and tribulations when you just want to slap them and tell them to talk to one another. As a result, it was hard to give this more than three stars despite how well the mystery was structured and the book was written.

I received an advance review copy of this book in exchange for a fair review.

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How to write suspense

'Oh-oh!... The tempo of the background music just changed.'

TL/DW = the unknown.

  1. Limit the point of view so the reader has limited information.
  2. Choose the right setting to limit the known.
  3. Style and form can be used to mess with the conveying and pacing of information.
  4. Dramatic irony can be used to reveal some information to the reader that the characters don’t know.
  5. Cliffhangers can be used… If you also like coming up with implausible resolutions to them.

creating-suspense-using-gen

See also: http://www.writersdigest.com/qp7-migration-conferencesevents/nine-tricks-to-writing-suspense-fiction

Who Reads?

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Us readers know how awesome we are. And if we ever socially interacted with people everyone would realise that. We also want to know that we’re not alone. In a holistic sense. Obviously alone in the physical sense because otherwise, someone would try to interrupt our reading.

Sensing our need for connection to a nationwide community of book nerds, The Australian Arts Council commissioned a report to figure out who was reading books. The report surveyed 2,944 people to see who read, how much, how they found books, and whether they preferred waiting for the movie adaptation. Let’s see what they found.

Firstly they wanted to establish how often people read and how that compared to other leisure activities. Reading was obviously less popular than dicking around on the internet and watching TV, but apparently beat out exercise. Although they excluded sport, and Aussies have a funny definition of sport. But this finding is similar to 2006 ABS figures that suggest Aussies spend 23 minutes per day reading, versus 21 minutes for sport and outdoor activities, and 138 minutes for Audio/Visual Media (Table 3.3).

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Next are the reader categories. Non-readers were actually a small group, mostly male and more likely to have less education (although I wouldn’t read too much into that last detail). Occasional readers made up half the population and were defined as reading 1 to 10 books in the last 12 months. Frequent readers were a surprisingly large segment, were defined as reading more than 10 books in a year, and were mostly female, older, better educated, and clearly better looking with tonnes of charisma.

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Reading is to intellectuals what the bench press is to lifters. On the surface, they might appear to be a good representation, but most exaggerate how much to appear better than they really are. Oh, and they generally aren’t fooling anyone… So I’m a little suspicious of the popularity of reading suggested by the above figures.

For one, only 34% of Aussies have visited a library in the last 12 months (2009-2010 ABS data) and 70% of them attended at least 5 times. Yet this new survey suggests 39% of people borrowed one or more books from a library in the last month. That’s roughly comparative figures of 24% from the ABS and 39% from this survey.

I’m suspicious. This survey might not be as representative as claimed. Or reading may have suddenly risen in popularity since 2010… Doubtful given that both the ABS and this survey suggest otherwise. ABS suggested the amount of time spent reading had decreased by 2 hours between 1997 and 2006, whilst this survey suggested the book reading times were roughly the same as 5 years ago (Figure 8 – not presented).

The next figure of average reading rates either suggests Aussies are reading quite a bit, or inflating their numbers like an “all you” bench press. The average Aussie is reading 7 hours a week (5 of those for pleasure) and getting through 3 books a month (36 a year: not bad). Occasional readers are reading one book a month from 5 hours a week, compared to the Frequent readers who are reading 6 books a month from 11 hours per week (72 books a year: nice).

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But I’m not sure how accurate these claims are. I cited ABS figures above that suggested Aussies spend 23 minutes per day reading, or 2hrs 41mins (161 minutes) per week. So either one of these two samples is unrepresentative, or some people just love to inflate how much they read. I’m leaning toward the latter.* But you can trust me on my bench press numbers. Totally accurate and “all me”.

The final figure I found interesting was of favourite reading genre. When you included non-fiction and fiction genres there were two clear winners: Crime/Mystery/Thrillers; and Science Fiction/Fantasy.

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These are our favourites yet our bookstores would suggest that Sci-fi and Fantasy are niche and only deserving of a shelf at the back of the store. Cookbooks, memoirs, literature, and the latest contemporary thing that isn’t quite literature but isn’t exciting enough to be genre, are typically dominating shelves in stores. This would annoy me more if I wasn’t already suspicious of how representative this survey was, or how honest the respondents were being.

It could well be that people enjoy reading Thrillers and Fantasy but feel compelled to read other things. Maybe people are brow-beaten by the literary snobs to read only the worthy stuff and not the guilty pleasures. Maybe the snobs in Fort Literature have successfully turned favour against the invading Lesser Works. This might not be the case though, as 51% in this survey say they are interested in literary fiction but only 15% actually read it.

It could be that people are borrowing books from libraries or friends. Borrowing books is popular with 41% borrowing one or more books per month, mostly from friends (43%) and libraries (39%). But 39.5% bought at least one book in the last month (92% of 43% buying for themselves). So the tiny niche sections in bookstores for the most enjoyed genres still doesn’t make much sense.

I’m not sure what to make of all this. I mean, aside from Yay, Reading!

For comparison, the USA Pew Research’s 2016 annual survey of readers data is presented below. This suggests that Aussies read more than Americans. Assuming people are being honest.

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“Key” insights from the Aussie research:

•  We value and enjoy reading and would like to do it more – 95% of Australians enjoy reading books for pleasure or interest; 68% would like to read more, with relaxation and stress release the most common reason for reading; and almost three-quarters believe books make a contribution to their life that goes beyond their cost. Over 80% of Australians with children encourage them to read.

• Most of us still turn pages but many are swiping too –  While print books still dominate our reading, over half of all readers in-clude e-books in the mix, and 12% audio books. Most Australians (71%) continue to buy books from bricks-and-mortar shops, while half (52%) are purchasing online. Word of mouth recommendations and browsing in a bricks and mortar bookshop are our preferred ways to find out what to read next. At the same time, nearly a third of us interact with books and reading through social media and online platforms.

•  We are reading more than book sales data alone suggests – each month almost as many people borrow books (41%) as those who buy them (43%) and second-hand outlets are the third most popular source for buying books (39%), after major book chains (47%) and overseas websites (40%). Those who borrow books acquire them almost as frequently from public libraries as they do by sharing among friends.

•  We value Australian stories and our book industry – 71% believe it is important for Australia children to read books set in Australia and written by Australian authors; and 60% believe it is important that books written by Australian authors be published in Australia. While there is a common perception among Australians that books are too expensive, more than half believe Australian literary fiction is important. Almost two-thirds of Australians believe books by Indigenous Australian writers are important for Australian culture.

•  We like mysteries and thrillers best – the crime/mystery/thriller genre is the most widely read and takes top spot as our favourite reading category. We also love an autobiography, biography or memoir. (Source)

* I’m biased toward the ABS survey results over the Australian Arts Council for a few reasons. The first is that the ABS data is part of a larger Time Use Survey (How Australians Use Their Time, 2006, cat. no. 4153.0), so this removes a few biases in how people would answer questions (i.e. ask people specifically about how awesome books are, you’re going to talk up your reading more). It is also the larger survey covering 3,900 households. The methodology was also more likely to produce better data since respondents were filling in a daily diary and being interviewed. The Arts Council methodology wasn’t bad, but the survey was developed by interest groups, so the questions were presuming some things.

Book review: Peril at End House by Agatha Christie

Peril at End House (Hercule Poirot, #8)Peril at End House by Agatha Christie

My rating: 4 of 5 stars

If you try to kill someone five times and fail, does the intended victim have to at least feign injury?

Hercule Poirot the world’s best detective thought he had retired. Then a bullet intended for Nick Buckly lands at his feet. He can’t very well continue to modestly claim the title of world’s best detective if he doesn’t solve a case that literally lands at his feet, now can he?

I’ve not previously read any Agatha Christie novels, so it was interesting to galavant off to 1930s England for a mystery. It is hard not to be familiar with the Christie tropes, what with the countless plays, radio, TV, and movie adaptations, not to mention the imitators. But seeing the tropes in their original form was entertaining in and of itself, whilst also grounding a lot of the other works.

Recently I had the pleasure of seeing The Play That Goes Wrong. Probably one of the funniest shows I’ve ever seen, and one that wouldn’t have worked without the influence of Christie. That alone probably added to my enjoyment of this novel. And the mystery itself was actually quite well layered. So as long as you don’t mind the slight quaintness of the characters (rich English people from 1930s high society) and the tropes (let’s go to the drawing-room, sit around the log fire, and I’ll slowly reveal who did it) this is well worth a read.

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Book review: The Forgotten Room by Lincoln Child

The Forgotten Room (Jeremy Logan #4)The Forgotten Room by Lincoln Child
My rating: 3.5 of 5 stars

One day I’m going to start a think tank and name it after a bodywash – possibly a shampoo – just like Lincoln Child did with his fictional institution, Lux.

There’s a problem in the west wing of the think tank Lux. No, it isn’t that their research is funded by special interest groups. No, it isn’t that they are neo-cons intent on bending governments to their policy wills. Lux has a slight problem with residents going crazy. So they contact Dr Jeremy Logan, a former resident and investigator who specialises in the extraordinary, to figure out what is causing the problems. That’s when they find The Forgotten Room and its contents.

Without realising it, I’ve actually read one of the other Jeremy Logan mysteries. The reason I didn’t realise I had read the first in the series (this being #4) was that Jeremy wasn’t the main character in Deep Storm. But much like Deep Storm, The Forgotten Room is a compelling mystery that hits all the right beats. Where Deep Storm was more techno/sci-fi based, The Forgotten Room has allusions to the supernatural whilst being more conventional. Where Deep Storm had a mysterious illness, The Forgotten Room has a mysterious illness. Where Deep Storm tried to kill off as many characters as possible, The Forgotten Room keeps the fatalities to a minimum. I don’t know why I’m comparing the two books in the series this much, probably because they seem to have the same general plot and feel to them. Although I do prefer the character of Logan to Crane.

As with all Lincoln Child and Douglas Preston books, you can be assured of an entertaining read. Whilst Logan is no Pendergast, he does make for an interesting character to follow as he unravels the mystery. But as with my review of Deep Storm, I did feel this book to be a little too “by the numbers”.

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Book Review: The Kill Room by Jeffery Deaver

The Kill RoomThe Kill Room by Jeffery Deaver

My rating: 3.5 of 5 stars

Fishing is a strange sport. You sit around getting drunk for hours on end and hopefully catch some food. But red herrings are highly overrated, especially when they inspire novelists.

Lincoln Rhyme and Amelia Sachs are back with another mystery to solve. This time a sniper has killed Robert Morano, an American citizen who doesn’t like America, whilst he was in a hotel room in the Bahamas. There are suspicions this was a government authorised hit, the local police are more concerned about a missing tourist, and Morano may be the first of many targets. The investigation is lacking in evidence and cooperation, frustrating Rhyme enough that he decides to go swimming.

Deaver is one of the most respected mystery crime writers for a reason. Rhyme and Sachs are an interesting investigative team and there are plenty of other interesting characters throughout the novel. Deaver keeps the mystery intrigue running for the entire novel. But the points that I felt counted against this novel were the overuse of red herrings (in one case a double fake). It is one thing for mysteries to have dead-ends and other points of narrative tension, but it felt like Deaver was trying to fool the reader just a little too often.

To some extent this is probably because of Deaver’s success and the mystery reader fanbase. Readers are going to find plots too obvious or recycled if a writer like Deaver doesn’t mess with them a bit. I felt there were other ways he could have kept the mystery going without such blatant red herrings, but others may not mind them. A solid effort but not quite as good as earlier books in this series.

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Book Review: Criminal by Karin Slaughter

Criminal (Will Trent, #6)Criminal by Karin Slaughter
My rating: 3.5 of 5 stars

If you ever want to feel better about yourself and your life, there is nothing like reading a book with characters that have a litany of personal problems and struggles. I can’t think of too many people with serial killers for dads, so that has to make your lot in life look better.

Unlike the previous Will Trent story I read from Karin Slaughter, this novel novel is split into two timelines, one in the modern day with Will, the other in the 1970s focuses on the early career of Will’s boss, Amanda Wagner. Karin handles the multiple POVs and timelines seamlessly and I really enjoyed the trials and tribulations of Amanda’s first homocide investigation, and the insights it gave into equality. It is really odd to think that only 30-40 years ago that people would have been phoning the police to report women impersonating police officers, because the idea that women could actually do the job seemed too ridiculous. Check out the interview with Karin discussing this:

It’s good to know that society has come a long way in a generation, not that you’d notice on the Youtube comments section.

Despite enjoying this novel, the characterisation, the social insights, the murder mystery, I could only give it 3.5 stars. The only reason for this was that I’ve had a very busy time of late, with many things competing for my spare time, and this book wasn’t compelling me to pick it up and keep reading. I didn’t have to force myself to read the book, by any means, more that I wasn’t drawn to it in the way I am with my favourite reads.

I’d recommend this book for people who’ve already read some of the Will Trent series, as they’ll get more out of the story than someone new to the Will’s world.

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Book review: The Tournament by Matthew Reilly

The TournamentThe Tournament by Matthew Reilly
My rating: 4 of 5 stars

Just about everyone has already commented how this novel is a departure for Matthew Reilly. It’s still unmistakably a Matthew Reilly novel, but instead of a thriller, this is a mystery novel.

Whilst this was an enjoyable novel, I can’t rate it as highly as his others. The key to enjoying the change in Reilly’s murder mystery cum chess tournament is to remember this is a mystery and not a thriller. Seriously, some of the reviews I’ve seen sound like they were expecting Scarecrow to time travel back at any moment and start shooting mutant monkeys, and were annoyed when that didn’t happen.

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Isabel Allende’s scorn for genre fiction

science-fiction-vs-proper-literature
Literature vs Genre: jetpack wins!

There is a storm brewing. In the latest of the long line of insults by literary fiction against genre fiction, Isabel Allende has taken a pot shot at crime fiction. Now apparently she hates crime fiction because:

It’s too gruesome, too violent, too dark; there’s no redemption there. And the characters are just awful. Bad people.

But that didn’t stop her writing a crime mystery. It also didn’t stop her saying that the book was a joke and ironic. I think the word she was actually looking for was hypocrite.

I’ve never really understood the people who read or write stuff they don’t enjoy. Sure, I read some really boring science journal articles, but that’s because I enjoy knowing stuff. If I’m going to sit down and read a book, I want that 10-20 hours of entertainment to be, well, entertaining. If I’m writing, which is a much longer and more involved process, why would I invest that much time in something I’m not enjoying doing?

So to some extent, I understand why Isabel decided that her mystery had to be a joke and ironic. But that is also the crux of the problem, she doesn’t seem to understand that she is also insulting readers and fans of genre fiction. I think the book store in Houston, Murder by the Book, that had ordered 20 signed copies of her novel, did the right thing in sending them back.

Now you can write a satirical or ironic take on a particular genre or sub-genre of fiction. But when you do so it has to be because of your love of all those little things you’re taking the piss out of. If you do it out of hate then you can’t turn around and try to sell it to the audience you are taking a pot shot at. I think this stuff is stupid, you’re stupid for reading it, but I still want you to pay me for insulting you.

I get a little sick of snobbishness toward genre readers and writers. Do genre readers and writers take pot shots at literary authors for their lack of plots, characters who have to own a cat and be suffering, and writing that is there to fill pages with words and not actually tell a story? No. We’re too busy reading something exciting.

It would be great if people just enjoyed what they enjoyed and stopped criticising others for enjoying what they enjoy. Enjoy.

See also:
http://www.fictorians.com/2013/03/04/literary-vs-genre-fiction-whats-all-the-fuss-about/

Top 10 Rules for Mystery Writing

 

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  1. In mystery writing, plot is everything. Because readers are playing a kind of game when they read a detective novel, plot has to come first, above everything else. Make sure each plot point is plausible, and keep the action moving. Don’t get bogged down in back story or go off on tangents.
  2. Introduce both the detective and the culprit early on. As the main character, your detective must obviously appear early in the book. As for the culprit, your reader will feel cheated if the antagonist, or villain, enters too late in the book to be a viable suspect in their minds.
  3. Introduce the crime within the first three chapters of your mystery novel. The crime and the ensuing questions are what hook your reader. As with any fiction, you want to do that as soon as possible.
  4. The crime should be sufficiently violent — preferably a murder. For many readers, only murder really justifies the effort of reading a 300-page book while suitably testing your detective’s powers. However, also note that some types of violence are still taboo including rape, child molestation, and cruelty to animals.
  5. The crime should be believable. While the details of the murder — how, where, and why it’s done, as well as how the crime is discovered — are your main opportunities to introduce variety, make sure the crime is plausible. Your reader will feel cheated if the crime is not something that could really happen.
  6. The detective should solve the case using only rational and scientific methods. Consider this part of the oath written by G.K. Chesterton for the British Detection Club: “Do you promise that your detectives shall well and truly detect the crimes presented to them using those wits which it may please you to bestow on them and not placing reliance on nor making use of Divine Revelation, Feminine Intuition, Mumbo Jumbo, Jiggery-Pokery, Coincidence, or Act of God?”
  7. The culprit must be capable of committing the crime. Your reader must believe your villain’s motivation and the villain must be capable of the crime, both physically and emotionally.
  8. In mystery writing, don’t try to fool your reader. Again, it takes the fun out. Don’t use improbable disguises, twins, accidental solutions, or supernatural solutions. The detective should not commit the crime. All clues should be revealed to the reader as the detective finds them.
  9. Do your research. “Readers have to feel you know what you’re talking about,” says author Margaret Murphy. She has a good relationship with the police in her area, and has spent time with the police forensic team. Get all essential details right. Mystery readers will have read a lot of books like yours; regard them as a pretty savvy bunch.
  10. Wait as long as possible to reveal the culprit. They’re reading to find out, or figure out, whodunit. If you answer this too early in the book, the reader will have no reason to continue reading.

by Ginny Wiehardt

Source for Image

From Writers Write Blog.

Book Review: Death In The Dark by Emily Kimelman

Death In The Dark (A Sydney Rye novella #2)Death In The Dark by Emily Kimelman
My rating: 4 of 5 stars

I look forward to a lot of things: my football team winning another premiership, science discovering something cool, sleeping in on the weekend, sleeping in on a weekday, reading a good book. As a reader, I feel I have a responsibility to look forward to the next novel from my favourite authors. Thankfully, my favourite writers have never failed to deliver.

The first Sydney Rye novel was a great mystery from Emily Kimelman. The novel rated as my Awesome Indy book of 2011. Dog walker is not the first occupation you expect from a mystery novel’s protagonist. But since detective or private investigator characters are as stale as last week’s bread that was first frozen, then thawed, then used to mop up spilt beer, it was refreshing for Emily’s protagonist to be a dog walker. Plus, I like dogs.

If you haven’t read the first Sydney Rye novel, you may be confused why Joy Humbolt is calling herself Sydney and living in an RV in this second adventure. I recommend reading the first novel now…. Okay, so now that we are on the same page, I can say that Sydney is evolving. This isn’t just a name change, this is a quest to become something more. Emily manages to even cheekily title one of the chapters “Obligatory Training Montage”.

All this novella has done is left me wanting to read the next edition. Fortunately, Emily has that coming out in January.

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Book Review: Long Lost by Harlan Coben

Long Lost (Myron Bolitar, #9)Long Lost by Harlan Coben
My rating: 3 of 5 stars

This is my first Harlan Coben book and I’m not sure what to think. Well, I know what to think, how to think and thinking is something I like to do to keep me from watching reality TV. My opinion of this book, however, is rather undecided.

Myron seems like an interesting enough character, the character of Win is a scene stealer, and the mystery is interesting enough. About half-way through the book, the pace picks up and things change around a bit. Even so, I’m still left unsure as to whether I enjoyed the book or not.

I think this may be that this book is number nine in the series and is written with Myron fans in mind, rather than fresh readers. As such, the Myron character feels a little flat and sappy. It might also be that the plot twist is a little improbable and pointless – as another reviewer pointed out, using an expensive procedure rather than just kidnapping is a bit silly.

Might have to try one of the earlier Myron Bolitar novels to see if I enjoy Harlan’s work.

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Book Review: Hell’s Kitchen by Jeffery Deaver

Hell's KitchenHell’s Kitchen by Jeffery Deaver
My rating: 4 of 5 stars

There is something about a mystery novel that can be either entertaining or dreary. Ultimately you want the mystery and suspense; but not too much. If the mystery is too simple, then *yawn*. If it is too complicated then you start to think it is all too hard or that the author had finished the mystery and realised they had another 200 pages to fill.

This is my first outing with Jeffery Deaver and I can see why he is so highly regarded with his mystery writing. He treads that fine line between too much and too little with a cool hand. There was much more to this story of catching a fire-bug for hire, with the climax really pulling me in.

Part of the balance came from Jeff’s use of Hell’s Kitchen as the setting and the local residents as layers of story. For the most part the exposition felt necessary and served the larger mystery.

The version I listened to was read by Paul Birchard who did as many accents as an American can in his reading.

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Combating Writer’s Block: Advice by Genre

There is no worse disease for a writer than writer’s block. I’d also say that writer’s block is terrible for readers too, uninspired prose is what we expect from policy and political people, not our entertainment. I’m a fan of Stephen King’s writing advice: set a daily word goal and stay at it until you reach the goal. There is something about daily writing and forcing yourself to write that seems to make things flow.

But Tyson, I hear you say, I’m stuck with no ideas for what to write next. Luckily I was procrastinating whilst writing the other day and came up with a definitive fail safe for each major genre. Any additions are welcome in the comments.

Thriller Writers
When writer’s block strikes kill someone or blow something up.

Crime Writers
When writer’s block strikes describe the main character getting drunk and wallowing in self pity.

Mystery Writers
When writer’s block strikes introduce a red herring.

Romance Writers
When writer’s block strikes introduce new character with rock hard abs.

Literature Writers
When writer’s block strikes describe a tree in intimate detail.

Fantasy Writers
When writer’s block strikes have a talking dragon appear, or have the characters go on a long walk somewhere.

Sci-fi Writers
When writer’s block strikes cut and paste physics article from Wikipedia into your novel.

Horror Writers
When writer’s block strikes cut and paste autopsy reports into your novel.

Paranormal Writers
If you already have vampires, ghosts and werewolves in your novel, introduce ninjas and pirates as characters.

If you are really stuck after all of these ideas, then there is no novel in existence that can’t/couldn’t be improved by the addition of pirates and/or ninjas.

Tyson Adams’ 2011 Book Awards: The Awesomes

I’ve read a few books this year (+140) and have decided that I needed to talk about my favourites of 2011.  I also thought it fair to award my favourite reads of the year an Awesome.

As you will have noticed, my reviews of books are more about my impressions of the book and talking about how much I liked the book, rather than a recap of the plot, etc. My reasoning behind this is simple, I want to say “read this book” to people rather than fall into my bad habit of spoiling the ending.

My list is based upon what I have read this year, so obviously some great books (Snuff) have missed out due to lack of reading hours in the year. Also my read list does include some books that were published prior to 2011. There were some categories that were sadly under-represented and some that had some very intense competition.

Also, the fact that I finished a book shows that it was worth reading. I have my reading rules that stop me wasting valuable reading time on books I’m not enjoying. This means that any books on my read list are entertaining (well, unless I was particularly disgusted with the crappiness of the book in question).

Awesome of 2011

10 hours of non-stop reading fun, 12 if you count meal and toilet breaks. I could not put this book down, it had me enthralled with Reilly’s fast paced thrills and explosions. This books defines The Awesomes.
Also, I would like to extend my condolences to Matthew and his friends and family on the loss of his wife Natalie.

Awesome Literary Fiction
There were no nominees in this category this year. Better luck next year.
Awesome Mystery & Thriller
This is one of two heavily over-represented categories in this year’s Awesomes. 
Awesome Crime

Blood Work – Michael Connelly
13 Hours – Deon Meyer (technically I started it in 2011, but only finished it this year)



Awesome Fantasy
There were no nominees in this category this year. Better luck next year.
Awesome Paranormal Fantasy
There were no nominees in this category this year. Better luck next year.
Awesome Science Fiction

Peace Army – Steven L Hawk



Awesome Horror

Dead Man Series – Lee Goldberg, Will Rabkin, et al.



Awesome Romance
There were no nominees in this category this year. Better luck next year.
Awesome Humor
Right What You No – Tyson Adams’ blog
I’m allowed to be self-congratulatory. Plus I didn’t read any funny books this year.
Awesome Nonfiction
This is an oxymoron, so it is invalidated as a category. Having said that I did read several nonfiction books this year, mostly on climate change. I should make mention of On Writing by Steven King, which really had me agreeing with Steven’s insights.
Awesome Graphic Novels & Comics

The Boys – Garth Ennis

This is the second over-represented category on my list. 


Awesome Indie

Awesome Poetry
Rime of the Ancient Mariner – Samuel Taylor Coleridge

Book Review: A Most Peculiar Malaysian Murder by Shamini Flint

A Most Peculiar Malaysian MurderA Most Peculiar Malaysian Murder by Shamini Flint
My rating: 4 of 5 stars

I really do enjoy a good mystery novel. They can make do without the sex and violence of normal crime or thriller stories and yet still keep you intrigued. Shamini did have a good reason for eschewing sex and violence, her mother edits it all out. Fortunately she left the humour and intrigue in.

This is my first Shamini Flint novel, and features the fat Indian Inspector from Singapore, Inspector Singh. Singh is the atypical hero, someone you would prefer not to know. Yet you find yourself wanting the inspector to triumph in his battle to find the truth. You also wish that he went somewhere a little less humid, so as to avoid sweating.

Shamini takes an interesting approach to writing a murder mystery. She picks a topic or issue she wants to explore and then writes a murder to bring the fat inspector onto the scene. In this way, her novel is as much social commentary as it is murder mystery. I was quite interested in the look into law in Asia, especially the conflicts and overlaps between the different court systems there.

If you like mysteries, then you’ll enjoy Inspector Singh Investigates.

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