What inspires me to write?

I’ve never understood this question.

Do people not get inspired to write? Are there people out there who wander around all day with no ideas, daydreams, random thoughts, or little voices whispering in their ears? Do they have those little ideas and then shrug their shoulders, deciding they aren’t worth writing down? Does the little voice whisper and people don’t think to document it for a potential future criminal defence case?

Maybe I’m just not understanding the question.

It was only last year that I was disabused of my hatred for the question “Where do you get your ideas?” Obviously, I buy them in bulk from Ideas ‘R’ Us in the Creative Mall in the Artist District. They aren’t cheap, but it’s where Dan Brown shops for his, so have to be good quality.

My friend and author Kaaron Warren did a seminar on where her ideas came from. It was a lightbulb moment for me. People weren’t asking where the ideas come from, they were asking what was inspiring the ideas in the book. How were those ideas being linked together and turned into a story? Essentially, walking the (potential) audience through being creative.

So maybe this question is more about the process of noticing something in your day to day life and how you reckon it could be improved with the addition of dragons – let’s be honest, everything could be improved with dragons… and ninjas. Now you’re thinking about how much fun it would be for your protagonist to ride a dragon over a city and genocidally burn it to the ground because you’re annoyed at… hang on, that’s terrible. What sort of hack would come up with that scene? Scrap that rubbish. I’ll wait for the next idea.

Maybe ninjas. Monkey ninjas. With wings. Who whispers in your ear, telling you to blow up the houses of parliament. Honest, your honour, it was the ninja monkeys who told me to do it. Right before they flew away.

NB: This post was originally written as part of a short story submission. Instead of a cover letter, they wanted a blog post answering one of the common author questions.

What is the most satisfying genre of book for an author to write?

science-fiction-vs-proper-literature

I would posit that there are two things that are important to an author when writing with regards to the genre:

  1. That the author enjoys the genre they are writing in;
  2. That the genre suits the story they are writing.

I’d also argue that the first point is far more important than the second. I say this mainly because I want to provide a very superficial argument on the second point.

In a panel discussion entitled Bestsellers and Blockbusters on ABC TV’s Book Club, thriller author Matthew Reilly made mention of some literary authors who had been tempted to try writing thrillers – because money. Always about those big juicy bucks. Those authors didn’t really like the thriller genre and as a result, they didn’t understand how to write them and thus failed to write entertaining thrillers.

I have previously discussed one example of what Matthew raised in the above video. In 2014, the literary award-winning author Isabel Allende decided to dabble in crime fiction with Ripper. No, seriously, that was the title. Allende didn’t enjoy the experience. She was quoted as saying she hates crime fiction because:

It’s too gruesome, too violent, too dark; there’s no redemption there. And the characters are just awful. Bad people.

Allende went further to say that Ripper was a joke and ironic. The response to this was for crime genre fans to condemn her, bookstore Murder by the Book sent their orders back, and Goodreads ratings suggest it is one of her worst received books. Maybe next time she will not make those comments whilst on the promotional tour. Or, you know, not write something she doesn’t enjoy. One of the two.

Authors obviously have to invest a lot of time and energy in creating a novel. If they aren’t enjoying the experience, then that is likely to spill over into the quality of the end creation. So they are likely to invest time and energy in doing something they enjoy so that readers will enjoy it. Or try to grin and bear it as they go after some big juicy bucks.

The second point that authors consider is what genre suits the story they are trying to tell.* Genre can help define and shape the story. So the genre often acts as the stage or setting for the story. Think of science fiction and themes of social protest, or fantasy exploring social constructs, or horror exploring ways to dismember work colleagues. Obviously, some genres will be more suitable for telling certain stories.** As a result, the genre will be an important consideration in the writing process.

In summary, an author is likely to write in a genre they enjoy and utilise the genre that helps tell their story. To my mind, this is how an author thinks about the genre.

Update: Matthew Reilly contributed to an article by Drew Turney discussing genre’s marginalisation at Good Reading Magazine.

*Sometimes the opposite approach is used to give us a space western or sparkly vampires.

**Of course, shifting the usual themes and tropes from one genre to another can be a way to create stories as well. Where would we be without Firefly?

This post originally appeared on Quora.

How to write suspense

'Oh-oh!... The tempo of the background music just changed.'

TL/DW = the unknown.

  1. Limit the point of view so the reader has limited information.
  2. Choose the right setting to limit the known.
  3. Style and form can be used to mess with the conveying and pacing of information.
  4. Dramatic irony can be used to reveal some information to the reader that the characters don’t know.
  5. Cliffhangers can be used… If you also like coming up with implausible resolutions to them.

creating-suspense-using-gen

See also: http://www.writersdigest.com/qp7-migration-conferencesevents/nine-tricks-to-writing-suspense-fiction

The surprising decline in violence

Damn. How can a thriller or crime writer make a crust if violence is declining?

I know that we writers are generally known for writing fiction, but we readers – yes, I’m both – are also a fickle bunch who like things to have a level of realism to them. We need there to be a basis for our stories so that you can become more emotionally involved with the protagonists. If violence keeps declining then thriller and crime authors are going to have to look to the sensationalism of media reporting for story ideas. I think we can all agree that you can’t base fiction upon fiction.