Covid Writer’s Blockdown

Something I’ve been musing about for – checks calendar – YOU’VE GOT TO BE KIDDING ME, IT’S ONLY BEEN A YEAR???

Sorry, anyway, something I’ve been musing about is writing during a pandemic. At the start of lockdowns, I remember hearing the buzz about how there would be a rush of book submissions to agents and publishers with everyone having lots of time to write. All those people who believed they had a novel stuck inside them now had enough time to pull out the scalpel and repeatedly stab themselves until they realised they should have taken their doctor more seriously.

But now we’re coming out the other side of that sunny optimism. Articles are starting to appear discussing how lockdown has equalled blockdown.

Punny terms aside, the article in The Guardian touches on much of what I’ve been thinking about without really understanding the issue. It hints at the problem without really spelling it out.

It all comes down to how the creative space works. You need to be able to let your mind wander off to the plains of [insert metaphor here, something really wankery that fits with us creative types] where your story can take shape. To let your mind wander requires a lack of interruptions, a level and type of noise that isn’t distracting, and you have to not be stressed (see my posts on these topics).

Now, what could possibly be getting in the way of creativity during Covid-19?

This is why the original articles talking about how lockdowns would lead to a splurge of novels always seemed optimistic to me. There were only superficial conditions for creativity, not the actual conditions for it. Just having kids in the house all day would be distracting enough to turn the best of times into the blurst of times. Add in working from home and the noted work creep that has had. Add in not working. Add in working on what is called the front-lines in a great reference to trench warfare – and how far away the generals are holding their tea party. Add in home-schooling. Add in stress, financial or existential. Add in feeling crowded in your workspace and then not leaving that workspace for weeks/months on end.

These aren’t the conditions for writing. These are the conditions for sitting on the couch, huddled under a blanket, mindlessly scrolling through social media in search of that sweet sweet shot of endorphins. Is it any surprise that baking sourdough bread, watching terrible Netflix original movies, and tidying the house became popular in 2020?

I recognised this early on and didn’t put too much pressure on myself to write. Sorry, rather, I didn’t put too much pressure on myself to write quality material. Writing wasn’t the problem. Having it resemble something that wasn’t a desperate cry for help or a tirade that would be combed over by profilers wondering why I’d committed such an unspeakable act was the problem.

I’m sure there are writers out there who haven’t had a problem with lockdowns and creativity. From what I’ve seen, dedicated workspaces for writing and a history of consistent writing habits (and being an empty nester) are helpful. But for the rest of us, creativity has been given all the wrong conditions to thrive, so don’t be too hard on yourself.

Or do be hard on yourself. Maybe we could have learned how to be creative under pressure. Maybe we do suck!

Don’t check my browser history

I’m sure you’ve noticed that when you haven’t cleared your browser history in a while, and then perform a Google or (insert your favourite search engine here) search, that a number of links are highlighted as pages you have been to before. This is just a friendly little reminder that you’ve asked the same, or a similar, question just recently and that, maybe, it is time for a screening for Alzheimer’s. But have you had a look through your browser history, or, more to the point, would you prefer no-one ever saw your browser history?

For the average person, I’m sure they don’t mind having eBay, Amazon and Rotten Tomatoes in your browser history is not a big deal. For the average crime or thriller author, the internet browser history would provide an interesting insight into the key plot points of the current work/s in progress. It would also encourage police and intelligence agencies to set up 24hr surveillance on the off chance the author was planning on murdering a key political figure to facilitate the buying of nuclear weapons to arm a terrorist cell that has ties to local organised crime figures who operate in drugs and prostitution; with plenty of pictures. This is slightly concerning.

Sci-fi authors don’t have quite as many concerns with their browser history. Anyone looking at it would fall asleep after the first ten pages of physics article links. Fantasy authors might receive some grief for the swords and leather searches. Romance authors would probably blush at the size of the list of “hard abs” pages. But it is going to be almost impossible for me to argue down a murder charge.

Lawyer: So you deny planning and executing the murder of the cast of Jersey Shore?
Tyson Adams: Of course I didn’t murder or plan to murder those morons.
L: Then why had you visited so many sites on forensics, samurai swords and human anatomy?
TA: Research for my book.
L: A book that you haven’t as yet published.
TA: Well the editor doesn’t like the scene with the cast of Boston Shore being beheaded.
Judge: I just don’t see the crime here. Although, Mr Adams, what is rotten.com?

So could any law enforcement people please keep in mind writers are likely to have a bizarre web history, and that it was very important that I know how to make meth in my backyard. For my novel…