Since I am now set upon an oft trod path, I felt a sudden urge to mingle with my fellow book aficionados. But how do you mingle with your peers when you live 3 hours away from the most remote city in the world? The interwebz seems like a nice starting place, but at some stage we all have to upgrade to real 3D people, if only to remind us not to be so snarky to one-another on forums.
Low and behold the Perth Writers Festival has come and gone for another year, and this year they had Crime Fiction included, and I was in attendance. I know, how likely is that?!
So what did I see? Well a lot of people just like me. Readers, writers, people with a general disdain for the lack of proper grammar usage on TV, you know, people who can read. In amongst this grouping of people who could read I found myself in a small subset of the literate, a subset that had been born after 1960 (to win a free e-book, email me a tell me if this was hyperbole).
Despite my general disdain for the (self-supposed) authority figures at UWA, it did prove to be a good venue for the masses of literates to converge and discuss their favourite topic; those damn kids these days. Their second favourite topic was the reason I was in attendance; writing.
I have to praise the two presenters who held Crime writing workshops at the Perth Writers Festival, Leah Giarratano and David Whish-Wilson. Leah is a rather smart, friendly, charming, and quite tall psychologist. She also happens to write some very dark crime fiction that are well worth reading. Plus she brought chocolates! Since she has dealt with some unsavory people and their victims she was well versed in creating characters with depth. Ever felt like a novel has a bad guy that is just there to be a bad guy? Well Leah had the solution to that, the scary part was that the real bad guys are far worse than the average horror writer’s imagination. Oh and she also signed my copy of her latest book with a heart – she was really nice.
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| Smart, tall, brunette, writer = Leah |
David is a writing lecturer at Curtin university, as well as being a published author himself. Too often the two don’t go hand in hand, or the publishing means they bought 200 copies to give to friends and family. Not David. I think the thing that David brought to the class was the skills of writing and some handy techniques to break out of ruts and not be too cliche with writing. David was also willing to offer his help with people’s manuscripts – cool guy.
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| David striking his cool writers pose. |
Now one thing seemed to be consistent in the writers workshops, that you had to be female and over the age of 45. In fact in David’s workshop I was one of two guys and the only one not alive in the 60′s. While this may have hampered my ability to appreciate Jefferson Airplane I wonder how it will relate to my comparative writing style. I guess at least I didn’t feel compelled to make up my first memory and turn it into some fanciful emotional moment when asked to share our first memories with the class.
What writers festival would be complete without a really big name writer? At this event the organisers turned to none other than Jeffry P. Freundlich.
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| Dexter, Jeff and Debs |
Jeff is of course the fabulous author of the Dexter series of books. To all of the would-be writers out there, do not despair, Jeff also had a hard time selling his writing gold. After years of work Jeff finally came upon the idea of Dexter after meeting some wonderful people (yes that is sarcasm) at a luncheon and was suddenly convinced that serial murder wasn’t such a bad thing. It still took him four-and-a-half years and six agents to actually get someone interested in publishing Darkly Dreaming Dexter. He was really interesting to listen to and I managed to have a short chat with him when I corned him to sign my copy of his latest book. Very funny, very interesting and seems like a really nice guy – how the hell did he end up writing about a psychopath?
All in all I enjoyed my time at the festival. I’d also love to here from any other people who made it to Perth for the event, or for that matter any similar thoughts on the writers festivals you have attended. The big question I have is: does genre usually get any mention at writers festivals or was this an exception?
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Book review: Dead Man’s Eye – Shaun Jeffrey
This little beauty has been at the top of my Kindle list for a long while now. Much like Steven L Hawk’s book, I stumbled across this via the book cover under a post on the Kindle Boards. Score another one for forums and great book covers!
Now according to Goodreads I’ve been reading this one for a long time. In reality though I’ve been reading this at lunch times when not Beta reading other novels (actually I think this is more novella length). So the fact that this book has kept me interested with my short spurts of reading for the first 50% shows that it is well written. I decided today that I couldn’t wait for another work week to finish it; I did so and enjoyed every moment.
Shaun has done a great job with this book. The premise is set up quickly and smoothly, the characters are well done, the plot flows nicely, and despite treading an oft trod storyline the book manages to remain fresh and interesting. I should add something about paranormal thrillers and the like, but the back cover synopsis really says it all.
I couldn’t finish this post without saying a little about a debate that seems to have erupted on the interwebz regarding the quality of indie vs. traditionally published books. Having just finished this book and Beta read Steven and Rex’s work I feel the need to make a comment.
Why is it that traditional publisher’s advocate themselves as some bastion of quality publishing? For some reason traditional publishing is claiming that it has been discerning the wheat from the chaff for all time, making sure that grammar and spelling mistakes don’t exist, that only good stories make it to the consumer.
Of course they do such a good job of this. I agree completely.
I mean JK Rowling was rejected by a dozen publishers, Joseph Heller’s Catch 22 was rejected because no-one could tell if he was being satirical or funny, William Golding’s Lord of the Flies was rejected by 20 publishers, Stephen King’s thumbtack holding up his rejection notices had to be replaced with a nail, and Rudyard Kipling was told he didn’t know how to use the English language. Great job! Check this and this for more.
I think that these guys are all great examples of people who deserved to be rejected. There is no way that any author could possibly produce a good book that would be rejected. There is no way that any author could produce a book that won’t be filled with spelling and grammatical errors without a publisher. Just wouldn’t happen.
Indie and self-published author’s like Shaun Jeffrey and Steven L Hawk are great examples of author’s who clearly take pride in their work. They have editors and put out professional publications. There is no magic that publishing houses bring to the table. Can we acknowledge that self-publishing is just as legitimate as traditional publishing. Hocking el al. have proved that, lets move on.
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