My rating: 4 of 5 stars
Who’d have thought musicians have a dark side?
Theresa helps women find emergency housing. But sometimes that isn’t enough. Sometimes she has to intervene because she can see ghosts clustering around an imminent victim. After an intervention leaves her battered, she goes to reconnect with her Uncle and Aunt, where she is drawn into the mystery surrounding her lost cousin and her art. Is she strong enough to not be drawn in too far?
This is a tough review for me to write as I haven’t actually finished it, yet feel compelled to say something before DNFing.
I bought Kaaron’s book almost two years ago and thought it was about damned time I read it. I was immediately drawn in. As much as I hate using the terms “powerful” and “evocative” in book reviews,* I actually think they are apt here. There are some real gut-punch moments that bring you to the world of grief. The list of awards it has won is thus unsurprising.
And of course, this is exactly the time to read such a book…
With the stress of a pandemic, the upheavals to work, the uncertainties of the near future, this was just not the sort of book I could keep reading. This is a compliment to Kaaron, as this book certainly “evokes”* but that is just not what I need right now. I will have to return to finish the last third when real-life feels less like a horror novel.
* There are quite a few buzzwords that appear in book reviews and blurbs that don’t really say anything. Powerful? Like a steroid munching Nordic strongman, or a highly effecting and engaging narrative? Evocative? As in the imagination is stirred, or the emotions, or both?
Expect my next fiction review to be of something a little more light-hearted.