I live in Australia and want to study Creative writing?

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I am 48 years old and want to write this novel I KNOW I have in me …..has anyone any suggestion? Thanks

There are plenty of ways to learn to write, the primary way being to write.

Most writers’ festivals have short half-day courses on aspects of writing that are worth attending. Writer’s festivals | australia.gov.au

Most states also have writers’ centres that run events and courses. Writers’ Centres

Several universities run creative writing courses. My friend and author, David Whish-Wilson (read his books, they are great), teaches creative writing at Curtin University in Western Australia. There are plenty of courses available via Open Universities online.

Another option are centres like the Australia Writers’ Centre who run various courses year round. I’ve done a course with them myself. My friend and author, LA Larkin, also teaches a course at the AWC.

But when all said and done, the primary way to learn to write is by doing it. But before you do remember the above sage piece of advice from the late, great, Christopher Hitchens.

More advice from some of the most prolific authors in this article from The Atlantic.

This post originally appeared on Quora.

The header image quote is discussed in more detail here.

Book reviews: Havana Lost by Libby Fischer Hellmann

Havana LostHavana Lost by Libby Fischer Hellmann
My rating: 3 of 5 stars

If a family saga is told about a mob family’s saga, does algebra mean it ceases to be a family saga?

Headstrong teen, Francesca Pacelli, is a mob boss’ daughter living in Havana at the dawn of the Cuban Revolution. Rather than leave for the USA, she falls in love with a revolutionary. Her father takes that news so well that he even sells arms to the rebels to get her back. Good thing she grows up to be a mob boss herself.

When I started Hellmann’s Havana Lost I had been expecting a more standard crime novel. It took me a while to realise that this was going to be a saga stretching from the 1950s in Cuba to modern day USA. Love and tragedy fill the story to the brim, making for an interesting read. But without a protagonist to follow throughout the novel, I felt a little lost. This was partly because I wasn’t prepared for the saga – should have read the blurb I suppose – and partly because there is a lot of setup to the story with Francesca’s character.

So as long as you are prepared for the Pacelli family tale of love, loss, and coltan mines, you should enjoy this.

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Book vs Movie: Harry Potter part 3 – What’s the Difference?

This month CineFix finishes their series covering the Harry Potter movie adaptations. This instalment discusses the differences between the Half-Blood Prince and The Deadly Hallows books, and their associated movies in What’s the Difference?

It has to be said that the movie adaptations made some odd choices of material to drop, and this created problems as the series went on. If the movies were meant to be independent of the books then you would have a hard time following some of the minor plot points or McGuffins. The mirror shard and Snape as the Half-Blood Prince reveal are just two examples. I actually thought the wand lore and Deathly Hallows were poorly handled in the movies, but it has been some time since I saw the movies, so I could be misremembering.

One thing that really annoyed me about the adaptation of the Half-Blood Prince was the Burrows attack. Not only did that make the Burrows a non-safe house ahead of schedule for the series, as discussed in the video, but it served no purpose to the plot of the movie. It was obvious why the movie makers did this: they needed some action for pacing. Because tension and suspense are so 1950’s. Considering the attack wasn’t in the book and there were action set-pieces they were ignoring or about to get to, it stuck out like a sore thumb in a proctologist’s office.

The other thing worth mentioning is the omission or marginalising of the minor characters from the books. Tonks is an obvious one, especially given the tragedy that befalls she and Lupin, and thus her son. But ensemble casts are hard to manage in a movie, so trimming is always going to happen. But one of the unforgivable marginalisations is discussed in the video: Neville Longbottom. Since he was the second possible “chosen one”, he really deserved better in the movies, especially later in the series. The other character that gets a short shrift is Luna Lovegood. I liked the implication in the books that Harry and friends felt guilty for not realising that Luna regarded them as close friends. And don’t get me started on SPEW and Dobby.

With this series on the Harry Potter adaptations done, I think it is time to raise a chief criticism of the Harry Potter movies. I actually think the books would have been better suited by a TV series adaptation. Of course, they started doing the adaptations before that was the cool thing to do with potentially big franchises. So while it is easy to forget that once upon a time not every fantasy author was clamouring for an HBO series based on their books, that time did exist. Of course, several billion dollars in movie earnings probably disagrees with me.

Book reviews: you’re doing it wrong… apparently.

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It is no secret that I like to write book reviews. Except when I’m sleepy. Or if I’m busy. Or if I get distracted by… Where am I?

Anyway, to my mind, book reviews are about helping people find good stuff to read and promoting authors whose work you’ve enjoyed. Of course some reviewers use it as a an opportunity to break away from the internet commenter stereotype and be jerks to others. This can be frustrating for authors and readers, but about par for the course as far as internet comments goes.

Fortunately an author has written a blog post advising people how to properly review books. Because you’re doing it wrong…

As a reader, reviewer, and occasionally sober writer, I don’t think authors should be telling readers what to do or how to do it, so the post doesn’t sit right with me. Actually, a lot of things don’t sit right with me, especially if they aren’t single malt and well aged.

Who are book reviews for?

You might be forgiven for thinking that writing a book review is primarily to flatter the author, or thank the author for writing an enjoyable book.

Book reviews are for prospective readers; to inform those buyers who are browsing the Amazon bookstore, chatting on Goodreads or following on-line bloggers, to decide if they might enjoy the book as much as the reviewer did. 

The first major point is one I agree with: book reviews are for readers. But maybe not the readers the author thinks. Reviews are primarily about that reader and their thoughts. Sure, they may be trying to communicate with other readers and make recommendations, but let’s face facts, it is mostly just about sharing an opinion. Or is that shouting into the void? I can never remember the difference.

My philosophy on book reviewing – helping and promoting good stuff – is probably shared by many, or not, I haven’t checked. But I see it as an important aspect of being a reader and writer. Thanks to the wonders of technology we have access to more books than we’ll ever be able to read, and some of them are worth reading. Sharing your opinion of a book can help others find stories that will entertain them. Personally I’m not a fan of sharing reviews of books I haven’t enjoyed, just the ones I think others will enjoy reading, but negative and positive reviews are both helpful.

The next points:

What to include:

The best single rule to remember is this: Only write about the actual book!

You can include a very brief outline of the story, but remember the book description is already right there, so consider these points:

Was the story believable, did it keep you engaged right to the last page?

Did the structure of the plot work for you?

If it’s a mystery, was there one?

The characters. Did they seem real, multi-dimensional people?

The author’s writing style. How was it for you?

The first point on this list is, frankly, rubbish. A book does not exist in a vacuum. Well, unless it was taken into space, but why would anyone do that? Unless they are an astronaut, but they’d want the book in the ship with them. Anyway, all art/media is a product of the space it was created in, it has cultural and philosophical underpinnings that are part and parcel. And following on from that, the cultural landscape changes over time and individuals consuming the art/media are going to evolve as a result. So you can’t just write only about the book in a review, you will always bring baggage with you. Want an example? Try watching the original Ghostbusters movie without thinking Bill Murray’s character isn’t just a tad rape-y by today’s standards.

The next points about the story and how it is written are fair enough advice on things you could include. But you could include all or none of those things and still write a good review. The next part is where this blog post gets juicy:

What not to include:

Your possible relationship to the author, however vague.

If you need to reference the author, then use the surname only or call them the author or include their full name. Never use Christian names as it may compromise the validity of the review and some sites will remove them permanently.

Imagine if you saw this review on the latest Dan Brown: Hello Dan love, fabulous book, Five stars!  I expect the vast majority of us would laugh, Dan Brown would most certainly cringe – but most importantly, would this sort of review help you form a decision to buy the book if you’d not read it?

I don’t know about this, I’ve read Dan Brown’s Inferno; I’m not sure he knows how to cringe.

There are two points to unpack here: the first is the idea that your relationship with the author doesn’t have any bearing on a review; the second is the idea that you’re trying to help the author sell books. To suggest that there is a way to refer to an author or that you shouldn’t mention conflicts of interest is wrong. If I like someone I will naturally be inclined to think their book is better than someone whom I don’t know or like. Similarly, if I already like someone’s writing, their lesser works are likely to viewed more favourably than a new author’s work.

It also irks me that the blog is implying that the author is off limits for criticism. That is rubbish. If I know that the book or author is controversial, then that will also colour my review and is worth raising. An example was James Frey’s Lorian Legacies series published under a pseudonym. During my reading of I Am Number Four I noticed several very lazy factual inaccuracies and wanted to know who the author actually was. It was then that I found out that Frey had scammed a bunch of writing students to produce the series. Not only did that colour my (lack of) appreciation of the novel, but it was information I felt other readers should know. Because screw that guy.

This links nicely into the next point about reviews helping to sell books. It is true that book reviews help sell books: who’d have thunk? It is also true that if you want to see more great material from an author one of the things you can do is make sure people know you enjoyed the book. But since when is it the reader/reviewer’s obligation to help sell books for an author? Shouldn’t an author be happy that you bought and enjoyed their book? Well, unless you borrowed the book from a library, friend, or got a freebie. I understand the desire of authors to encourage people to review their book/s, and what it can help do in terms of recognition and thus sales, but a review isn’t about selling a book. The review is about the reader sharing their thoughts on a book they have read. Book store clerks get paid, readers don’t. Worth remembering.

The weather! I’m being tongue-in-cheek here but really, no honestly, there’s no need to mention the weather…

How long the book took to arrive in the post, or that it was damaged. This isn’t the fault of the author – stick to reviewing the book.

Likewise, problems with your Amazon account: It won’t download. This is not the author’s fault and should never form part of a book review.

These next few comments are mainly about Amazon reviews and how people talk about the buying of the book in their review. While it is completely understandable for an author to be frustrated with comments in a review that are unrelated to the story they wrote, this recommendation is not only self-serving drivel, it forgets who the review is for. If someone orders a book from Amazon and the shipment is not filled quickly, or won’t download, or the pricing is ridiculous, or the bonus “massager” didn’t arrive with the romance novel order, then that is a legitimate gripe. Other readers on the Amazon store will want to know this stuff. But even if this wasn’t on the Amazon store, there is legitimate griping to be done. For example, in Australia several major publishers price their ebooks based upon the currently available paper version’s price. So if the hardcover is out, you pay hardcover prices for an ebook. Where else but a book review are you going to express your consumer discontent on this? Well, aside from in a blog post like this one. Or if you are talking to one of the publishers at a writers’ festival. Or if you know someone, who knows someone, who is related to a publisher. If the author was raising the point that there needs to be a distinction made been the store’s service, the publisher’s pricing, and the novels, then that would be something I’d support. Along with free hats. Everyone loves a free hat.

Spoilers: giving away crucial parts of the plot and therefore spoiling it for other readers, e.g. I’m glad Susan was dead by chapter three.

Copying and pasting the entire book description – please dont.

And the worst of all: I haven’t read it yet… so one star. Why on earth do sites allow these ‘reviews’ to remain?

Some people really hate spoilers, others love them, others still are ambivalent, others still still will hunt you down and kill you with your own keyboard for posting them. As such there is an etiquette to posting spoilers in a review. If you are an undefeated Muay Thai fighter with a decent ground game, then you can post whatever spoiler you like. If you are anyone else, you can post spoilers as long as you warn people you are going to do it. Then people can read or skip the spoilers to their heart’s content, assuming the Muay Thai fighter hasn’t ripped their heart out of their chest for posting a spoiler.

I’m not sure I’ve ever seen someone post a book review that includes a copy and paste of the book description. If this actually happens then it is either a compliment to the blurb author for capturing the book perfectly so as to act as an appropriate review, or someone needs to learn how to type their own thoughts.

The final point is about the dismissive one star review. Now some people, such as the blog post author, complain about these sorts of reviews are not legitimate. Nonsense. Books have a cover, a blurb, the reader might have read other books by the author, etc, all of which can be more than enough information for the reviewer. For example, let’s say that someone has written a book – fiction or non-fiction, it doesn’t really matter – that claims climate change is a hoax perpetrated by the Chinese, NWO, Zionist Bankers to something something profit-gravy-train. Do I really need to leave a long and extensive review once I’ve read the book? Or can I just point out that it is nonsense? Is that not legitimate comment?

Now these have all been relatively minor gripes to quibble with. Fun fact: Quibbles are the Earth equivalent of Tribbles. Bonus fact: the most famous Quibble currently sits on the next president of the USA’s head.

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Quibbles and Tribbles aside, let’s talk about complaining about book reviews not being done the way you want when you yourself don’t review books. There is that inspiring – or is that insipid? – quote about being the change you want to see which applies here. The author of the blog post has exactly zero book reviews on their site, not counting the promotion of reviews of their own novels. The author’s Goodreads page has no books listed as having been rated or reviewed. Do as I say, not as I do. I mean, sure, that isn’t demanding at all.

In summary, it’s best to be thankful for readers writing reviews, even the bad reviews.

See also: https://bookstooge.wordpress.com/2017/05/24/i-will-make-them-cry-indie-rant/

 

Are Bob Dylan Lyrics Literature?

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PBS Ideas Channel had an interesting take on this contentious topic. And as is always the case, it isn’t really that simple.

I’m near the front of the queue to criticise literature for being a dry and dreary form of art that sucks the life out of its audience. But of course, as Mike discusses in the video, literature isn’t as easily defined as my dismissive rhetoric would imply. What defines literature isn’t arbitrary, but it is often about who is defining or classifying a work as such. My criticisms of literature stem from who perform this classifying, as they will often be people like Jonathan Jones – who said Terry Pratchett sucked – who will criticise the literary merits of works they haven’t read. These arbiters of artistic merit (i.e. snobs) like certain things, thus those certain things are worthy. They create lists of these worthy things and tell us we need to read them at school, study them at university, and expound on how much better these works are… until they actually read one of the unworthy ones and have to eat humble pie.

So the literary and artistic merit we often operate under in society is more about what a certain group of people like. But as Mike points out, that isn’t a good definition, and literature, and “good” art in general, are harder to define. Essentially anything can be literature. And even then the status of a work being literary may be revoked, or instated, as tastes change. Thus referring to Dylan’s lyrics as literature is probably about making us all think about lyrics as an art-form, something that has social defamiliarization. Lyrics are, after all, a form of poetry that are no less artful. Maybe this award will help us acknowledge that art/literature is all around us.

Don’t worry Nickelback, your literary award is surely just lost in the mail.

Book review: Finders Keepers by Stephen King

Finders Keepers (Bill Hodges Trilogy, #2)Finders Keepers by Stephen King
My rating: 3 of 5 stars

Enter a world where people obsess over books that aren’t Harry Potter. Of course it is a fictional world.

Peter Saubers’ family is having a tough time of it. The GFC has hit hard, his dad was hit hard with a car, and the arky-barkies might tear the family apart. Then he stumbles upon a literal treasure chest: stolen money and notebooks from the late John Rothstein – a reclusive author in the mould of JD Salinger. Of course, the man who killed for those notebooks, Morris Bellamy, has a wee fixation on Rothstein and his character Jimmy Gold, so not even a life sentence will stop him coming for Peter Saubers and his treasure.

I’ll be honest, I was going to give up on this book. If it hadn’t been written by Stephen King I probably would have. This is the second novel in the Bill Hodges trilogy, and Bill doesn’t show up until a third to half-way through the novel. That is part of what makes this novel frustrating. It takes a long time to set things up and get the plot moving, with that first third or more acting as back story that you’re not quite sure has a point to it.

But the final third of the novel redeems this ignoble start in a taut and suspenseful manner. Definitely not one of King’s better works, but if you can get past the waffly back story, this is an okay read.

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