Tyson Adams

Putting the 'ill' back in thriller

Archive for the tag “CineFix”

Book to Movie: All You Need Is Kill – What’s the Difference?

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This month Cinefix’s What’s the Difference? tackles the underappreciated Edge of Tomorrow, and it’s source material, All You Need Is Kill. I’d so watch a film called All You Need Is Kill, even if it did have Tom Cruise in it.

Unfortunately I haven’t read the Manga, which appears to have some differences between it and the novel. I read the light novel of All You Need Is Kill before watching the movie. Whilst there are major similarities between the two, they are quite different. Edge of Tomorrow flirts with comedy, while anything with the title All You Need Is Kill is clearly going to have a darker tone. A film starring Tom Cruise is always going to have a Hollywood glamour to it that a novel can dispense with.

The biggest difference between the two is the ending. I said in my review of the film that they should have stuck with the book’s ending. The way the movie ended was the equivalent of “it was all a dream”, whilst the book ending had consequence and substance. Admittedly, watching Tom Cruise kill Emily Blunt would have had audiences outraged (#TeamBlunt) but I’m sure they could have deus ex machina-d something better than what was served up.

Interestingly, Hiroshi is writing a Manga sequel and they’ve announced a movie sequel. I wonder how similar those two will be?

Book to Movie: Lord of the Rings The Return of the King – What’s the Difference?

Previously in What’s the Difference? the Cinefix team have covered The Fellowship of the Ring and The Two Towers. So it is time to wrap up their coverage of Lord of the Rings with The Return of the King… and enough partings to make you think you are a hairdresser.

A lot of epic stuff happens in the last third of the Lord of the Rings. A lot of tearful goodbyes happen as well. Honestly, when you are reading the paper version you reach the first ending and can’t figure out why there are so many pages left. By the third ending you start wondering if it will ever end.

As I’ve previously discussed for the other instalments, I think the movie is a fantastic adaptation. The minor changes, like Sam not putting on the ring, don’t make much difference – but that one didn’t make much sense either. The major differences are actually quite welcome. Except one.

First I’d like to comment on Sam not wearing the ring. I actually thought that whilst being a minor point, it was also very important to his character and the later act of carrying Frodo. Sam experienced just for a short moment the burden Frodo bore. It helped him redouble his efforts. And also made for a more believable way for Sam to infiltrate the Orc camp.

The major difference that I thought should have been in the film was the reclaiming of The Shire from Saruman. Obviously we’d already had too many endings and needed another one like an extra hole in our heads. But the heroes returned from war to a village ignorant/indifferent to the war and the sacrifice – can anyone say Vietnam vets? That isn’t really a happy ending. By having the heroes come home and expel the evil from their village as well, it would have shown their growth as warriors, but also tied their sacrifice to the people they had defended…. Plus, it would have been another action scene in a boring section of the film.

Now that Cinefix have finished with Lord of the Rings it is hard to know what they will cover next. Fingers crossed that is a 6 video coverage of the 3 movie adaptation of the 1 book story The Hobbit.

Book to Movie: Lord of the Rings Two Towers – What’s the Difference?

Last month Cinefix covered The Fellowship of the Ring. This month they cover The Two Towers with What’s the Difference?

For me the middle third of the Lord of the Rings was both the most enjoyable and most annoying. As mentioned in the video, there are three tales running separately and rather than moving between these tales as they unfold in the narrative, we jump back to start again for each perspective. The book has some of the most memorable moments in this section – I may or may not have named one of my computers Entwash – but the order of events feels confused. Sorry, not confused, more drawn out, which for a novel that includes a hell of a lot of walking is something unneeded.

As with The Fellowship of the Ring, I think the movie is a fantastic adaptation. Seeing the battles brought to life was certainly a highlight. Nothing quite like watching Ents smash up Isengard rather than just reading about it.

Next month we’ll see the last instalment from Cinefix. Well, until the 6 video coverage of the 3 movie adaptation of the 1 book story The Hobbit.

Book to Movie: Lord of the Rings – What’s the Difference?

This month’s What’s the Difference? from CineFix covers the Fellowship of the Ring section of Lord of the Rings.

Let’s be honest here, the movies were better.

Whilst I enjoyed the Lord of the Rings in both movie and book form, to call the books waffly and slow-moving is an understatement. As pointed out in the CineFix video, huge passages of time elapse before anything actually happens in the book. The adventure Frodo sets out upon literally takes decades to start, such that you forget what the inciting call to adventure is.

The movie also establishes the stakes and opposing forces better. This not only sets the clock ticking but raises tension and consequence. Meanwhile the book has plenty of pipe smoking and walking. In fairness, Tom Bombadil is a highlight that is sorely missing from the movie – although I doubt that the lyricism of his presence would translate to the screen from the page.

In all, this is one of the few examples where the movie was superior. And shorter. Much shorter.

Book vs Movie: Shawshank Redemption – What’s the Difference?

Nothing quite like comparing one of the best movies of all time with its source material. This month CineFix do with What’s the Difference? on The Shawshank Redemption.

It’s odd that I have read Stephen King’s The Body but haven’t read Rita Hayworth and the Shawshank Redemption, given that they shared space in the same collection. But then I don’t often read novellas and short stories, as I prefer novels. I often think that shorter stories make for easier movie adaptations as the filmmakers don’t have to trim material the same way. Of course there are two problems with that thinking:

  1. It assumes that filmmakers actually read the source material (see here, here, herehere….)
  2. It assumes that filmmakers aren’t quite content to stretch source material out to fill as much cinema time as possible, no matter how bad an idea that is. *cough* The Hobbit *cough*

I recently saw a listicle that suggested Shawshank was one of the movies you should have in your collection. That is clearly wrong. If you can’t turn on the TV and catch it on rerun then your TV is broken or you have found Die Hard on instead. Why own it? Which brings me to possibly the only real gripe there is to be had with Shawshank, and that is its over-popularity. Exactly how many times can it play on TV before people start becoming annoyed? At what point does the audience start to groan at what was once a great movie? Can great art remain timeless if you beat everyone over the head with it? I fear the answers.

Book vs Movie: A Clockwork Orange – What’s the Difference?

Time for some ultra-violence with this month’s instalment of CineFix’s What’s the Difference?

I can’t remember if I read the book or watched the movie first. A Clockwork Orange was a novel in my parents’ collection of novels, which is why I turned out so well. I do remember the novel wasn’t as easy to consume as the movie, mainly because you can interpret spoken language more easily than understanding the lexicon employed in Burgess’ written words.

This may be a somewhat shocking statement, but I’m not much of a fan of Stanley Kubrick’s films. I always found them somewhat bland, as though there were a lot of empty space on the screen. As such, there are parts of the film I find to be bordering on dull, and others that strike me as weird and hammy (such as the scene with Alex’s parol officer). Meanwhile, the book managed to be entertaining and yet critical of youth culture whilst discussing free will.

It is ironic that I would enjoy a book that is critical of “kids these days”. But the fact that it was written in 1962 only further proves my point that complaining about the younger generation has been a popular pastime for old people since the invention of young people. Oh, and free will probably doesn’t exist.

Book vs Movie: Die Hard – What’s the Difference?

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What better time of year for CineFix to do a What’s the Difference? episode on the best Xmas movie of all time!

While I have gotten my grubby hands on the Roderick Thorp novel (Nothing Last Forever), I must confess to not having read it as yet. It is probably a good thing I don’t mind spoilers. Hope you don’t mind either, because, you know, spoiler alert.

The differences between the two endings is interesting. Having the watch moment with McClane’s wife/daughter play out differently, and Dwayne Robinson’s sacrifice, would not have made this a classic Xmas movie. So it makes sense that the movie’s creative team changed those things to make this a more upbeat ending.

Enjoy the season rewatching all the the Die Hard movies… except A Good Day to Die Hard: that is an abomination and an offence against not only cinema, but the good name of Die Hard.

uqhwzod

Book vs Movie: Harry Potter part 3 – What’s the Difference?

This month CineFix finishes their series covering the Harry Potter movie adaptations. This instalment discusses the differences between the Half-Blood Prince and The Deadly Hallows books, and their associated movies in What’s the Difference?

It has to be said that the movie adaptations made some odd choices of material to drop, and this created problems as the series went on. If the movies were meant to be independent of the books then you would have a hard time following some of the minor plot points or McGuffins. The mirror shard and Snape as the Half-Blood Prince reveal are just two examples. I actually thought the wand lore and Deathly Hallows were poorly handled in the movies, but it has been some time since I saw the movies, so I could be misremembering.

One thing that really annoyed me about the adaptation of the Half-Blood Prince was the Burrows attack. Not only did that make the Burrows a non-safe house ahead of schedule for the series, as discussed in the video, but it served no purpose to the plot of the movie. It was obvious why the movie makers did this: they needed some action for pacing. Because tension and suspense are so 1950’s. Considering the attack wasn’t in the book and there were action set-pieces they were ignoring or about to get to, it stuck out like a sore thumb in a proctologist’s office.

The other thing worth mentioning is the omission or marginalising of the minor characters from the books. Tonks is an obvious one, especially given the tragedy that befalls she and Lupin, and thus her son. But ensemble casts are hard to manage in a movie, so trimming is always going to happen. But one of the unforgivable marginalisations is discussed in the video: Neville Longbottom. Since he was the second possible “chosen one”, he really deserved better in the movies, especially later in the series. The other character that gets a short shrift is Luna Lovegood. I liked the implication in the books that Harry and friends felt guilty for not realising that Luna regarded them as close friends. And don’t get me started on SPEW and Dobby.

With this series on the Harry Potter adaptations done, I think it is time to raise a chief criticism of the Harry Potter movies. I actually think the books would have been better suited by a TV series adaptation. Of course, they started doing the adaptations before that was the cool thing to do with potentially big franchises. So while it is easy to forget that once upon a time not every fantasy author was clamouring for an HBO series based on their books, that time did exist. Of course, several billion dollars in movie earnings probably disagrees with me.

Book vs Movie: The Crow – What’s the Difference?

Is The Crow one of your favourite cult movies? Well, it should be. CineFix discuss the movie and the comic it was based upon in this month’s What’s the Difference?

The Crow remains one of my favourite films, which probably says a lot about my teenage years. The comic it is based upon, however, was not a book I enjoyed reading.

As the video mentions, author James O’Barr wrote the comic as a way of coping with the death of his girlfriend at the hands of a drunk driver. The book is bleak, and when not being directly about revenge, it is darkly introspective and depressing. The main character is clearly a form of Super Id – drawn as lean, muscular, 6’5″, invulnerable, unstoppable – and acts as a form of cathartic revenge against a cruel world. That might be fine for a Steven Seagal movie, but there’s a reason why you had to look up who Seagal was just now.

The movie is an example of a great adaptation, especially considering the film couldn’t be completed as intended after the unfortunate death of Brandon Lee. They managed to capture so much of the tone and character of the book whilst not making a movie that would have you slitting your wrists halfway through. The video refers to this as Hollywoodising, but I think they are being too harsh. The story was a revenge tale, but the movie manages to create an actual character arc and have more compelling bad guys. Case in point: Michael Wincott’s Top Dollar. The movie also trims off the bleak stuff in favour of a more cohesive narrative. This is why I had a poster from the movie on my wall and gave the comic away.

Book to Movie: Harry Potter part 2 – What’s the Difference?

Goblet of Fire and Order of the Phoenix are covered in this month’s instalment of What’s The Difference? from CineFix. Previously they covered earlier books and movies, this is part 2 of 3. Grab a butterbeer and enjoy.

For me Prisoner of Azkaban and Goblet of Fire were when the series really took off. The earlier two books were clearly aimed at a younger audience than my snobbish adult reading ways would allow me to fully to enjoy. And when you look on your bookshelf, you’ll notice how much thinner those first two books are – yes, I am assuming you have them in paper on a bookshelf in your house. You aren’t weird, are you? The extra length of the later books in the Harry Potter series also signals a narrative that has matured with its audience – those pre-teens were going to become teens at some stage, just like their favourite book characters.

This extra length also makes the novels harder to adapt faithfully. As the video covers, there are some interesting ways they achieve this, but it also means they have to make other changes that are troublesome for the later movies in the series. For me the Society for the Promotion of Elfish Welfare being skipped over in the movies is an obvious choice, but also one that removes an important layer to the narrative. It is, after all, the Elfish uprising that helps turn the tide in the fight/war against Voldermort. This element can help you see the conflict as more worldly, rather than focussed on one school in the UK. Unless the Wizarding World is only confined to Europe and the UK is the centre of the EU….

There is probably an argument to be made for Harry Potter to be turned into a TV series that faithfully adapts the books to the small screen. HBO would be interested for sure, as long as they could cast +18 year olds with no nudity clauses in their contracts.

Book to movie: The Warriors – What’s The Difference?

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Did you know that the cult classic, The Warriors, was based on a novel? How about that the novel was based on the ancient Greek tale Anabasis? Cinefix explain in this month’s What’s the Difference.

I can’t really comment much on this instalment as I’ve not seen the entire movie, nor read either the novel by Sol Yurick nor Xenophon’s tale. But it is interesting that even a cult action film about street gangs has pedigree origins. This reinforces a point I’ve often made here; that we shouldn’t be snobby about the things other people like. We might like to think that our subjective taste is better but often we don’t even appreciate how biased we are in that taste. A book/movie about a gang on the run could be one person’s retelling of a Greek tale, or it could be another person’s mindless genre piece. Or it could be both.

Book to Movie: The Bourne Identity – What’s The Difference?

This month the Cinefix team are covering the differences between The Bourne Identity movie and book. So this will either be a super short episode or a super long one.

I read The Bourne Identity not long after seeing the movie. Yeah, I’m that guy. I’m frequently that guy. Anyway, I have always referred to the movie as being nothing like the book at all. Aside from a few names and the amnesia thing, there is virtually nothing similar about the two works. I have often wondered if the screenwriters got handed the book and only got as far as the blurb on the back cover before producing their screenplay. Let’s just hope Ludlum was able to cash his cheque* before he typed his last ‘The End’.**

Apparently Robert Ludlum was inspired to write a spy novel involving an amnesic because he briefly suffered from the condition himself. There’s a joke here somewhere about the screenwriters forgetting to read the novel, but I wouldn’t stoop that low. I mean, who is to say they even realised they were being asked to do an adaptation, this is Hollywood after all.

Most action fans love the Bourne movies. At a time when there was a move away from gritty and realistic action, Bourne came along and gave us a tense, gritty, and “realistic” action movie. The book is not heavy on the action and gives us a more traditional spy story about flushing out an assassin with counterintelligence and operations. Comparing the two is really quite unfair. But one area I think the book is superior is in the answer to “Who is Jason Bourne?” In the movie we see Matt Damon struggle to come to terms with not knowing and wondering what sort of man would have his skills. But we know. And he knows. The answers he finds don’t really give him any new information: yeah, you were an assassin dude. In the book the answers are more complicated and more satisfying for the hero: yay, I was bait to capture an assassin.

Without this film we would have not had Matt Damon bringing Mark Watney to the screen. Let’s celebrate by rewatching one of the best car chase scenes of all time:

*now there’s a saying that is appropriate to the time being referenced but is now as apposite and relevant as a broken record.

** Robert Ludlum died in 2001.

Book to Movie: Harry Potter – What’s The Difference?

I guess it was only a matter of time. CineFix have finally gotten around to comparing the Harry Potter series of books to the movies. This is part 1 of 3. Grab a butterbeer and enjoy.

Truth be told, I had to be dragged kicking and screaming to the Harry Potter series. I disliked the first film – it was clearly made for children – and could not be convinced that this phenomenon was anything more than overhyped rubbish.

Yeah, I was wrong.

It was after the movie series took on the darker and more adult tone that I became interested. I decided to see what all the fuss was about and began reading; an easy thing to do since my wife had the books in our collection. I loved the books, reading the final two on our honeymoon.

With the fandom surrounding the books, this was always going to be a series that was as faithful to the source material as possible. Last thing you want to do is piss off a bunch of kids you’re planning to milk for the next decade with film, merchandise, and costume sales. Even though the CineFix guys talk about the first three films being largely faithful adaptations, I can think of a few minor points that were glossed over in the movies, such as the Phoenix tears healing all wounds. That moment in the film seemed to smack of deux ex machina, unless you had read the books. And that is a liberty you aren’t meant to be able to take with adaptations, as the reading audience is always smaller than the movie audience… usually.

I’m looking forward to the other instalments in this book versus movie comparison, as they may explain why the movies made some of the changes they did.

Book to Movie: Winter Solider – What’s the Difference?

This month’s CineFix edition of What’s the Difference cover the Ed Brubaker comic that inspired the Captain America: Winter Soldier movie.

Unlike Civil War, I managed to read the Ed Brubaker series of comics before watching the Winter Solider movie. Obviously there are a lot of differences, especially in terms of the expanded universe and “realism” of the movie world. The comics have decades of plots, sideplots, overlapping arcs from other parts of the Marvel Universe, characters, and general junk that is impossible to pack into a 2 hour movie. I actually find the way Marvel and DC have their stables of comics overlap and exist in the same universe to be annoying. The movies are starting to head that way as well, what with Age of Ultron essentially spending a third of its run time building the associated Thor, Ironman, Captain America, etc, movies.

One of the differences not really covered in the CineFix video is the other Captain Americas. That’s right, several other Caps wore the…. cap. Anyway, while Steve Rogers was chilling (Bucky too, but in a separate location) America didn’t want to lose its figurehead so they had some other people fill the role. From memory, at least one of them was integral to the plot, despite being no longer all there. This part of the plot also fed into the series that came immediately after Winter Soldier, with Bucky donning the costume and hefting the shield. For anyone about to complain about spoilers with that last sentence, try not to think about what could have happened to Steve Rogers to require Bucky to become Captain America.

In my original review for the Winter Soldier movie I commented that the writers had managed to capture Brubaker’s cold war spy story feel. They did this with very little similarities between the comic and movie. In some ways I think the movie is better, certainly I like the Steve Rogers of the film more, and they hadn’t quite gone overboard with the expanded universe stuff at that time, but in others the usual restrictions of the shorter format lessens the possible storytelling (Crossbones, the other Captain Americas, the relationships). Two very different stories were told but I still think this was a good adaptation.

Book to Movie: The Martian – What’s The Difference?

This instalment of CineFix’s What’s The Difference? covers one of my favourite books: The Martian by Andy Weir.

As you can see from the breakdown, the film was a very faithful adaptation of the book. I thought the casting was spot on – can you believe some people didn’t think Matt Damon could get Watney’s tone right? – and they didn’t dumb anything down. Probably why I enjoyed both the book and the movie so much.

For me the main difference I noticed was the curtailing of some struggles in order to serve the larger plot and not have a 3 hour run-time. The continuous stream of problems that Watney had to McGyver his way out of really brought the “science the shit out of this” aspect to the fore. Most notable was the rover crash after the sandstorm. But for the movie you can see why they would cut that scene: it would have taken a fair bit of screen time, it would have detracted/distracted from the build-up to the big finish, and they’d probably have been tempted to go all Michael Bay with the crash. Car crashes have to explode: movie rule.

So if you haven’t read the book or watched the movie, do both ASAP.

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Book to Movie: Who Framed Roger Rabbit – What’s the Difference

Did you know Who Framed Roger Rabbit was based on a book? Me neither. But apparently in this instalment of What’s the Difference from Cinefix, the differences between book and movie are so vast that it is more a case of what is actually the same.

Do I really need an excuse to post this picture?

Book vs Movie: The Princess Bride – What’s the difference?

A much loved book and a classic movie: this month CineFix tackle the differences between the tree and silver halide versions of The Princess Bride by William Goldman.

Many years ago my sister was kind enough to force me to read The Princess Bride. Of course I was a fan of the movie; despite never doing the fancy dress thing for parties I have worn an Inigo Montoya name badge, so yes, I was a fan. But for some reason at the time I had this strange idea that if I had seen the movie then there wasn’t much point in reading the book. I mean, how different could they be?*

Long story short, The Princess Bride is one of my favourite novels, ranking up there with Good Omens and Hitchhikers Guide to the Galaxy. The What’s the Difference? video only makes passing mention to the style of the novel, which is as much about making an abridged version of the original S. Morgenstern novel, as it is about the adventures of Westley and Princess Buttercup. Having to edit out the endless chapters describing trees, the difficult negotiations required to secure the rights to do the abridgement over Florin native Stephen King (who ends up securing the rights to the sequel, Buttercup’s Baby), and generally only including the good parts, are key to the novel. Just about all of this was dropped from the movie, because meta-humour would be too confusing to audiences (trust me, people still don’t understand Inception for some reason). So the novel is quite different from the movie. Read it.

On the subject of the above video, it is interesting in this instance that William Goldman wrote the book and the screenplay. So we are able to see how Goldman has zeroed in on the important parts of the narrative to simplify the movie. Because movie audiences aren’t like us sophisticated book readers. In the anniversary edition of the book, Goldman notes how pleased he was with the movie, particularly the casting that brought the book to life. No mention was made of the budget blow-outs due to Andre The Giant’s alcohol consumption.

*Hence the reason I share this fantastic video series each month: it is my penance for such poor thinking.

Book vs Movie: Casino Royale – What’s the Difference?

In the latest instalment of the What’s the Difference? series, the CineFix team have broken down the Ian Flemming novel and Daniel Craig movie, Casino Royale.

Unfortunately Casino Royale is not one of Bond novels I’ve read. The change between generations is very marked when reading a Bond novel, the little changes like letters and radio to texts and mobile phones (cells to US people) are expected. But the social change that has occurred is the biggest noticeable difference, mostly with the role of women and minorities in society. Felix Leiter being African-American in the movie? Vesper Lynd being the intellectual equal of Bond? These are not things that Flemming would have imagined for his world.

I like Daniel Craig’s Bond and think that Casino Royale was a shot in the arm for the long running series. The gritty take on things was needed after the cheese that was Die Another Day (etc). And you can’t help but love any film that has Eva Green in it. With rumours flying that Craig’s Bond will be no more, it will be interesting to see what the next take on Bond will bring us. Will the producers push back to a suave Connery take on Bond, or a tongue-in-cheek Moore version, or an in-between like Brosnan, or something really lame and poorly written like Dalton and Lazenby’s outings?

Whatever happens with the Bond series it is clear that the social update to the novels will continue.

Book vs Movie: V For Vendetta – What’s the difference?

In this outing for the CineFix team they have covered the classic graphic novel and movie adaptation of Alan Moore’s V For Vendetta.

So, truth be told, I’m not a huge fan of the Alan Moore graphic novel V For Vendetta – yeah, yeah, I know: sacrilege. I actually gave up on it about a third of the way through, as such it is hard for me to compare the book to the movie. Actually, that’s not true, I can compare how entertained I was, since I enjoyed the movie and couldn’t be bothered finishing the book. That should say a lot.

Moore distancing himself from all adaptations of his work is odd, but completely understandable given it is based upon having watched* The League of Extraordinary Gentlemen movie. That was the film that caused Sean Connery to quit acting, which gives you some idea of just how bad that movie was. But you are still left with his admonishments of adaptations, like V For Vendetta or The Watchmen, that were good films (IMHO) and captured the essence of the source material. Like most of the book to movie adaptations discussed in the What’s the Difference? series, when you see the breakdowns of differences you can completely understand why the changes were made. The example in this video was of Evie’s character arc to help the audience empathise with both her and V in a shorter format. The book and movie occupy different spaces, have different constraints, and are often made at different times for society.

Which is why I find Moore’s stance – or is that complaints – on adaptations of his work to be a bit precious. I mean, he was, and I quote, “getting money for old rope” as well as a much wider exposure as an artist. He has managed to influence popular culture (The Killing Joke was the primary reference material for Heath Ledger’s portrayal of The Joker). Not much to complain about. Unless the movie studios paid him in beard trimmers.

*Being a little flippant here as he was also sued over accusations that someone else’s script was plagiarised.

Book vs Movie: Psycho – What’s the difference

Another great instalment of CineFix’s What’s the Difference? series. This time it is the famous Hitchcock film Psycho and the novel it was based upon.

Some interesting differences in the storytelling, aren’t there! The most interesting was the way Hitchcock sets up his viewers to empathise with the victim, Mary/Marion, as much as possible, whilst also moving away from the cliché of Norman being a chubby-loser. My highlight from the video is the revelation that the book, and obviously the subsequent movie, were based upon a real murderer. I suppose skin is pretty durable stuff, it would be a shame to just throw it away.

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