Anne Rice, The Queen of Literary Monsters

This month’s It’s Lit! covers the woman who made vampires sexy.

I was a young and impressionable university student when I bought The Vampire Lestat. It was not the first reimagining of vampires as more human creatures I’d read, but it managed to feel more substantial than other efforts. As a result, I went out and gradually made my way through the first half-a-dozen Vampire Chronicles. They still sit proudly on my shelf next to my wife’s collection of Twilight books.

There were obviously a lot of people who felt the same way as myself. We enjoyed the tales of immortals walking through history. We even liked that pensive sadness all the characters dripped. It certainly made the indulgent detailed descriptions of ancient art mildly tolerable.

And I think that is why I parted way with the Vampire Chronicles and Rice’s works in general. There was a moment in reading one of her novels, either Blood and Gold or perhaps a Mayfair Witches books, when I remember commenting upon the poem at the beginning of a chapter. Here was yet another very arty poem by Rice’s husband to skip over, what a waste of good paper.

Now, I generally dislike non-novel additions to novels. Chapter titles are fine, but sub-headings, dates, locations, quotes, poems, and other indulgences are just stuff in the way of my book reading. They often feel like attempts to make the work more arty or important than it really is. In the case of dates and locations, common in thrillers, they feel like lazy writing. And Rice was the author who made me dislike these things.

Once you start pulling at the thread, things start to unravel. I started to realise just how indulgent and boring much of Rice’s novels were. These were books I thoroughly enjoyed, yet I’ve not felt compelled to reread them since making this observation (I’d read several of the Vampire Chronicles at least twice at that point). Maybe I’m being too hard on Rice, I mean, she did pretty much reshape genre fiction (as discussed in the video). Maybe I need to revisit The Body Snatcher or The Vampire Lestat (again, as they were my favourites I’ve read multiple times).

Or maybe I should pickup some Lestat fanfic. Rice would love that.

Forbes once called her “The Warren Buffett of vampires,” but American author, Anne Rice has established herself as the literary queen of monsters of ALL kinds over her four-and-a-half decade career. Besides her 15 novels of the world-famous Vampire Chronicles series, she’s also written 21 other books featuring all your favorite dark, supernatural, and undead beings: witches, ghosts, mummies, werewolves, aliens, demons, angels, Jesus.

But the works of Anne Rice aren’t just light, pulpy fun monster books–her vampires changed the landscape of genre fiction as we know it?

Hosted by Lindsay Ellis and Princess Weekes, It’s Lit! is a show about our favorite books, genres, and why we love to read. It’s Lit has been made possible in part by the National Endowment for the Humanities: Exploring the human endeavor.

Dune, The Most Important Sci Fi Series Ever?

This month’s It’s Lit! discusses the series that should have landed in cinemas this year. But 2020 had other ideas, being the giant indestructible spanner thrown into the works of regular functioning society. So let’s just talk about the books instead.

A couple of years ago, I finally got around to reading Dune. I had previously gotten my hands on three of the expanded universe books written by Keven J Anderson and Herbert’s son. Let’s just say that those novels made me question the sanity of my friends who kept recommending the Dune novels.

Fortunately, I got past the ability of publishers to milk a premise long past the death of the cow. Dune was an excellent story.

In my review I made allusions to the point made in the It’s Lit! video about how the first novel has the feel of the rise of a demagogue. Having not gotten to the sequels as yet, the deconstruction of that sound particularly interesting. Dune only hints at the idea of how getting rid of the awful the ruling structures and leaders would be great. Destiny is tied into things a bit too much, while it appears the sequels unravels this idea.

Does this make the original novel and larger series the most important sci-fi ever? I’m not entirely convinced. Some books have inspired real life advances in technology or society (although less of the latter). I’m not sure Dune has had that impact, unless there is a spice I should be using in my cooking I’m unaware of. That isn’t to say Dune isn’t a great book (I’ll hopefully have some insight on the series in coming months) nor that it wasn’t influential in sci-fi. The lone fact that it managed to show that sci-fi could be a bestseller, particularly in hardcover, was a wake-up for the publishers who rejected the first novel such that an auto-repair manual publisher picked it up.

The main issue will be whether the new movie will arrive and not be the disappointment the other adaptations have been.

The planet is Arrakis. Also known as Dune. And y’all, it’s a mess. December of this year, we were supposed to see the arrival of director Denis Villeneuve’s interpretation of the 1965 novel Dune, which had been previously (and rather infamously) brought to life by David Lynch in 1984, and again in a three-part miniseries on the SyFy channel in the early 2000s. Now many sci-fi nerds were both excited and nervous about the new adaptation directed by Villeneuve, but owing to the ongoing plague of eternity, the release has been pushed back to next year. So in lieu of that, y’all have to use this video to tide you over.

What is Dune? Why must the spice flow? And what is with all the sand?

Hosted by Lindsay Ellis and Princess Weekes, It’s Lit! is a show about our favorite books, genres and why we love to read. It’s Lit has been made possible in part by the National Endowment for the Humanities: Exploring the human endeavor.

Book vs Movie: Doom Patrol – What’s the Difference?

This month’s What’s the Difference looks at Doom Patrol.

I have to admit, I’ve only heard about Doom Patrol. Reading the comic or watching the show has not been on my to-do list at all.

I’m sorry Alan ‘Wash’ Tudyk, I’ll try to keep up with your projects in future.

The video really does make the show look interesting. Bonkers, but interesting.

Listen, there’ve been A LOT of superhero tv shows over the past few years and it’s taken a second for us to catch up. But few of them have tickled our fancy quite like Doom Patrol. The comic book adaptation that opts for fighting personal demons over fighting super villains borrows from comics storylines across the decades. So how did the shows creators pick the best storylines for from a long running DC b-team to make a truly unique series? It’s tie to ask What’s the Difference?

Are Graphic Novels… Novels?

This month’s It’s Lit! dives into the world of graphic novels.

Obviously, I’m a fan of graphic novels. I think that the format provides an interesting and engaging storytelling method. Sometimes I think of graphic novels as a step between novels and movies (storyboards anyone?). Other times I think of them as a great way to pair down a story to its elements. And then there are the times when I don’t think too hard and just enjoy reading graphic novels.

I’ve previously written about how the snobbery of literature is especially pointed when it comes to graphic novels. And it always seems to come back to holding up a very certain kind of novel as “literature” and everything else as “unworthy”. Something I’ve come to call defending Fort Literature from the invading Lesser Works.

Maybe if people just gave graphic novels a chance to entertain them…

In the past few decades, literature has expanded to not only mean the “novel” but “graphic novels” as well. Today we are gonna break down how the graphic novel went from the comic book store to the classroom. Hosted by Lindsay Ellis and Princess Weekes, It’s Lit! is a show about our favorite books, genres, and why we love to read. It’s Lit has been made possible in part by the National Endowment for the Humanities: Exploring the human endeavor.

Book vs Movie: Netflix’s Rebecca – What’s the Difference?

This month’s What’s the Difference from Cinefix looks at Rebecca.

I think it was quite interesting to have the director involved in the discussion of doing an adaptation. Many of the points he made about what you can and can’t do are a good take-away.

One of the key points made was around what is cinematic. In books you can make a point or convey an idea without having to bash the reader with it (unless you are Dan Brown, in which case you’ll bash them with it repeatedly just to make sure that the people who take 6 months to read a book don’t forget something important). Movies can’t do that to the same extent without leaving the viewer a little bit dissatisfied. Unless you are being very arty, in which case, imply away and trigger years of debates over whether Cobb was still dreaming.

Unfortunately, I think the thing missing from this video was the discussion of the success of various choices made in adaptation. It is all well and good to say that “we wanted to give her more agency” but was that done effectively? Does that remain faithful to the book, or is it a departure that was unwarranted?

The other thing that was missing was a discussion with the author about the adaptation and their thoughts. Why didn’t they dig up Daphne du Maurier and and reanimate her corpse for a quick interview? Are people even trying these days?

Last night I dreamt director Ben Wheatley joined us for an episode of What’s the Difference! Netflix’s update to the Daphne du Maurier classic Rebecca is here and the filmmaker behind the latest adaptation walked through some of the finer points of the process. How does a 1930’s romantic thriller murdery mystery that’s been in print for 80 years find it’s way to a modern streaming platform with Armie Hammer and Lily James? It’s time ask Ben Wheatley, what’s the difference?

The (Stephen) King of Horror

This month’s It’s Lit! is looking at the career of Stephen King.

I’m not sure I fully appreciated Stephen King until more recently. When I was younger I didn’t get into his books; IT was particularly popular when I was in primary school. Then when I was a bit older, I tried a few novels with mixed results (Carrie was great, the first Dark Tower didn’t grab me).

My view of King changed when I picked up On Writing. Every writer recommends it as a must read for budding authors. It was while reading this book that I realised just how prolific and successful King has been.

Take a look at the NYT bestseller lists for fiction. From the mid-70s through to today you will battle to find a year where King didn’t have at least one bestseller. That’s without even looking at top 10s for those years either. There aren’t any authors with that sort of staying power and talent. Most would battle to even churn out something half-readable after a decade or two.

So:

Few writers have had the sheer staying power, popularity, and prolific output as Stephen King. From insatiably flesh-hungry clowns and sentient cars to telekinetic teenagers and mystical gunslingers, if there’s one author who has taken up valuable real estate in that part of our imaginations, it’s Stephen King. But it’s not just his monsters that have lasting power—it’s also the very human and very psychological elements in his work that linger.

So come with me, Constant Reader, while I lead you through the dark and twisted world of Uncle Stevie, the King of Horror…

Hosted by Lindsay Ellis and Princess Weekes, It’s Lit! is a show about our favorite books, genres, and why we love to read. It’s Lit has been made possible in part by the National Endowment for the Humanities: Exploring the human endeavor.

Book vs Movie: They Live – What’s the Difference?

This installment of What’s the Difference? covers one of the classics of 80s filmmaking. CineFix gives a big middle finger to the man with They Live.

Does anyone else remember video rental stores? No? Just me?

Okay, so imagine there’s a Netflix but instead of a library of movies of questionable quality and some series that will be cancelled after two seasons on your TV, there is a store you visit to borrow these shows and movies.* You can only borrow a few at a time for no longer than a week. And these borrowings are handed to you on a thing called a VHS tape cassette. This is deemed superior to watching broadcast TV, which consists of two channels, one of which is Elvis movie re-runs and sport, the other is designed to appeal to people whose hip isn’t up to making it out on Sunday mornings anymore.

Anyway, VHS rental tapes used to have a lot of junk before the start of the movie. This included anti-piracy warnings, a helpful reminder that this was a VHS tape, warnings about not pirating this tape, and trailers for other available titles. Fast-forwarding didn’t work that well, due in part to the slowness of fast-forwarding at the time, and the ingenuity of some dirtbag at the VHS factory who made sure all anti-piracy warnings took into account fast-forwarding in their design. Honestly, it was just easier to set the tape playing, go and fetch snacks, and come back when you stopped hearing super-serious voice-overs.

It was on one of those rented VHS tapes that I first saw an incredibly cheesy late 80s early 90s voice-over trailer for They Live. To say I desperately wanted to see it was an understatement

Of course, back in those days, we had to walk 50 cubits through freezing deserts up hill wearing a bag filled with bricks to get to the physical not-Netflix store. And while they called themselves a video rental business, there was no guarantee they had any of the films that were advertised on their videos. They Live was certainly one of the films not at our store. It wasn’t until almost a decade later that I saw a censored for TV version of the film.

The reason I tell this tragic story of childhood disappointment is to highlight how long I had to wait to actually see They Live. And despite that anticipation, the movie still met/exceeded my expectations. It is a classic of B-movies and one that has only gained more appreciation with time rather than less. As discussed in the Cinefix video, the themes about unrestrained capitalism are even more relevant today with a reality TV star for US president, billionaires splattered all over our media, and growing inequality.

The original short story and comic (linked below) are used as the premise of the movie. But as discussed in the video, you can do things in a short story that you can’t in a movie. That means we have to show more of the world, establish characters, kick-ass and chew bubblegum. If anything, I was disappointed with the short story after seeing the movie.

If there is any year to read Eight O’Clock in the Morning and watch They Live, it is 2020.

The comic based upon Ray Nelson’s story:
http://sapcomics.blogspot.com/2012/01/nada.html

The original short story Eight O’Clock in the Morning by Ray Nelson

* If anyone wants to comment on the origins of Netflix as a response to Blockbuster and late fees, feel free.

The Fiery History of Banned Books

Time to talk about banned books again.

I’ve been talking about banned books here for quite some time. Australia does it, USA has an annual banned books week (1, 2, 3, 4), and without fail, the reasons for banning books are stupid.

If there is any one term to summarise why books are banned it is because something in the book makes someone feel uncomfortable.

Don’t particularly feel like discussing historical and contemporary racism in the USA, especially if this discussion highlights current social and personal failings to address the issue? Then ban Huckleberry Finn (or just drop it from the curriculum) because it uses the N-word.

Does discussion of sexuality and sex make you blush or feel inadequate for only knowing one position (facing west and thinking of England)? Then ban books that mention sex. Or nudity. Or sound like they might be.

Is the book you’re reading treat LGBTQI+ people as (shock horror) people? Then quick, ban that thing before anyone has a chance to empathise with a marginalised group and think that treating them poorly shouldn’t be happening.

Since at least 213 BCE, book burnings have been a reaction to the power of the written word. When roasting paper in a giant circle went out of style (at least in the intellectual sphere), the governments would take it upon itself to ban books. However, when we talk about book bannings today, we are usually discussing a specific choice made by individual schools, school districts, and libraries made in response to the moralistic outrage of some group. This, while still hotly-contested and controversial, is still nothing in comparison to the ways books have been removed, censored, and outright destroyed in the past. So on that happy note, let’s … explore how the seemingly innocuous book has survived centuries of the ban hammer.

Hosted by Lindsay Ellis and Princess Weekes, It’s Lit! is a show about our favorite books, genres and why we love to read. It’s Lit has been made possible in part by the National Endowment for the Humanities: Exploring the human endeavor.

Books to musicals

This month It’s Lit! looks at the source material that helps people burst into song.

It’s gotta be said: I’m not a fan of musicals.

Maybe it was the “Andrew Llyod Webber’s Greatest Hits” tape that infected our car stereo during long trips as a child. Maybe it is that for every good song in a musical there is three to twenty average to terrible songs. Maybe it’s that my idea of a musical begins and ends with Elvis movies (We’re Gonna Win This Race).

It appears clear that my appreciation of musicals is somewhat shaped by poor childhood experiences. These scars are real!!

Regardless, it is still interesting to see how the adaptations of books are very important in the creation of musicals. The writing process is obviously very complicated to take a book and not only capture the story in a visual form, but also write songs that don’t make you take a power drill to your ears.

Perhaps transforming books into musicals is the peak of book adaptations.

Some say that theater is dead, and that’s probably because most playhouses the world over are closed at the moment owing to a worldwide pandemic. and yet the musical lives on… on Disney plus — as the nation has been rapt with a filmed version of the Broadway smash hit, Hamilton.

This had us come to the realization that a lot of the bread and butter of musical theater is built off of books! And so, like every television program that starts looking for new ideas, it has finally come to this: The It’s Lit! Musical episode

Hosted by Lindsay Ellis and Princess Weekes, It’s Lit! is a show about our favorite books, genres and why we love to read. It’s Lit has been made possible in part by the National Endowment for the Humanities: Exploring the human endeavor.

War and Peace and Everything Else

Okay, I guess we can discuss War and Peace…

I got to about page 8 of War and Peace. So only 0.6% of the +1200 pages.

Well, obviously I didn’t give the novel a fair chance.

Don’t care. I have no intention of revisiting it.

People always talk about battling through War and Peace in small chunks because it is such an important and blah blah blah book. If it was really important it wouldn’t have been so boring as to necessitate reading it in small chunks.

I’ve previously mentioned War and Peace in my post on books people claim to have read but haven’t. As discussed in the video, it isn’t a novel that most are going to get into or enjoy. The appeal of a book of this sort is rather narrow. That doesn’t make it a bad book, despite my comments above, but it does mean that there is a certain cachet to having read it. It is certainly the sort of “important” book literary snobs love to talk about.

In some respects, I’m glad that War and Peace is something of a publishing relic. Otherwise, we might have dozens of “very important authors” churning out 1000 page novels with 500 characters and scant regard for the plot/point.

According to Tolstoy himself, War and Peace was “not a novel, even less is it a poem, and still less a historical chronicle.”

And in this day and age of publishing, where word count, “readability”, and topical relevance are the lifeline of getting a novel to print, we look at books like War & Peace as something of a relic.

Hosted by Lindsay Ellis and Princess Weekes, It’s Lit! is a show about our favourite books, genres and why we love to read. It’s Lit has been made possible in part by the National Endowment for the Humanities: Exploring the human endeavour.

Book vs Movie: Total Recall – What’s the Difference?

In this month’s What’s the Difference, CineFix look at Total Recall* and Phillip K Dick’s We Can Remember It For You Wholesale.

Can you believe it has been 30 years since the release of Total Recall? At least nobody invented Johnny Cabs in that time.

Many years ago I wrote a post discussing my thoughts about the differences between the first Total Recall movie, the remake with Kate Beckinsale (and some guy called Co-lin Faarill), and the book/short story. In it, I talked about how quickly the movies diverge from the book, essentially before the end of the first act (around the inciting incident). And then I went on to spend several thousand words complaining about the lack of massive biceps and extra boobs in the remake.

For me, this comparison of book to movie and remake shows just how far you can diverge from the source material whilst still retaining a lot of similarities. It also shows the strength of the original premise from Phillip K Dick, because even the remake of Total Recall didn’t completely suck, despite having Len Wiseman involved.**

I’m sure by the time the fortieth anniversary for the original movie rolls around, Hollywood will have released at least two remakes, a TV show, a Mars Lander tie-in short movie with a digitally recreated young Arnie, and a triple breast augmentation procedure.

* The first one, not the bland remake with the genocide of robots.

** The remake mainly suffers from being just that bit soulless. It doesn’t feel like anyone involved cared that much about the film, just that it was a good solid paycheque. As a result, they churned out a good solid action movie that is largely forgettable. Another one in the long line of perfectly adequate movies that make you feel like you’ve been robbed of the opportunity for something better. Not bad enough to justify your hate, but not good enough that you’ll forgive its flaws.

Some News:

I apologise for the lack of updates lately. I have several book reviews I haven’t gotten to, a couple of posts I’ve contemplated and then given up on, and a few of my regular posts (like this Book vs Movie series) that I haven’t published. This is partly sheer laziness and partly due to having taken on a freelance writing job for a magazine due out later this month. I’ll attempt to get back to weekly posts soon.

The Constructed Languages of JRR Tolkien

Let’s have a look at making up languages for stories.

I don’t know how I feel about constructed languages in fiction. On the one hand, it can be a great part of worldbuilding, something that adds another layer of realism or interest to the story. On the other hand, it’s a fake language that I’m going to skip reading because I can’t understand it BECAUSE IT’S MADE UP AND NO ONE BUT THE AUTHOR UNDERSTANDS IT.

Obviously, a lot of thought goes into worldbuilding, particularly in sci-fi and fantasy. Part of that will be trying to come up with interesting places that naturally derive the conflicts of the story. Where would it be realistic for a clan of ninja pirates to run a soup kitchen for homeless astronauts? What sort of world would allow a conflict between the soup kitchen and a basketweaving franchise run by outcast chartered accountants?* These are not easy things to construct in a satisfying and consistent/rational way.

Language is a natural extension of this worldbuilding. The ninja pirates are clearly not going to have the same slang or language as the chartered accountants. But they still have to be understood by the homeless astronauts. Does this require a language though? Does it even require rational slang? Is it going to feel natural to Ar and Eye through dialogue or is it going to feel annoying and distracting?

When all said and done, is this just backstory that doesn’t need to appear on the page? Often what happens is that because someone has put so much time and effort into creating a language (or other worldbuilding antics) they feel the desperate need to make sure every excruciating detail is given to the reader. Some readers may enjoy tolerate this, but others may sign the offending author up to be the chief target holder at the World Beginners’ Archery Contest.

As with everything in writing, good execution is key. Especially if you want to avoid just the execution.

110200213_3298777980181468_3736336963537453230_n
Funny meme is inaccurate**

Tolkien is widely regarded as the most influential author on the fantasy genre… period. But one of the less-discussed aspects of his work is the way Tolkien used constructed language in his writing.

Nowadays authors are constantly making up words and languages for the worlds they build, but Tolkien was unique in that he constructed languages first, and then created worlds so his fictional languages would have somewhere to live.

Hosted by Lindsay Ellis and Princess Weekes, It’s Lit! is a show about our favorite books, genres and why we love to read. It’s Lit has been made possible in part by the National Endowment for the Humanities: Exploring the human endeavor.

This channel has an interesting series on writing craft and worldbuilding. The most recent video covered social structures that has some nice parallels with language.

* The answer to both of these questions is, of course, Florida. I don’t want this to sound mean to Floridians, but the latest “Florida man/woman” arrests news articles suggest if there is a place anything could happen, it is Florida.

** Had to share the meme, but a friend of a friend pointed out it is inaccurate, and that Amon Amarth are awesome:

Russell K
Yeah, hate to be that guy, but Treebeard had a name that “was growing all the time” – Treebeard was shorthand for hobbitish convenience. Tolkien had multiple names for most things, and it’s disingenuous for the OP to pick on just one. Mount Doom, for example, was Orodruin and Amon Amarth, a name so evocative it was co-opted by a melodic death metal band.

The Byronic Hero: Isn’t it Byronic?

An overview of the Byronic hero: http://stagenotes.net/phantom/docs/ByronicTraits.pdf

https://study.com/academy/lesson/byronic-hero-definition-characteristics-examples.html

https://en.wikipedia.org/wiki/Byronic_hero

An overview of Romanticism: http://academic.brooklyn.cuny.edu/english/melani/cs6/rom.html

Edward Cullen. Han Solo. Killmonger. Lestat. What do all these characters have in common besides being heartthrobs? They share a common ancestor: the Byronic Hero. Brooding, sensual, violent, intelligent, and single-minded, the Byronic hero has been a staple in literature dating back to the 19th century, but the archetype is all over film, TV and even video games. I see you Cloud Strife, all sad and angsty with your giant sword.

Hosted by Lindsay Ellis and Princess Weekes, It’s Lit! is a show about our favourite books, genres and why we love to read. It’s Lit has been made possible in part by the National Endowment for the Humanities: Exploring the human endeavour.

Little Women – It’s Lit!

Before women were asking “Am I a Carrie or a Samantha?”, they were asking “Am I a Jo or an Amy?” Before there was Edward vs Jacob, there was Laurie vs Professor Bhaer. And over the more than 150 years since Little Women was originally published, there have been (deep breath) dozens of adaptations, feature films, television adaptations, plays, ballets, operas and at least two animes based on it.

So despite being written off as proto-chick lit or kiddie lit or as Alcott herself said, “moral pap for the young,” Little Women has worked its way into the consciousness of readers for the last 150 years, and has stayed there. But what is it about the tale of the March sisters that keeps us coming back?

Hosted by Lindsay Ellis and Princess Weekes, It’s Lit! is a show about our favorite books, genres and why we love to read. It’s Lit has been made possible in part by the National Endowment for the Humanities: Exploring the human endeavor.

How Fictional Pandemics Reflect the Real Thing

Time for another instalment of It’s Lit. This month it’s time to look at zombies pandemic fiction.

Everyone has Covid on the brain at the moment. It is easy to forget that pandemics* occur with painful frequency and that we’ve got a nasty habit of forgetting the previous outbreak – ebola, zika, swine flu, SARS… Our forgetfulness is an interesting trait, but it could be argued that our love of pandemic fiction is where we pour our fears of the next outbreak.

Considering that the risk of pandemics is increasing in both spark and spread, that means pandemic fiction isn’t going to stop any time soon. Long live the zombie!

But it is also worth remembering that pandemic fiction doesn’t have to be a fear of disease and death. It can represent our fear of an all-consuming society that will overrun us, swamp us with mediocrity, and drag us down to become just another mindless member of the hoard. Odd that it comes up a lot during uncertain political climates.

Stay safe. Read a good book. Or a bad one. Whatever.

Although we are currently living through a pandemic that has disrupted our lives and will shape the course of humanity, pandemics have been around since the dawn of civilization, as have stories about fictional pandemics. So now seems like as good a time as any to explore how fictional pandemics have evolved over time, and what they say about their own time.

Hosted by Lindsay Ellis and Princess Weekes, It’s Lit! is a show about our favorite books, genres and why we love to read. It’s Lit has been made possible in part by the National Endowment for the Humanities: Exploring the human endeavor.

* Sidenote: Pandemics have a wider spread than epidemics. Usually, an epidemic is limited to an area, or country, while a pandemic spreads more widely, often globally.
https://www.medicalnewstoday.com/articles/148945

Book vs Movie: The Kingsmen – What’s the Difference?

This month’s What’s the Difference? from Cinefix looks at The Kingsmen and it’s comic origins in Mark Millar’s comic.

While I can remember reading Mark Millar’s Secret Service, I can’t remember having enjoyed it. I’m not actually sure if I read the whole first run. I do remember thinking that it was an interesting if average take on the suave spy genre. 

Needless to say, I was somewhat surprised when The Kingsmen arrived in cinemas. Secret Service didn’t exactly strike me as worth adapting. Bond had been reinvigorated, Vin Diesel’s XXX had come and gone*, and Austin Powers had mined a couple of jokes to death over three movies. Did we need this movie?

Yes.

And it was a surprisingly good movie. Not to mention, it also manages to be an adaptation that, I think, improves upon the source material. I think the “Kingsmen” aspect, as mentioned in the video, was certainly part of what elevated the movie above the source material.

I think if there is anything to learn from Secret Service being adapted, it is that a good adaptation will fully realise the potential of the source material. That doesn’t require faithfulness, but rather an understanding of the themes and ideas.

* And then came back again. Why, I’m not entirely sure.

Science fields mapped with infographics

Do you have trouble visualising where the various fields of science and maths sit?

Would you like to visualise all the fields in relation to one another?

It’s just me?

Again?

It’s a lonely life being a science nerd.

But I’m still going to share this really cool series of infographics that come from Dominic Walliman. He developed them as part of his Youtube science channel.

Check out the videos related to the infographics below!

infographic-map-chemistry

infographic-map-biology

infographic-map-physics

infographic-map-computer-science

infographic-map-mathematics

Dominic Walliman: YouTube | Flickr

Hat-tip: https://mymodernmet.com/science-infographics-dominic-walliman/

Book vs Movie: Jojo Rabbit – What’s the Difference?

This month’s What’s the Difference? from CineFix is the hilarious Jojo Rabbit based upon Caging Skies.

It shouldn’t come as any surprise that I haven’t decided to read a book about an abusive Nazi protagonist during the second World War. Obviously, that sort of book would be such a fun read and exactly the sort of rollicking good time I would make space for in my limited reading time.

It will probably come as a major surprise that I haven’t seen Jojo Rabbit as yet. How could I not have seen a movie involving Taika Waititi?

brody-jojorabbit

The answer is children. If you ever want to see a movie in cinemas ever again, either don’t have kids or be very happy abandoning them with a teenager who is only pretending to look after them while they mix your 30-year-old single malt with Coke.

… Or take them along to the cinema with you, like the kids we saw watching Deadpool 2. I’m sure those kids will grow up just fine. Especially once their teacher finally tells them what a strap-on is.

So the take-away from this post is that I want to see the movie even more now.

Afrofuturism: From Books to Blockbusters

Time for another instalment of It’s Lit. This month they discuss Afrofuturism.

I have to admit that my exposure to Afrofuturism outside of the MCU and music (see below) is limited to one aborted attempt at one of NK Jemisin’s novels. I do own Octavia Butler’s Wild Seed and Samuel Delany’s Babel-17… and haven’t read them yet. That should still get me cool points, right?

Which got me thinking about a point made in the video. Obviously, this genre is not new, yet my personal exposure is somewhat limited. So, just out of interest, I checked my library. No Du Bois, no Butler, no Womack. Jemisin and Tomi Adeyemi do feature. I guess you just need to be a very recent award-winning author to be picked up by libraries.

The point being, black storytelling does seem to face extra hurdles in reaching an audience. Aboriginal authors appear to face similar hurdles unless you’re a professor of writing at a major university and multi-award-winning author.

At least the video has some titles and authors we can all go out and buy.

With the success of Black Panther, the term Afro-Futurism got pushed into the mainstream. But what is Afro-Futurism and what is its place in Black storytelling? In this episode, we give you the starter pack on answering that question.

Hosted by Lindsay Ellis and Princess Weekes, It’s Lit! is a show about our favourite books, genres and why we love to read. It’s Lit has been made possible in part by the National Endowment for the Humanities: Exploring the human endeavour.

The greatest mashup you’ll ever hear:

The Case for Fan Fiction

It’s Lit! is back and they have picked an easy subject to discuss: how Fan-Fic is actually awesome.

I wouldn’t really say I got my start writing fan fiction. Sure, I wrote some stories loosely based upon MacGyver and The Hitchhiker’s Guide to the Galaxy. But I’d say they were more homages to… Okay, they were fan-fic. Who am I kidding?

That paragraph essentially sums up what I used to think of fan-fic. I appreciated it, recognised it as a legitimate creative outlet, that it could be great fun to write, and that authors should be proud to have people passionate enough about the work that they are being inspired to write their own stuff. But at the same time, I saw it as what beginners did. It was really just for the writers, not readers. That it wasn’t “legit” writing.

It wasn’t worthy!

When Anne Rice was issuing cease and desist letters to her biggest fans, I thought she was a fool. What sort of idiot honestly thinks these fans are somehow ruining her characters and books?

But underlying this argument was the idea that none of those fan-fic stories was any good. Rice’s characters were safe from harm because no hack would be taken seriously compared to the internationally bestselling author. Those stories weren’t even available in real books.*

Then I had somewhat of an epiphany. An author friend made the argument against fan-fic from the premise of copyright and how fan-fic was low quality. They made a sizeable amount of their income from tie-in novels, the books that are licensed to a movie or TV show IP, and written to satiate fans who can’t get enough of the adventures. So you could see their points as defending their meal ticket. But after they made that argument, a professor of writing, who was a published author and also wrote tie-ins, pointed out how they also wrote fan-fic and how this wasn’t about copyright. This was about fans expressing themselves.

It is easy to say that copyright is being breached, despite the clear acknowledgement by everyone involved that fan-fic isn’t canon and isn’t even “sold” to people. No one picks up a Chewie and Yoda slashfic and thinks, “Can’t wait to see this will be in the prequel trilogy movies.” It is also easy to say that the people writing it are all hacks. Except we not only know that isn’t true (e.g. the above writing professor and award-winning authors mentioned in the video). And if these fans are working hard at writing lots of fan-fic, they are bound to become good at it.

So now I stand back and say: Fan-fic is legit.

I mean, where else will I read a steamy sex scene with cries of linguistically impaired pleasure and Wookie growls?

Welcome to It’s Lit on Storied – stay awhile, and subscribe! http://bit.ly/storied_sub

For years writers of fan fiction were shamed, the butt of jokes, and even subject to copyright litigation. However, in the past few years, with the fan fiction writers of today becoming the published mainstream authors of today the past time is a celebrated benchmark of one’s climb to publication.

In the season two premiere of It’s Lit, we explore what happened and how fan fiction writers were able to come out of the proverbial closet of shame.

Hosted by Lindsay Ellis and Princess Weekes, It’s Lit! is a show about our favorite books, genres and why we love to read. It’s Lit has been made possible in part by the National Endowment for the Humanities: Exploring the human endeavor.

* It was the 90s. If it wasn’t in print at your local bookstore, it didn’t exist. It certainly wasn’t going to overturn the canon.