Book vs movie: Pet Cemetary – What’s the Difference?

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It was inevitable that someone in Hollywood would try to reanimate the corpse of yet another classic film. So with the upcoming release of the remake of Pet Cemetary, what better time for CineFix to discuss the original book and movie in What’s the Difference?

Pet Cemetary is one of the many books lingering on my shelf in the TBR pile. While I have decided that this year will involve a concerted effort to make a dent in said pile*, it is unlikely I’ll get to read this novel anytime soon. If I’m completely honest, I want to read The Stand first.

What about the movie, I hear you ask. Back when I was a young lad – walking the obligatory 10 miles (whatever a mile is in real measurements) to school through 10 feet of snow (why would there be feet in snow?) after working 10 hours at the coal mine – Stephen King novels and movies were all the rage. Whether it was Needful Things, Carrie, Misery, Lawnmower Man, IT, or Children of the Corn, there always seemed to be someone bringing a Stephen King VHS** to watch. And after my hard lesson learnt with IT, I tried to avoid the obviously scary films – hence I have seen Lawnmower Man and most of Needful Things, but not Children of the Corn.

At this point, I probably sound like a wimp. It is odd that I generally don’t find horror novels that bad, and even movies with horror elements are fine. But movies whose goal is to creep you out or gross you out (think Saw franchise or Hostel) just aren’t for me, particularly the latter. It’s a little hard to be entertained by that sort of thing.

Yes, yes, more excuses as to why I haven’t read or watched something. Don’t worry, plenty of horror in my TBR pile. Stay tuned.

*I’ve managed to read one from the pile and added two more to it this month. That counts as progress, right?

**VHS, that’s right. I am truly that old.

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Book vs Movie: Hellboy – What’s the Difference?

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This month’s instalment of What’s the difference? from CineFix looks at Mike Mignola’s graphic novel and Guillermo Del Toro’s Hellboy?

In the interest of full disclosure, I’m not a fan of Hellboy: movie or comic. Yes, I know, how dare you not love Del Toro’s amazing artistic vision! I’ve watched both Hellboy movies multiple times and have not loved them (and despite liking the Blade trilogy, Blade 2 isn’t my favourite – but Pan’s Labyrinth was fantastic). The comics I probably didn’t give them a fair chance, as I tried reading one omnibus after not enjoying the first film.

Anyway, the point I wanted to highlight from the video was something I think too many adaptations fail to do. When you are talking about a series of comics or books, there is often some prevailing themes, motifs, and imagery to them that may be less noticeable in any one edition, but taken as a whole it is important.

Because movies are often only drawing on one book at a time, or drawing on one run (or story arc) of a comic, important aspects may be lost. An example would be the Tim Burton or the Adam West takes on Batman versus the Christopher Nolan version. The latter drew upon more of the Batman comics than the earlier adaptations (not that either of those adaptations was bad*).

So while this doesn’t necessarily result in a direct adaptation, it does result in an adaptation that is faithful to the source material in the elements that matter.

*I’m pretending that the Joel Schumacher adaptations don’t exist. Akiva Goldsman is probably more to blame, given he has a long track record of making everything he is attached to that bit worse.

Book to Movie: Mary Poppins – What’s the Difference?

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This month’s What’s the Difference? from Cinefix looks at one of the movies that you probably only realised was based on a book when they made a film pointing that fact out: Mary Poppins.

Having not read the books, I don’t have much to say about this month’s What’s the Difference? I would like to segue into a topic that the recent Saving Mr Banks raised. I think there are some interesting points to be made about the differences between mediums when it comes to how and what is remembered.

Truly great books will generally be read by fewer people than the number who will watch a middling film adaptation. Make a great film from a great book and you will still reach more people with the film. I’ve previously mentioned how as many people saw the final Harry Potter movie as there were sales of all of the Harry Potter series of novels. So even if we just go on audience size alone, it is fair to say that a movie adaptation will shape people’s memory of an artwork.*

Of course, it is worth noting that the movie Saving Mr Banks is somewhat revisionist. Tad important to know this as large media companies dominate the landscape of society. I mean, next thing you know Americans will use movies to try and tell us they turned the war by capturing an Enigma machine

This video essay by Lindsay Ellis talks about the Revisionist World of Disney:

*Further to this point is should this influence the author’s decision to allow a movie/TV adaptation knowing that their writing will take second place to the more popular medium?

Book vs Movie: Starship Troopers – What’s the Difference?

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This month’s What’s the Difference? from Cinefix looks at one of the more blatantly different book adaptations: Verhoeven vs Heinlein’s Starship Troopers.

The first time I watched Starship Troopers all I saw was a cheesy B-grade action movie. This was also what many movie reviewers thought at the time. Many years later I finally read the book and it clicked.

Verhoeven’s film only made sense to me after I’d read the book as it is as much a critique of the material as it is an adaptation.

“I stopped after two chapters because it was so boring,” says Verhoeven of his attempts to read Heinlein’s opus. “It is really quite a bad book. I asked Ed Neumeier to tell me the story because I just couldn’t read the thing. It’s a very right-wing book. And with the movie we tried, and I think at least partially succeeded, in commenting on that at the same time. It would be eat your cake and have it. All the way through we were fighting with the fascism, the ultra-militarism. All the way through I wanted the audience to be asking, ‘Are these people crazy?’ Source

The cheesy propaganda segments riff on the heavy-handed philosophical lecturing Heinlein does. The proud militarism is given consequence by utilising Heinlein’s own references to disabled veterans and by showing horrible training injuries and battlefield scenes. The fascist elements are played up for farce in the uniforms and sequences mirroring actual Nazi propaganda films.

Michael Ironside asked, “Why are you doing a right-wing fascist movie?”
Verhoeven replied, “If I tell the world that a right-wing, fascist way of doing things doesn’t work, no one will listen to me. So I’m going to make a perfect fascist world: everyone is beautiful, everything is shiny, everything has big guns and fancy ships, but it’s only good for killing fucking Bugs!” Source

Now, I did actually enjoy the book. It is very interesting and many of the ideas were challengingly different. The portrayal of future warfare was, at the time, as imaginative as I’d come across. So Verhoeven’s reaction to satirise the book – one that Heinlein dashed out as an angry response to the US stopping nuclear tests – was probably overwrought by his childhood in the Nazi-occupied Netherlands. But if the movie adaptation had been faithful we’d probably have seen the worst elements of Heinlein’s ideas paraded around like something produced by the Ministry of Enlightenment.

Well, either that or a schlocky B-grade action movie about the military killing alien bugs.

Book vs Movie: Dracula – What’s the Difference?

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Since the annual American lolly festival is almost upon us, Cinefix is covering one of the classics. Bram Stoker’s Dracula and Francis Coppola’s 1992 Dracula.

Time for some straight talk. I don’t know how you discuss this particular adaptation without mentioning just how bad Keanu Reeves is in this film. Embarrassingly bad.

I actually tried to rewatch Dracula a couple of years ago and just couldn’t bring myself to sit through it all. Despite it being a bit of a who’s who of actors in the cast – and people like Tom Waits – it all feels so camp and silly. Even when I first saw it in high school, I remember Dracula being only average – with possibly the best visual explanation of the link between Dracula and Vlad the Impaler ever.

It is harder for me to talk about the book as I read it so long ago. And, let’s be honest here, I’ve since read way too many Anne Rice novels to not get the details confused. I read Dracula and Frankenstein at roughly the same time; because gothic horror novels are what pre-teen kids should be reading. Neither stood out for me as novels, but it is amazing how influential they have both been to genre fiction.

I wonder if there will be any modern equivalent. A novel that establishes an entire genre that is continuously reimagined, refined, and redefined such that we get analogues ranging from True Blood (coming out of the closet analogy) to Buffy (girl power).

Are good books made into bad films?

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The short answer is no.

The longer answer is Berkson’s Paradox/Fallacy applies.

The even longer answer is explained in this video from Hannah Fry and Numberphile:

Comparing the book to the movie has been a long-standing blog topic of mine, which made this maths video pretty cool*. I’ve since developed a category list that relates to what Hannah discussed in the video about what gets made into movies.

  1. It is very unlikely that your novel will be published.
  2. It is very unlikely that your published novel will be optioned to be made into a movie (or TV show).
  3. It is very unlikely that the movie adaptation will actually be made.
  4. Most movies are average, so it is very unlikely that the movie adaptation will be above average.
  5. If the movie is above average, it is very unlikely that the movie will bear any resemblance to the book it was adapted from.
  6. Pointless arguments will ensue from the previous two points.

The Metacritic vs Goodreads analysis mentioned in the video is interesting and worth a read.

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*As always, I’m working from a definition of cool that includes the nerdy stuff I like.**

**Did you know that cool has always been cool?***

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Source.

*** Well, unless you use Ngram Viewer to check Google Books for word usage over time like some sort of nerd…

Ngram Cool

Book vs Movie: Fear and Loathing in Las Vegas – What’s the Difference?

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This month’s What’s the Difference? from Cinefix covers Fear and Loathing in Las Vegas.

This month I’m just sharing.

Yep, that means I’ve neither read the book nor watched the movie.

Feel superior in the comments.

20 years ago a new generation was introduced to the peak of Gonzo Journalism with Terry Gilliam’s adaptation of Hunter S. Thompson’s Fear and Loathing in Las Vegas. Really great filmmakers have tried and failed to bring the savage journey into the American Dream, so what makes Terry Gilliam’s version so successful? Time to get cracking and ask What’s the Difference?!