How Fictional Pandemics Reflect the Real Thing

Time for another instalment of It’s Lit. This month it’s time to look at zombies pandemic fiction.

Everyone has Covid on the brain at the moment. It is easy to forget that pandemics* occur with painful frequency and that we’ve got a nasty habit of forgetting the previous outbreak – ebola, zika, swine flu, SARS… Our forgetfulness is an interesting trait, but it could be argued that our love of pandemic fiction is where we pour our fears of the next outbreak.

Considering that the risk of pandemics is increasing in both spark and spread, that means pandemic fiction isn’t going to stop any time soon. Long live the zombie!

But it is also worth remembering that pandemic fiction doesn’t have to be a fear of disease and death. It can represent our fear of an all-consuming society that will overrun us, swamp us with mediocrity, and drag us down to become just another mindless member of the hoard. Odd that it comes up a lot during uncertain political climates.

Stay safe. Read a good book. Or a bad one. Whatever.

Although we are currently living through a pandemic that has disrupted our lives and will shape the course of humanity, pandemics have been around since the dawn of civilization, as have stories about fictional pandemics. So now seems like as good a time as any to explore how fictional pandemics have evolved over time, and what they say about their own time.

Hosted by Lindsay Ellis and Princess Weekes, It’s Lit! is a show about our favorite books, genres and why we love to read. It’s Lit has been made possible in part by the National Endowment for the Humanities: Exploring the human endeavor.

* Sidenote: Pandemics have a wider spread than epidemics. Usually, an epidemic is limited to an area, or country, while a pandemic spreads more widely, often globally.
https://www.medicalnewstoday.com/articles/148945

Book Review: The Strain by Guillermo Del Toro and Chuck Hogan

The Strain (The Strain Trilogy, #1)The Strain by Guillermo del Toro
My rating: 4 of 5 stars

I bought this novel after watching the fantastic Pan’s Labyrinth. If you haven’t watched that movie, do so now. In fairness though, this novel has more in common with Del Toro’s contribution to the Blade series of movies than it does to Pan’s Labyrinth.

This is another take on the viral outbreak thriller, thankfully it doesn’t take it down the path of zombies, as most recent novels in this genre have done. Non-sparkly vampires are back!

The only disappointment for me was that this was definitely the first instalment in a trilogy and felt a little more unfinished than I’d have liked. The writing is very reminiscent of Douglas Preston and Lincoln Child’s Prendergast series. Worth a read for horror and thriller fans.

View all my reviews

Rules of thriller writing

archer-gun

1) If in doubt kill a character.

2) Plot holes can be filled with dead bodies.

3) Nothing screams thriller more than characters screaming for their lives.

4) Car chases and shootouts are mandatory.

5) The hero can’t die, unless you really, really want them to.

6) The bad-guy must die horribly, unless you want them for the sequel. Even then, the sequel could be a zombie thriller.

7) Beloved minor characters must die the most gruesome and pointless of deaths.

8) Minor bad-guys must follow the inverse ninja law.

9) The only reason a gun should ever run out of bullets is if it puts the hero in even more danger.

10) The rules of physics and biology do not apply to the hero, unless it puts them in even more danger.

11) Deus ex machina can only be used once in the story, so use it wisely.

12) If your story hasn’t given your readers a heart attack, rewrite it so that it does.

See also:
http://davidmorrell.net/on-writing/writing-advice/
http://www.creative-writing-now.com/how-to-write-a-thriller.html
http://www.writerscentre.com.au/sydney/thrillerwriting.htm