Fear of Ghost…Writing

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Is ghostwriting cheating? Well, this edition of It’s Lit discusses just that.

I think the most interesting point raised in the video is around the idea of the solitary author. This is the creative genius whose work you love or the dolt whose work you loathe. All praise and ridicule can be easily directed at one person. But outside of some indie authors, a book (or series of books) isn’t the work of one person. A lot goes into bringing a story to life and placing it in front of us readers for our entertainment. From the cover art to the editing, from the writer’s group feedback to the publisher’s request for a sequel, lots of people are involved in influencing, shaping, and ultimately creating a book.

Now, I have been known to take a dig at authors like James Patterson for their co-authoring ways. And I find it a little unseemly that Tom Clancy is still releasing new books despite having been dead for five years – seriously, half as many as his releases while alive. But that is probably as much about the mass-produced book under a name-brand that we used to associate as the domain of pulp titles. To have that become part of the big-name author stable cheapens the experience somewhat.

That cheapened feeling is probably related back to the idea of the solitary author. Or possibly that I’m not a huge fan of Patterson or Clancy. You know, one of those.

You might being asking yourself– Why do ghostwriters even exist? Isn’t that cheating? Isn’t literature supposed to be the result of one person’s agonizing need to create? Aren’t books supposed to be the blood, sweat, and tears of the tortured auteur? Well, the answer is more complicated than you think!

It’s Lit! is part of THE GREAT AMERICAN READ, an eight-part series that explores and celebrates the power of reading. Hosted by Lindsay Ellis.

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Can you judge a book by its cover?

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The new episodes of It’s Lit are finally making it to YouTube. In this episode, Lindsay Ellis discusses book covers.

It is interesting that everyone in the reading industry* talks about not judging a book by its cover. Yet the entire industry is built around judging books by their covers.

We have the publishers and their creative team designing covers to attract readers. We have the readers browsing the stores and picking something that catches their eye. There are plenty of statistics around showing the improved sales based upon book placement in stores, whether they are face out or not, and whether they are in big piles – which makes all sorts of subconscious suggestions to shopping readers.** All of these factors are about presenting us readers with the cover of the book in the hopes that we’ll be interested enough to buy it.

But don’t judge it by its cover!!

*I honestly think we should stop using the term publishing industry and refer to the end user instead. I think we lose sight of who matters at times.

**Online stores have similar sales statistics related to cover design. Indie authors will often talk about the success of changing covers and improving sales.

Why did I have to read that book in high school?

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This month Lindsay Ellis discusses the Literary Cannon, or how books become “worthy“, in It’s Lit.

I swear that when I started posting these videos that I didn’t know the series would cover one of my pet topics. Worthiness, important books, snobbery, guilty pleasures, are all things I love to bang on about. This video feels like a worthy addition to my posts on the topic.*

Let’s explore what makes a book “important.”

Literary critics, writers, philosophers, bloggers–all have tried to tackle where and why and how an author may strike such lightning in a bottle that their works enter the pantheon of “Classical Literature”. Why this book is required reading in high school, why other books are lost to history.

It’s Lit! is part of THE GREAT AMERICAN READ, an eight-part series that explores and celebrates the power of reading. This all leads to a nationwide vote of America’s favourite novel. Learn More Here: https://to.pbs.org/2IXQuZE

*Pardon the pun, it was father’s day recently.

Elves with swords

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Is this the real life? Is this just fantasy? Caught in a landslide, no escape from reality. Open your eyes, look up to the skies and see… Some really awesome stories.

This month’s It’s Lit with Lindsay Ellis covers the much-maligned genre of fantasy.

Fantasy is a lens to explore what we as a society find important to our pasts, our presents, and future. Fantasy and science fiction often fall under the umbrella of “speculative fiction” – as a result they are often grouped together, especially in bookstores. But science fiction is a forward-looking genre propelled by the possibilities of technology (and the things that worry us about it), fantasy is … more backward looking.

Vote on your favorite book here: https://to.pbs.org/2Jes2X5

An ode to the romance novel

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Romance is one of the biggest selling and most popular genres, that apparently nobody reads…

The closest I come to reading romance is the Mercy Thompson series, so I’m not qualified to discuss it. Fortunately, PBS’s series It’s Lit has Lindsay Ellis to discuss it.

What actually makes a romance novel?

The romance novel has been the subject of intrigue, derision, and shame in literary discourse long before the modern genre as we know it today existed. Romance novels are relegated to your Aunt Muriel’s bathroom, thrift store book sections, and that one aisle in Barnes and Noble that you pretend to walk through because you got “lost” looking for cookbooks. But it deserves a closer look than that – it is after all the highest grossing of all literary genres, out-selling its next nearest competitor twice over.

Vote on your favorite book here: https://to.pbs.org/2Jes2X5 It’s Lit! is part of THE GREAT AMERICAN READ, a eight-part series that explores and celebrates the power of reading. This all leads to a nationwide vote of America’s favorite novel. Learn More Here: https://to.pbs.org/2IXQuZE

Where’s my hoverboard?

Ever wanted a six-minute overview of American science fiction? Well, here is Lindsay Ellis doing just that.

The History of Science Fiction!

Stories, tales, and myths from all around the world posing speculative questions around technologies have existed long before Ray Bradbury and Frank Herbert, from the time-traveling Japanese fairy tale “Urashima Tarō” to some of the speculative elements of 1001 Arabian Nights. But there are a few eras that begin to shape what we’ve come to know as science fiction today. Hosted by Lindsay Ellis.

Vote on your favorite book here: https://to.pbs.org/2Jes2X5

It’s Lit! is part of THE GREAT AMERICAN READ, a eight-part series that explores and celebrates the power of reading. This all leads to a nationwide vote of America’s favorite novel. Learn More Here: https://to.pbs.org/2IXQuZE

Correction: At 1:49, we accidentally said that Mary Shelley’s Frankenstein was published in 1918, when it was published in 1818.

Also, recently I called Mary Shelley’s Frankenstein a horror novel, whereas here it is called a science fiction novel. Technically it is both a science fiction and a horror novel. Moreover, it was written as a Gothic novel, a genre which is mostly known by its sub-genre of Gothic Horror. So while you could say Frankenstein is both science fiction and horror, you’d probably lean more toward horror if you had to pick between the two whilst ignoring the Gothic genre label.

Because accurate genre labels are very important. And novels are always composed of only one genre. Apparently.

The Evolution of YA Fiction

Young Adult fiction is a term whose meaning has varied wildly over the years. It can apply to coming of age tragedies or serialized adventures of babysitters, or insert really dated twilight joke here. But where did this young adult genre come from? And why did it get so big?

The voting referred to in the video is here, but it is for North American people only. I mean, it is about the Great American Read after all. Which obviously means that the rest of the world’s opinion on that doesn’t count. Neither does South America’s.