I’m more of a tea drinker myself.
This month’s What’s the Difference? from Cinefix looks at the classic children’s story that became a(nother) Disney movie.
My memory of The Little Mermaid story is what you would call hazy. The Hans Christian Andersen tales, from my recollection of them, were a lot darker and nastier than would generally be acceptable for young children these days.
The movie is much easier for me to recall, as my daughter has recently taken a liking to the tale. Except for the bits with Ursula in them, which are far too scary. Fortunately, I’m usually on hand for hugs during those scenes.
The thing that has struck me the most about The Little Mermaid, and Disney kids films in general, is how much they have progressed in the last 30 years as compared to the 30 years prior. Several of the Disney films released in the 70s and 80s (The Little Mermaid, The Fox and the Hound, The Aristocats, Winnie the Pooh) bear a lot of similarities to earlier films (101 Dalmatians, Lady and the Tramp, Bambi*). The leap that was made after Toy Story is profound, such that newer films are just in a whole other league (Tangled, Frozen, Zootopia).
Almost as big of a leap as children’s book have made since Hans Christian Anderson was writing.
The source material behind Disney’s animated classic, Hans Christian Andersen’s The Little Mermaid, is a surprisingly metal fairy tale. Let’s take a look at all the ways the filmmakers changed the source material, talking crabs and all! It’s time to ask What’s the Difference?
* But not Dumbo. That film has aged badly. There is a lot to cringe at in Dumbo and the film itself climaxes with a very short scene, so it feels a little underdone.
It’s Lit! returns to discuss Les Miserables.
Yeah, I haven’t read it, nor seen the musical nor the musical movie. A title that literally means the miserable and a narrative to match isn’t really my cup of tea. The issues discussed in Les Mis were very real, if romanticised somewhat, and still bear some relevance to the modern day. I discussed one such issue in a previous It’s Lit post.
Maybe I’ll read it one day. Meanwhile, quick overviews will have to suffice.
Victor Hugo’s Les Miserables is one of history’s most famous novels and one of the longest-running musicals in Broadway history. On this special episode of It’s Lit! we explore how Les Miserable became both a national and revolutionary anthem, and so publicly adored that all 1,900 pages never went out of print.
Do you love Shakespeare and 90s teen romantic comedies? If the answer is no… Well, you’ll probably hate this month’s What’s the Difference? from Cinefix on 10 Things I Hate About You. This is probably not the blog post for you. Maybe read one of my other posts.
And who hates Shakespeare anyway?
Is it just because they forced you to read his plays in school?
Because his stuff is worth revisiting.
I have to confess that I’m not a fan of the original Shakespeare play, Taming of the Shrew. For me, it has not dated well. But I am a firm fan of the adaptation, 10 Things I Hate About You.
For me, this is where adaptations shine. A contemporary adaptation of older works can not only offer novel takes on the original story, but they can also cut the dated material. I’m not sure too many contemporary romance stories would appeal to an audience if the women were essentially treated as property.
Another thing I enjoyed about this adaptation was seeing Heath Ledger in his first major film role since seeing him in his first play – Peter Pan – several years earlier. It was exciting to see him make that successful career transition.