This month’s It’s Lit! discusses the series that should have landed in cinemas this year. But 2020 had other ideas, being the giant indestructible spanner thrown into the works of regular functioning society. So let’s just talk about the books instead.
A couple of years ago, I finally got around to reading Dune. I had previously gotten my hands on three of the expanded universe books written by Keven J Anderson and Herbert’s son. Let’s just say that those novels made me question the sanity of my friends who kept recommending the Dune novels.
Fortunately, I got past the ability of publishers to milk a premise long past the death of the cow. Dune was an excellent story.
In my review I made allusions to the point made in the It’s Lit! video about how the first novel has the feel of the rise of a demagogue. Having not gotten to the sequels as yet, the deconstruction of that sound particularly interesting. Dune only hints at the idea of how getting rid of the awful the ruling structures and leaders would be great. Destiny is tied into things a bit too much, while it appears the sequels unravels this idea.
Does this make the original novel and larger series the most important sci-fi ever? I’m not entirely convinced. Some books have inspired real life advances in technology or society (although less of the latter). I’m not sure Dune has had that impact, unless there is a spice I should be using in my cooking I’m unaware of. That isn’t to say Dune isn’t a great book (I’ll hopefully have some insight on the series in coming months) nor that it wasn’t influential in sci-fi. The lone fact that it managed to show that sci-fi could be a bestseller, particularly in hardcover, was a wake-up for the publishers who rejected the first novel such that an auto-repair manual publisher picked it up.
The main issue will be whether the new movie will arrive and not be the disappointment the other adaptations have been.
The planet is Arrakis. Also known as Dune. And y’all, it’s a mess. December of this year, we were supposed to see the arrival of director Denis Villeneuve’s interpretation of the 1965 novel Dune, which had been previously (and rather infamously) brought to life by David Lynch in 1984, and again in a three-part miniseries on the SyFy channel in the early 2000s. Now many sci-fi nerds were both excited and nervous about the new adaptation directed by Villeneuve, but owing to the ongoing plague of eternity, the release has been pushed back to next year. So in lieu of that, y’all have to use this video to tide you over.
What is Dune? Why must the spice flow? And what is with all the sand?
Hosted by Lindsay Ellis and Princess Weekes, It’s Lit! is a show about our favorite books, genres and why we love to read. It’s Lit has been made possible in part by the National Endowment for the Humanities: Exploring the human endeavor.
Many culturally important books by Australian authors are out of print, hard to find as secondhand copies, and confined to the physical shelves of a limited number of libraries. Effectively, they have become inaccessible and invisible — even including some Miles Franklin award winners by authors such as Thea Astley and Rodney Hall.
By digitising out of print books and making them available for e-lending, the project will create a royalty stream for the authors involved, as well as income for the arts workers we are employing as proofreaders.
Commercial publishing lists, such as Text Classics and Allen & Unwin’s House of Books, do a great job of breathing new life into some of Australia’s lost books. But they often focus on literary fiction, to the exclusion of genre fiction, children’s books and non-fiction, which also need to be preserved.
Here are 10 of our favourites we’re excited to digitise so you can borrow from your local library straight to your e-device. We expect these and other books in the project to be available in the first half of 2021 – and you too can nominate a book for inclusion in the collection here.
Working Bullocks (1926) by Katharine Susannah Prichard
Noonkanbah: Whose Land, Whose Law (1989) by Steve Hawke, with photographs by Michael Gallagher
In 1979-80, the Yungngora people protested to stop the American company Amax drilling for oil on a sacred site on Noonkanbah Station, Western Australia.
This book is the detailed first-hand account of what became a high profile, ground-breaking land rights campaign, leading to the formation of the Kimberley Land Council. The Yungngora people wouldn’t have their native title rights recognised until 2007.
Alongside the reporting by Hawke, son of former PM Bob Hawke?, the book includes photographs taken by anthropologist Michael Gallagher.
In The Unlucky Australians, Hardy tells the story of the Gurindji people and the opening years of the strike they began in 1966.
Their protest against poor working and living conditions, seeking the return of their traditional lands, lasted nine years.
The Whitlam government returned some of those lands in 1975 with the historic transfer of “a handful of dirt” and the strike led to the passage of the historic Aboriginal Land Rights (Northern Territory) Act in 1976.
A vital piece towards understanding the shameful labour conditions inflicted upon Indigenous Australians, this book should never have gone out of print.
Inspired by three real life charismatic and dangerous individuals, these dark stories of abused trust and misplaced faith are transformed, taking on a gothic quality, with complex narratives, unlikely narrators and fairy-tale elements.
The White Garden is an ambitious novel following the misdeeds of the psychiatrist Dr Goddard (or Dr God, for short) in a hospital in the 1960s. Red Shoes takes us into the world of a religious cult. Cape Grimm looks at a religious order after its members are killed by their charismatic leader.
The Mindless Ferocity of Sharks (2003) by Brett D’Arcy
The Mindless Ferocity of Sharks is coming-of-age story about “Floaty Boy”, an 11-year-old with a love of body-surfing, his family, and what happens when his older brother disappears.
Described by the Australian Book Review as “Tim Winton on speed”, D’Arcy shines his own spotlight on Western Australia, exploring the duality of a life spent between the waves and the shore – and what happens when a family becomes torn apart by loss.
Untapped will launch with a free online celebration on November 24 at 6pm. Register for the launch here, nominate a book for inclusion at untapped.org.au – and let us know what you think we should digitise in the comments.
USA: Hello Mr Scientist, can you make me an even more horrifying way to kill people? Scientist: Sure. But it might not be a good idea. USA: We’ll worry about that later. Here’s some money. Scientist: I’ll get started.
Retired Major General Dr Robert Latiff spent much of his career looking at the cutting edge of military technology. As both a scientist and an officer, he knows what is already being developed to wage war, and is well placed to speculate about the future of war. He doesn’t just want to let us in on what war will look like, he wants us all to help ethically shape the future of war.
This book was both fascinating and deeply annoying to read. I think my biggest problem with Future War was that, for someone wanting to talk about war ethics, Latiff selectively presents the military, political leaders, and history so as to feel deliberately obfuscatory. Now, this is probably about Latiff being a retired Airforce Major General and thus his bias is showing. But maybe that is the problem. Maybe the people who get to talk about war ethics and new tools of war, are ultimately going to be too biased. At least Latiff is aware of this bias since he raises the issue of the conservative and “yay war” bubble many of his colleagues work in and calls for the general public to be involved.
I wrote down a lot of comments as I was reading (see below) because of my frustration. One of my first comments was the “America: Fuck Yeah!” sentiment that was present. I don’t think that is entirely fair to Latiff. He does express a reasonable level of awareness, but when someone talks about “keeping America safe” you really feel like forcing them to include a list of war crimes, atrocities, and coups that the USA has been involved in.
The insights into technology are extremely interesting. If you follow tech at all you’ll love what is discussed. It is the ethical considerations where I think the book falls flat. The examples of what ethical considerations are interesting but also feel ultimately hollow.
If someone is planning how to kill others, particularly lots of others, then that is unethical.
The arguments around Just War Theory and the ethics of war strike me as hand-waving bullshit dreamt up by status quo warriors. Unfortunately, I don’t have the background in moral and ethical philosophy to really dig into how it is wrong. No doubt there is a lot of material justifying war because that’s what very serious status quo academics do as part of their contribution to the war effort so that no one ever asks them to actually fight and die in one.
Ironically, by the definitions of Just War Theory, I think you’d battle to find an example of a Just War. Which makes the entire idea of ethical warfare a comfort blanket to pull over your face as you invade a country to secure their resources freedom.
Some people are scared of the technology and potential of future war portrayed here. I’m more scared of how Latiff’s calls for a discussion of the ethics involved aren’t going to happen in any meaningful way.
Comments as I read: Only two chapters in, but already there is this overwhelming “America: Fuck Yeah!” attitude present. Threats could get hold of the weapons we’re developing… is said unironically. USA aren’t working on this (anymore after a feasibility analysis) but China doesn’t have any such ethical compunctions…
Considering this book proposed to cover the technology and ethics of future wars in the opening, I’m already sensing that Latiff is probably going to pretend that the USA has never committed acts of genocide, war crimes, invasion, etc. whilst insisting they need new cool gadgets to do more of that stuff with.
Halfway in the new technologies are being discussed as inevitable. But it is then asserted that new tech will be used for war. That doesn’t have to be so. Kinda feels like no-one ever stops and makes the argument that massive military research budgets could instead be civilian research budgets. Can’t really weaponise something when you’re not starting out building it as a weapon and pouring billions into doing so.
Three quarters in and the ethical discussion is taking shape. Just War and the like are being utilised. Some really good points are made but then are undermined by selective presentation of realities. E.g. Latiff makes a really good point about requiring strong ethical and moral frameworks (Warrior Code, etc) in the development of weapons, use of weapons, and the accepted practices of troops (when politicians justify or promote the use of torture, the command structure will follow, and thus the troops will utilise it). But he then skirts around how the military have been indoctrinating soldiers with increased efficiency to be killers, how they have researched making their soldiers more able to kill people, how they train them to think of “the enemy” as “inhuman” to make them able to justify killing to themselves.
I’m really having trouble with the supposed ethics of all this. Ultimately, all this tech is being developed to kill people. That’s premeditated murder. Ergo, that is unethical. There isn’t really a justification for that. A lot of handwaving is done based upon the idea that “the other side” will behave unethically, so we have to be prepared to “defend ourselves” (i.e. to also act unethically). The worst part is that this self-perpetuating cycle is often leveraged to gain power, resources, and profit (the latter is mentioned briefly in the third section by Latiff).
Philosophically, a lot has been written about Just War Theory, particularly against criticisms of it. I’m somewhat surprised that there isn’t a solid argument against it. Take for example Jus ad bellum. Let’s find a war that fits that definition. Particularly from the losing or instigating side. Ever. Just War Theorists certainly seem to try and pretend this occurs. People trying to kick wars off certainly try to make the argument of just cause (etc.). But most of those arguments are hollow, revisionist, and often straight-up lies (WMDs in Iraq anyone?).
Almost feels like a lot of money gets thrown at people to justify war.
Last chapter has some interesting points about echo chambers, ideological divides, society involvement, and American exceptionalism. All very good points. But again I find myself spotting what Latiff doesn’t discuss and what he skips over.
E.g. He says that the average American is removed from war and largely uninformed/ignorant of it. But that is by design and moreover, the military is actively involved in keeping people ignorant. He made a point about no war critical films having been made whilst skipping over the fact that if a production studio wants to make a military film they need to have everything ticked off on by the military (it’s why US military is awesome, bad elements are rogues who meet justice, they never commit war crimes, etc, etc.). Military intelligence was actively involved in the lies that took the US to war in (insert massive list here). The military routinely covers up atrocities, war crimes, abuse, rape, etc.
Geralt of Rivia has a lifetime of adventures. He roams the world looking for monsters to kill and coin for doing so. Not all monsters are easy to kill and not everyone is happy for him to be in their kingdom.
A few years ago I read a couple of Volumes of Witcher comics. I made the comment in my review of them that they were okay and I was interested in reading some of the novels they were based upon (or extensions of). When I was about halfway through The Last Wish I was asked by someone what I thought of it. My comment was that it was just like the Netflix series: Okay. Not bad, not good, just okay. Entertaining enough. So the comics, show, and book were all similar in that they were all okay.
The Last Wish is essentially a short story collection with an interlude between each. This interlude ties each story together and culminates in the final story. This works reasonably well as Geralt’s adventures have the feel of short stories more than one long story. But that’s probably also why it was a little underwhelming as it removes some of the tension that adventure stories revel in.
The Netflix series is a reasonably faithful adaptation of this book, so if you’re coming in late (as I am), then you’ll recognise most of this. The book is superior in one respect as it is more apparent that these short stories are all twists on various fairytales, which adds something the show lacked. Although, the small changes between the book and the show seem to have been made by someone who was trying for a more gritty or ambiguous Geralt (and Yennefer) and didn’t give it enough thought.
Overall, I might get around to reading more Witcher. Or maybe I might get around to watching the second (and final) season of Henry Cavill playing Geralt.
“People”—Geralt turned his head—“like to invent monsters and monstrosities. Then they seem less monstrous themselves.”
The Utopia of Rules is a collection of David Graeber’s essays around bureaucracy. He dives into where bureaucracy came from, how it was changed by the rise of large private companies, how this is impacting society, and how we secretly love all this stupid stuff just a bit too much. Graeber combines history, illustrative anecdotes, anthropology, and insights that you realise have been staring you in the face for years. He also argues that we’ve largely accepted bureaucracies as they now stand, but because of the implications for power relations, we should try to change or remove them.
With the recent passing of David Graeber, I thought I should read some more of his work. I’ve previously read the excellent Bullshit Jobs and wanted to dive into some of his other work. That lead me to his essay Of Flying Cars and the Declining Rate of Profit which in turn lead me to The Utopia of Rules. That essay is incorporated and expanded in this book to bring it into the main thesis. Other sections similarly come from essays published elsewhere, so if you’ve already read many of Graeber’s essays and articles, you’ll recognise a lot of the material here.
I think one of the most interesting insights from Utopia of Rules was how bureaucracy has morphed from the civil service that ran society (and was a great place to park stray aristocrats and military officers) into the bureaucracy of big business. Some will bristle at this insight until they realise that “cost recovery”, “KPIs”, and “performance reviews” are in all big organisations, regardless of them being public or private. This builds on Graeber’s insights from Bullshit Jobs, that showed the private sector was often more guilty of waste, mismanagement, paperwork, etc. to the point of creating entire useless jobs to do them.
How this bureaucratic system is then used to exploit the public, uses implicit and explicit violence, and obfuscates accountability is also interesting. Graeber’s example of trying to apply for health insurance for his mother is how companies profit. They effectively keep money for the company/government that is due to the public they are meant to be servicing.
This is also where I disagree slightly with Graeber. In a complex society, there is a need for some level of organisation (bureaucracy). Is it a good idea to have a senior research scientist spend a large part of their time filling out paperwork, applying for funding, and reporting to the funders rather than doing research? Well, no. But is it a good idea for that researcher to just get money and do whatever they feel like without any reporting? Well, no. As much as no researcher is just going to blow their grant money on a sports car and Columbian Marching Powder, the paperwork is meant to create a solid research plan, figure out what underlings they’ll need, and get the creative work solidified (hypotheses, designs, etc). That the paperwork doesn’t really achieve this is something that needs to be criticised, especially as the reason it fails and is needlessly time-consuming and complex is because of that private company influence Graeber outlined.
And Graeber argues that bureaucracies are no longer analyzed or satirized. This is a large part of the problem. We experience them every day, but those with power effectively stifle any input we have to reforming them. Satire and social critique are a useful tool in this regard, which I assume is why Graeber’s review of The Dark Knight Rises was included. He uses it as an example of institutional power using popular media to control the narrative and condemn social critique and movements.
Overall, I enjoyed The Utopia of Rules and look forward to reading more from Graeber, particularly Debt.
“I asked him why everyone was still waiting for even one bank official to be brought to trial for any act of fraud leading up to the crash of 2008.
OFFICIAL: Well, you have to understand the approach taken by U.S. prosecutors to financial fraud is always to negotiate a settlement. They don’t want to have to go to trial. The upshot is always that the financial institution has to pay a fine, sometimes in the hundreds of millions, but they don’t actually admit to any criminal liability. Their lawyers simply say they are not going to contest the charge, but if they pay, they haven’t technically been found guilty of anything.
ME: So you’re saying if the government discovers that Goldman Sachs, for instance, or Bank of America, has committed fraud, they effectively just charge them a penalty fee.
OFFICIAL: That’s right.
ME: So in that case … okay, I guess the real question is this: has there ever been a case where the amount the firm had to pay was more than the amount of money they made from the fraud itself?
OFFICIAL: Oh no, not to my knowledge. Usually it’s substantially less.
ME: So what are we talking here, 50 percent?
OFFICIAL: I’d say more like 20 to 30 percent on average. But it varies considerably case by case.
ME: Which means … correct me if I’m wrong, but doesn’t that effectively mean the government is saying, “you can commit all the fraud you like, but if we catch you, you’re going to have to give us our cut”?
OFFICIAL: Well, obviously I can’t put it that way myself as long as I have this job …”
“I AM NOT SURE THERE IS SUCH A THING AS RIGHT. OR WRONG. JUST PLACES TO STAND.”
The Auditors of Reality have had enough of Death. His fledgling personality doesn’t seem right to them. So they contact Death’s boss, Azrael, who decides to give death to Death. This seems like a wonderful chance for Death, who takes a job as the farmhand Bill Door. But The Auditors, being the obviously efficient types, have failed to have a succession plan and haven’t hired the new Death. This creates some interesting problems for the recently deceased residents of the Disc.
When I picked up Reaper Man, my exact thoughts were “I don’t think I’ve read a Pratchett book for at least a couple of months, must be time for another one.” I’m gradually working my way through all the Discworld novels with an emphasis on the ones involving Death and The Watch. The City Watch books often tend to have a more solid plot, whereas the Death novels can feel a bit more ambivalent about plots.
Reaper Man did have a solid plot, but it felt more like a series of pins being used to hang worldbuilding and character development on. If that sounds like a criticism, it isn’t. More an observation that could be applied to most Discworld novels. I mention it here because the character arc ends after the plot, which can mess with some people’s appreciation of stories.*
I’m looking forward to my next Discworld adventure soon.
This short animated pilot is based upon Reaper Man:
* This is pretty much what people are complaining about when they say that The Lord of the Rings movies have too many endings. The plots are tied up long before the character arcs are.
IQ tests are very good predictors of how well you will do on IQ tests.
This revised edition of The Mismeasure of Man tackles the field of hereditarianism and its related attempts at justifying hierarchical social structures. Or put another way, it explores the stinking swamp of race science with hopes of getting people to notice the stench.
I’ve not previously delved into the history of race science and hereditarianism. I was aware that it was a thing, that it keeps raising its ugly head every few years (Human Biodiversity – HBD – is a recent version you may have heard of), and that it pollutes an entire corner of psychology. As such, this book was enlightening and also disheartening. It reinforced just how a priori the entire field is and why it will continue to be popular.
The first time I became aware that IQ testing wasn’t actually doing what the marketing claims would have you believe was in high school. My brother was very intent on “raising his IQ” by studying for IQ tests. Well you might ask, how can you improve your test score on something that is meant to measure something innate? Over the years I’ve read several papers discussing factors that impact test scores (stress, hunger, nutrition levels, tiredness, sleep deprivation, etc) and realised that these intelligence tests aren’t measuring what some would claim. And worse, often the results are interpreted in almost exactly the opposite way to what they should be (i.e. a poor test result is probably more an indicator of some discriminatory factor, like attending an underfunded school, than of being stupid).
So it is well worth reading this book to understand how fraught this field is with literal white supremacists and eugenicists (see my comments below). It isn’t an easy read but is relatively accessible to most people who give it the time required.
Have just gotten to the bit about G and Factor Analysis. I’m passingly familiar with principal components analysis, a technique similar in some ways to Factor Analysis, and largely agree with what Gould is saying. It is very easy to not understand what the principal components are actually showing you, let alone what that correlation means. The first thing you learn in statistics is that correlation doesn’t equal causation and something about storks bringing babies.
But this rabbit hole goes deeper still.
I decided to do a quick bit of lateral reading to find some more on G and Factor Analysis. I didn’t get past the former’s Wikipedia page. Just about every reference was from a known white supremacist (Jensen* being particularly prominent as a primary source). Makes it a tad hard to take the field seriously, and hard to find decent research when a jumping-off point like Wikipedia is swamped in BS.
Of course, the rabbit hole goes deeper again.
Another of the people referenced is Richard Lynn (a white supremacist). He and his protege, Emil Kirkegaard (a eugenicist and all-round nasty POS), run a bunch of pseudojournals and a fake research group (Ulster Institute for Social Research) that is all basically a front for white supremacist money to generate pseudoscience. Fun fact: Kirkegaard’s most cited paper has pretty much only been cited by him, fifty-nine times. Thankfully the mainstream doesn’t take these guys seriously anymore, but they have tendrils, as can be seen by Lynn (and other white supremacists) being referenced on the Wikipedia pages.
* Quick note on Arthur Jensen, his Wikipedia bio is much like the G Factor page. It is deliberately misleading and rubbish. You would be forgiven for thinking that Jensen was something other than a white nationalist, avid racist, and in the employ of said same. His funding was barely mentioned in the bio, and he has a whole page on the Southern Poverty Law Centre that doesn’t even get a mention.
Arthur Jensen was arguably the father of modern academic racism. For over 40 years, Jensen, an educational psychologist at the University of California, Berkeley, provided a patina of academic respectability to pseudoscientific theories of black inferiority and segregationist public policies. Jensen was responsible for resurrecting the idea that the black population is inherently and immutably less intelligent than the white population, an ideology that immediately became known as “jensenism.”
Normally it’s only supercars that explode into flames.*
Judd Bell and his partner are busy training for a mission to Mars, while Corey Purchase is touring the USA with his dog. Both are in LA for a meeting about a movie based on their last adventure when an eco-terrorist releases an aerial toxin that destroys combustion engines. In the city that loves cars as much as it does traffic jams, this results in devastation. Can Judd and Corey rise to the challenge once more and save the day? Will it make for a good sequel?
I’ve had Combustion sitting on my shelf since its release. I’d enjoyed the first novel in the series, Velocity, but had not gotten around to Worland’s other books. Seven years later and I can’t remember much of Velocity, but enough that I knew Combustion would be a fun thriller in the mould of Matthew Reilly or Andy McDermott. And I think that sums it up. Combustion could be described as Reilly-lite. Everything explodes, everyone has to do a lot of running for their lives, and someone is always in imminent danger. Good fun!
My only minor gripe with the book is the eco-terrorist villain. It is something we’ve seen a fair bit of in fiction, the villain who is trying to save the planet from humanity’s excesses. Whether it be using mobile phones to trigger a killing spree, a Titan wanting to erase half like a divorce court attorney, or the temporary king of the seas throwing all the garbage back on land, the eco-terrorist always feels like a stupid choice for a villain. Hey, let’s have the bad-guy be trying to do something good but in a really dumb way! I’d have less of a problem with the idea if it actually resulted in a change from the protagonists who fix the problem in a good way instead.
Interestingly, Worland only appears to have published three books (not including two adaptations of screenplays). So I’m guessing the next Bell and Purchase novel might not end well for the heroes. I might check it out at some point.
* Seriously, this list is made up of mostly high-end sports cars that seem to spend half their time catching fire.
Techno-Utopians: Free speech for everyone!
Crazy Uncles: Let me tell you about the JQ!
Antisocial is an expansion of a series of articles Andrew Marantz wrote for the New Yorker covering the rise of social media as a news source and the right-wing extremists who used it to shift the Overton window. Marantz attempts to discuss some of the history, science, and psychology related to the way we process our news, and how that feeds into the social media experience. This, in turn, is used to show how the extremists have been able to successfully leverage social media to change the social landscape.
As I write this review, there are protests occurring across the USA in response to police violence against minorities. The police, in turn, have become violent in response to the protests, with footage of rampant assaults, documented lies, and targeting of anyone (particular the media) filming them in action. In response to this, some of the people mentioned in the book have organised their extremists to try and make the protesters look bad, with looting, provocation, and violence.
So this was a timely read. Much of the content wasn’t necessarily new to me, as I’ve read around this subject for a while now, but there were still plenty of insights to be had. This was much more in-the-trenches than other books and articles on the right-wing extremists (alt-lite, alt-right, etc), as such you see much more of the central figures. When you see videos from McInnes or Cernovich or the like, they are performing for their audience/followers, you get a much better idea of who they are when the camera is off. This makes some of the players seem reasonably relatable if still “deplorable”, like Cernovich, while others you see them as even worse than first thought, like Spencer.
There was something I noticed about everyone covered in this book. They reminded me of 14-year-olds. The guys were engaged in what amounted to oafish attention-seeking with all the intellectual sophistication of hammers. The women were doing the less macho version of attention-seeking. Yet these were predominantly people in their 30s. The behaviour they should have grown out of, particularly the trolling/bullying, had become amplified by their uniformed and racist politics.
I think the worst part of this isn’t that these people have managed to infiltrate the mainstream with their lazy politics and anti-intellectualism,* but that the social media platforms were quite happy to make money promoting them. The social media giants are presented in the book as naive and heavily pro-free speech, but I think that is too kind. To use an example, Facebook would censor any depiction of female nudity without prompting, but wouldn’t censor blatant bigotry (racism, sexism, etc) even with piles of complaints. As long as threats were veiled enough, they were fine as well. And the outrage would drive engagement and traffic, which made Facebook money, so they didn’t address the ten-tonne elephant in the room.
As I finished Antisocial, I listened to an interesting podcast called It Could Happen Here. The series is from 2019 and looks at how (primarily right-wing) extremists could set off a second civil war in the USA. Many of the points raised in the book were also mentioned in the podcast, so I recommend giving it a listen. And as I mentioned above, it’s rather timely given the protests happening at the time I’m writing this.
Worth reading if you want to know more about why you can’t have a civil conversation anymore.
* A point I should make here is that I’ve noticed some of these people have some very good points. They are anti-establishment for good reason, the establishment is for the rich and powerful, not them. Of course, they take this insight in the wrong direction. One quote really stuck out from Cernovich when he criticised the warmongering that the various politicians push for and establishment media debate, both safe in the comfort of knowing them and their families won’t be the ones dying in combat. But again, they take that insight in the wrong direction, with political positions that are essentially pro-conflict and war.
Far fetched idea of 2014: Nazis coming back to take over the world.
Me in 2020: That’s pretty plausible.
After Nina and Eddie’s previous adventure, they had decided to spend more time together and travel the world. They stop by in LA to visit some friends when a young man tries to hand Nina some documents. He is promptly shot by someone. And so begins the latest adventure to discover how a buried secret could help bring about an everlasting New-Riech.
The book I read before Kingdom of Darkness was a little bit too emotionally intense to read at the time. So I looked over my stack of To-Be-Read novels and looked for something more fun. There were a lot of crime novels, some heavy themed fantasy, a pile of horror, and then there was Andy McDermott’s book. Note to self: more diversity of novels.
This was exactly the sort of fun adventure I needed. Andy is very consistent in his books, providing plenty of thrills, plenty of implausible scenarios that somehow work, and a bit of humour. The only thing that tugged at my brain was the Nazi = Evil points, which are overly simplistic and lazy. It kinda works for a thriller where the antagonist is meant to be bad because they are bad and have facial scars. But I wish it was a little more fleshed out.
I guess I’ll be needing some more of Andy’s books to read.
Sidenote: the boats on the cover literally feature for a page in the novel. More time is spent rock climbing, car chasing in a stretch Hummer, and fighting on a moving train. Why boats!?
The age-old question: is it really praise if it is unintentionally patronising?
Michael McCreary may still be young but he has done a lot in his life already. This memoir seeks to offer his journey from Autism Spectrum Disorder (ASD) diagnosis as a 5-year-old, through to becoming a touring comedian in his teens and early twenties. He offers insights into what it is like navigating school and his desire to perform from the perspective of someone on the spectrum.
This was a fun and breezy read. McCreary managed to discuss the way his brain works and help us normies (or neurotypicals) understand the challenges he has, and will continue to, face. There were a lot of insights, most I was already familiar with, that help debunk a lot of the stereotypes. An example is the “idiot savant” idea of autistics, particularly around maths. This stereotype isn’t just insulting and inaccurate, it fails to treat people as people.
One of the highlights for me was the theme of support. McCreary has gotten help and support throughout his life, from his diagnosis, his parents, teachers, comedian mentors, and employers. It is clear that not everyone gets that support and we all need to understand how to meet people where they are at.
The only thing that let this book down was that for a book by a comedian, it was a bit light on for jokes. McCreary certainly kept the tone light and whimsical, but this was memoir first, comedic second. When he has another 20 years worth of material, I expect his memoir to be jokes first!
A short and insightful memoir that acts as a good introduction to autism with #OwnVoices.
“The soul of our politics is the commitment to ending domination.”
Feminism is for Everybody is bell hooks’ attempt to have a text that acts as a summary of feminism in an easy to read format for everyone. She had always wanted a book she could hand to people that did away with the exclusionary academic language of feminism. So she caved and wrote one.
This was an interesting book. As much as it is a book about feminism, it also gives a fairly good argument and overview of intersectionality. Its strengths certainly lay in covering the goals of feminism and why it is important, despite the supposed rights gained since the feminist movement started.
Feminism is for Everybody isn’t without flaws. Aside from her inability to use the word “the”,* hooks doesn’t achieve her stated aim of a book free of academic language. While she does keep it to a minimum, I still noted an academic tone to the writing. So while this is accessible, it does fall short of its stated aim.
Overall, I’d recommend this book to everybody.
* Seriously, it was so distracting. Obviously, this was a style choice but I’m not quite sure why it was made.
This month’s What’s the Difference? from CineFix is the hilarious Jojo Rabbit based upon Caging Skies.
It shouldn’t come as any surprise that I haven’t decided to read a book about an abusive Nazi protagonist during the second World War. Obviously, that sort of book would be such a fun read and exactly the sort of rollicking good time I would make space for in my limited reading time.
It will probably come as a major surprise that I haven’t seen Jojo Rabbit as yet. How could I not have seen a movie involving Taika Waititi?
The answer is children. If you ever want to see a movie in cinemas ever again, either don’t have kids or be very happy abandoning them with a teenager who is only pretending to look after them while they mix your 30-year-old single malt with Coke.
… Or take them along to the cinema with you, like the kids we saw watching Deadpool 2. I’m sure those kids will grow up just fine. Especially once their teacher finally tells them what a strap-on is.
So the take-away from this post is that I want to see the movie even more now.
Camels would receive more admiration if they published in the peer-reviewed literature and spat in fewer people’s faces.
Teppic sets out from home to learn a trade. An honourable trade. An important trade. A valued trade. So he attends Ankh-Morpork’s famed assassins’ school. But he has barely graduated when his father dies and he has to return to the family business: king of an ancient land. His new worldliness clashes with the millennia of tradition held in place by the priests of Djelibeybi. These traditions lead to cataclysm and Teppic has to save the land of pyramids before war breaks out. Because war has to break out. It’s tradition.
As I was reading Pyramids – the bit with You Bastard calculating the flares – the sheer scale of the Discworld novels struck me. There are so many little pieces crammed into each book that you wonder how Sir Terry managed to repeat that effort over 40 times. It probably struck me because Pyramids is a more straight-forward narrative with a focus on the character of Teppic. When compared to many of the other Discworld novels I’ve read of late, this one is an “easy read”.
Definitely a 4 mathematical genius camels out of 5 novel.
How can we see the world in each moment, rather than merely as what we think, hope, or fear it is?
How can we base our actions on reality, rather than on the longing and loathing of our hearts and minds?
How can we live lives that are wise, compassionate, and in tune with reality?
And how can we separate the wisdom of Buddhism from the cultural trappings and misconceptions that have come to be associated with it?
Steve Hagen’s Buddhism is Not What You Think is pretty straight forward. He sets out to answer the above four questions whilst addressing the title of the book. And he does this in the introduction. The rest of the book is pretty much just examples to drive the main point home.
There aren’t too many books that wrap their entire argument/premise up quite this quickly. But that probably comes back to the message Hagen is trying to get across about Buddhism and truth. Essentially, we already know truth, but we are too caught up in everything else in life to see it. Thus, Zen practice and Buddhism are about helping get past the distractions.
This was a fairly solid book for advice around Zen practice. But the philosophy aspects I was after were a bit light on.
We often think we know things when in fact it’s only our imagination taking us further and further away from what is actually happening. What we imagine then seems very real to us. Soon we’re caught up in our imaginary longings and loathings. But if you’re here – truly present – you realize there’s nothing to run from or to go after. You can stay calm…Just be with this moment and see what’s going on.
Let’s privatise the military. How could that possibly go wrong?
Blackwater: The Rise of the World’s Most Powerful Mercenary Army outlines the political landscape of Blackwater’s founding, the personal history of several key players – particularly Erik Prince – and the actions and intentions that made the company so infamous. It attempts to explain and document how mercenaries went through a rebranding to become the operators of choice in conflict zones around the world.
Okay, so I thought I had read enough news articles and the like to have some idea of what Blackwater was about. Mercenaries and the name Blackwater became something of a shorthand for “loose cannons”, becoming the villains in movies and TV shows. But as Scahill outlines, the reality and totality are so much worse than I’d thought. Blackwater and several other companies are discussed, along with the players who made this all possible. You’ll recognise many of the politician’s names, but maybe less so the “contractors”. This was disturbing reading.
They couldn’t get a coalition of the willing, so they turned to a coalition of the billing.
There were a few very important points that were made. The first was how senior political figures decided they wanted to privatise the military and associated intelligence work. This is such a terrible idea that you have to be pretty ideologically bent-out-of-shape to think it is good. The most troubling reason for this being terrible is the lack of accountability this gives these newly privatised people with guns, bombs, and shady contacts. As numerous leaks have shown over the years, the military is already far too unaccountable.*
Which brings me to the second point, that once they are privatised, the companies lobby hard to remain unaccountable, saying they don’t fall under military rules because they are private citizens, and that they don’t fall under civilian rules because they are acting as part of a military force. In essence, they can literally commit murder and they have been positioned by their lobbyists and key politicians to never be even investigated for the crime.
Those points should disturb everyone. You may not see a problem with war profiteering, or religious fundamentalists pushing for war and creating conflict (or at least involving themselves in them), or free marketeers wanting to privatise everything, or private companies hiring “shoot-first-never-answer/ask-questions” mercenaries to guard their kitchen supplies. But I think we can all agree that you have to be accountable for your actions, and Blackwater (et al.) has not been.
The only complaint I have about Scahill’s book is that it was somewhat repetitive. Several points were raised repeatedly, not to highlight them, but because the surrounding issues or players were being discussed again.
After reading this I can only hope that the various players involved aren’t allowed to have positions of power and influence ever again.**
* Because schools, hospitals, cafes, etc are totally legit military targets and not war crimes.
** My hopes will remain unfulfilled, I’m afraid.
A few years ago I published a table from the US Bureau of Labor Statistics.
Wow, you sure know how to party!
Anyway, that table highlighted how much Americans spent on reading per year. Because I’m a Nerdus scientificus, for fun I decided to collate the stats in a spreadsheet and create some graphs.
You are just one big party animal, aren’t you!
I certainly am.
So the first chart is a summary of inflation-adjusted US income, expenditure, entertainment spend, and reading spend by the average “consumer unit”. A consumer unit is obviously the economists’ way of referring to a living, breathing, thinking, cog in the economic machine. Apply the appropriate conversion factors for your country.*
As you can see, US income and spending haven’t really changed in two decades in real terms. That’s right, despite more wealth having been created in the economy since 2000, the average cog in the machine hasn’t seen a change to their take-home pay. Sidenote: I noticed union membership is rather low in the US as well. Might be related.
Over that same time period, the spending on reading has declined. The line for entertainment wasn’t particularly clear in the above chart, so I made this second one.
It could be argued that entertainment spend is roughly static over time, while reading spend is clearly declining in real terms. But the question is, what does this mean?
The obvious conclusion that Guardian columnists and other industry wonks will make is that (choose one or all to write your opinion column today!):
Kids these days are playing Facepage and Tweeters rather than reading books.
People have short attention spans and can’t handle reading decent books.
Too many people are Netflixing and Chilling.
Something derisive about gaming.
Blame falling education standards or immigrants or something.
Yes, the media landscape is more diverse now. This is a true fact, not an alternative one. But that doesn’t really explain the decline. Because reading also became cheaper over that time period. Amazon entered the market, heavily discounting paper books and shipped directly from the warehouse. E-books became a thing, which again changed the cost of buying books.
So you have to question how good a metric spending is to reading. Unless you are writing an industry opinion piece.
I also mentioned the lack of change in household income in real terms. It would be interesting to dig up some figures on financial stress for the average household over this same time period. And I’d posit that entertainment is more likely to involve passive forms, like television, than active forms like reading when stress is higher.
Ideally, the industry figures would be more transparent. That way someone could actually crunch the data and to track average individual book consumption and reading totals over time. Then we could put some opinion columnists out of work.
* By this I mean look at the currency conversions and think about whether you reckon your country-people would spend more or less of their household earnings on reading than an average American. More. The answer is going to be more. We’ve seen their leaders.
Government: We invented this.
Private company: Can we have it?
G: Sure. Just remember to pay you taxes.
P: Lol, our what?
The Entrepreneurial State is Mariana Mazzucato’s detailed effort to debunk some of the often claimed myths about government’s role in innovation. Her argument is that it is the public sector, not the private sector, that is often the innovators, risk-takers, and entrepreneurs in the economy. And because ideology has pushed for the state/government’s role to be smaller, we run the risk of not having the next generation of innovations/technologies.
I recently read Mariana’s The Value of Everything and wanted to read this earlier work. Similar to her arguments about how we measure the economy, Mariana’s arguments about innovation are well made, have plenty of references, piles of evidence, some great examples, and leave you with the head-scratching amazement that we need this book.
I’m sure that anyone who has worked in the public or private sector would read some of the examples in this book and be immediately reminded of some from their own field. Whether it be the government contract their company was gifted, or the publicly funded research that is commercialised, or the public infrastructure support given for that new project, we can probably all think of examples where entire industries or technologies wouldn’t have happened without governments taking the first step.
So how is it that myths (listed below) about the economy and who the entrepreneurs are persist?
Myths about Drivers of Innovation and Ineffective Innovation Policy
Myth 1: Innovation is about (private) R&D
Myth 2: Small (government) is beautiful
Myth 3: Venture capital is risk-loving
Myth 4: We live in a knowledge economy—just look at all the patents!
Myth 5: Europe’s problem is all about commercialization
Myth 6: Business investment requires ‘less tax and red tape’
There is only so much ideology that can stand in the way of reality. Unfortunately, I suspect that there is plenty of ideology floating around like an iceberg during a maiden voyage.*
An excellent book that is well worth reading.
We live in an era in which the State is being cut back. Public services are being outsourced, State budgets are being slashed and fear rather than courage is determining many national strategies. Much of this change is being done in the name of rendering markets more competitive, more dynamic. This book is an open call to change the way we talk about the State, its role in the economy and the images and ideas we use to describe that role. Only then can we begin to build the kind of society we want to live in, and want our children to live in, in a manner that pushes aside false myths about the State and recognizes how it can, when mission-driven and organized in a dynamic way, solve problems as complex as putting a man on the moon and solving climate change. And we need the courage to insist—through both vision and specific policy instruments—that the growth that ensues from the underlying investments be not only ‘smart’, but also ‘inclusive’.
* You only have to read some of the 1-star reviews for this book to find evidence of this ideology in action.
I’m not going to make a joke about learning a trade being a killer idea.
Mort is a tall skinny kid who just wants to know how the world works. Death has been flat out since the beginning of time. So when Mort’s dad decides it is time for him to learn a trade, Death offers him an apprenticeship to help cover some of the work. Hopefully, Mort doesn’t mess it up.
I quite like Death. As in the character. Death and his granddaughter Susan are two of my favourite Discworld characters. So it was definitely time to read the earlier Death instalments in the series. Worth it!
I was only a few pages into Mort when I found myself chuckling. Out loud. Normally I can keep that stuff to myself. But I couldn’t help it.
There doesn’t need to be much more said than that. Entertaining and chuckle out loud funny.
Gender reveal parties would be more interesting if you heard, “I’m pregnant with a cogwheel.”
The two most powerful civilisations in the Legion, the Katazyrnas and the Bhavajas, are fighting for possession of the Mokshi world-ship. In the Legion, only the Mokshi is capable of escaping the decay infecting the world-ships. Zan is revived once more in the hopes of leading a force to capture the Mokshi. With little memory of any previous attempts, Jayd and Sabita hint at a larger plan they have in play. A plan that would see Zan and Jayd take on the Lords of the Katazyrnas and the Bhavajas.
Last year I picked up Hurley’s collection of essays, The Geek Feminist Revolution. Since I enjoyed that book, I decided to read one of her novels. After leaving this review for several days, I’m still not exactly sure what to say about The Stars Are Legion.
The obvious place to start with is the world-building, what with how much of the novel is dedicated to it. Hurley manages to use Zan’s journey to world-build very effectively. It would be easy to point at the amnesia and epic journey tropes and shake your head admonishingly, but I felt that it worked well. The characters are similarly complex and develop in interesting ways, even if they are all damaged and murderous.* And there is never a dull moment where the characters aren’t in mortal danger.
I think the reason I’m not sure how I feel about The Stars Are Legion is that several factors scratched away at me as I was reading. Damaged characters can be hard to connect with. The fact that I’m calling the hero’s journey the world-building shows that I wasn’t quite invested in the journey/action. And I also found I knew several “reveals” before they happened.** These issues made me more along for the ride rather than strapped in and engaged.
That said, this was a refreshingly different kind of sci-fi novel for me. There is a lot to enjoy for those who like darker stories and characters.
* And they are all female. Every character. Which was a pretty cool idea that was a neatly integrated part of the world-building. Gotta be honest, this was satisfyingly unique.
** In fairness, this could just be that these “reveals” were established well rather than cynically concealed within a barrel of red herrings or subverted in a way that throws the plot out the window.