Book vs Movie: The Snowman – What’s the Difference?

Let’s explore a Scandinavian crime fiction classic, with Lost in Adaptation.

Video: The Snowman – Lost in Adaptation

Many years ago, when I was on something of a crime fiction bender, I stumbled across Jo Nesbo. People were raving about his take on the Scandinavian crime genre and how interesting it was.

Part of this raving was that he was touring Australia promoting the film Headhunters (an interesting thriller movie) and exhibited a charming and charismatic demeanour as he humbly gave credit to his novel’s English translator. Yes, that’s right, despite his fluency in English and the majority of his book sales being to the English-speaking book market, he lets someone else translate them.

So I picked up a few Harry Hole novels and read one.

Nesbo himself referred to the series as being inspired by Michael Connelly’s Harry Bosch, which I think is a fair comparison. But, the difference is that Connelly tends toward the dry real-world investigation influenced by his time as a crime reporter, whereas Nesbo tends toward the excitant – as much as a police procedural can do so.

Why did you read only one of the novels you bought?

That’s a very good assumed question from the assumed audience.

There are a few reasons. The first was that sometime after reading my first Nesbo novel I’d grown tired of the crime genre. As Dominic Noble mentions in the video, there are often numerous contrived red herrings in these sorts of books that start to become tedious rather than exciting and interesting. Often the main character is unlikeable or would be the person everyone at a party avoids due to their predilection for telling stories about linoleum texture styles through time.

The second reason was that, outside of a few exceptions, crime novels are part of the normalisation of the exceptional with a side serve of copaganda. When you start looking at crime data and policing and the giant chasm between that reality and the perceptions of crime and police, it becomes hard to enjoy this type of escapist fiction.

The third reason is something Dominic Noble alludes to in the video. The books aren’t exactly good. With a bit of distance from the genre now, I find myself less enamoured with authors like Nesbo, and thus have no real desire to read more of his stuff.

And on this point, I’m reminded of something Lauren Beukes said about being on a panel with Jo Nesbo. He was describing going to her home country of South Africa and how he got kitted out in body armour, had an armed guard to go places, etc, etc, and she commented how it was nice exaggeration that makes for a good story, but doesn’t really work if you give it any thought or know something about it.*

* I may be putting words in Beukes’ mouth here as this is a remembered comment from at least a decade ago.

Video: The Art of Editing and The Snowman by Dan Olsen aka Folding Ideas

Book review: Monkey’s Raincoat by Robert Crais

The Monkey's Raincoat (Elvis Cole, #1)The Monkey’s Raincoat by Robert Crais
My rating: 4 of 5 stars

I am the reason that author’s of series have to write novels so that they can stand alone. That’s right, I don’t read series in order all that often. I started with Lee Child’s 61 Hours, Michael Connelly’s City of Bones, JK Rowling’s’ Goblet of Fire, Jo Nesbo’s Nemesis and Matthew Reilly’s Scarecrow. Long time fans don’t appreciate readers like me.

The first Elvis Cole novel I read was Sunset Express, which I enjoyed immensely. I decided to read the series the right way, so I went out and bought the first three Elvis Cole novels. Robert Crais kicked off this series with Monkey’s Raincoat, which was a shorter crime thriller.

Wit, humour, action, a weeping widow and drug dealers: mix and stir. Crais is definitely an author I’m trying to emulate and enjoy his writing and characters. I’m looking forward to the next two instalments.

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Perth Writers’ Festival 2012

I can’t believe that it was over a week ago that the Perth Writers’ Festival finished. This year was a much bigger and better affair, showing Perth is worth flying to, despite being out-of-the-way, from everything other than Perth. What better time to present a recap of my highlights than now. Warning, this post doesn’t contain my usual sarcasm, satire, humour and insults directed at the author James Patterson.

Publishing Seminar

An entire day on how to get into publishing: sounds like a good idea. One hundred and forty of us were in the comfort of an air-conditioned tent to listen to publishers, manuscript assessors, agents, lawyers, union (yes, Australia Society of Authors, I’d call it a union) and booksellers. Hard to sum up an entire day of information in a few words, so I’ll make some general comments. The industry is still generally a positive field, but don’t give up your day job. There was a lot of talk about the industry having declined – 17.5% in December, 21.5% January, 29.5% to the second week of February – and the usual memes were rolled out (E-books, etc), although it was good to hear some realists talking about overpricing and particular market segments. I got a lot out of the day, like having my need to write poetry stifled for good, with the realisation that Penguin compiled a “best-loved” Australian poetry collection and sold 700 copies. But it has to be said, it is good to see the gender balance in writing, being one of thirty men in the room of one hundred and forty. It is also amazing that, for a group of writers who are supposedly skilled at expressing themselves, there was a lack of ability to orally express opinions and statements (I’m biased, having a background in extension). I’d also like to acknowledge the guy, who is at every writers’ festival, by quoting him “I have a bestseller” with the caveat “not quite finished yet.”

Pants on Fire

This session was all about writing perspective. Who wants to read an honest character? Every character is lying to themselves about something, creating that flawed and unreliable narrator that people love. Is the writer really lying to the reader by keeping them in suspense? Probably, but I’d like to think of it as telling the truth at a certain pace.

Sex, Lies and Literature

I love sessions that end up, inevitably, discussing censorship. This is topical, given the recent PayPal directive made to Smashwords. My general opinion on censorship was upheld by the presenters and assembled crowd, even if we were having a reading of octopus tentacle bestiality as a prelude to the discussion. An interesting article from the 1930s was read, apparently women at that time had worries about the same body issues they have now.

Banality of Politics

Combine a respected reporter, a biographer and a politician who actually has something worth saying, and you have the recipe for one statement. Politics has become about distracting the general voting masses with shiny objects. George Megalogenis provided his usual erudite insights, and Andrew Robb proved he is still one of the few politicians worth voting for (Lindsay Tanner having retired).

Reading In An Age of Change

Book stores are going the way of the literate high school graduate. This session was all about what the future holds for booksellers and how the market will change. Alan Sheardown made some very poignant points about the industry. Running an indie book store he understood what was actually happening with book sales and how to keep the customers. I also became a Kobo fan after hearing Malcolm Neil’s thoughts and comments. There have already been rumours starting about Kobo being the other e-book market after Amazon, after this session I have little doubt. Malcolm didn’t pull any punches.

Enigmatic Individuals

All I really have to say about this session is that Western Australian authors are alive and well, especially in crime fiction. Keep an eye out for us, we’re awesome!

Not Everyone Gets to Eat Like We Do

As much as I love intellectual discussion, I really do wish more intellectuals would give some credit to agriculture. Tim Costello, David Rieff, Tom Keneally, Katie Smith Milway and Carmen Lawrence spent this session discussing various aspects of the food demands of the world. Unfortunately, Katie was the only one that had any agricultural knowledge. Despite this, the discussion made some good points about the need for a shift in government focus and how poorer nations need support, not handouts.

Crime Writing for Dummies

The Saturday morning writing seminar was not actually for dummies. Felicity Young took us through a few activities, including a group plotting exercise. Our group killed off Jo Nesbo with a hardcover edition of his first novel, Redbreast. His body was discovered by one of the class after the white peacock on the grounds was seen covered in blood – Redbreast: we were hilarious! I think the team has a bestseller in the works after this session.

It Just Feels Real

Lauren Beukes needs to give up coffee. She destroyed her laptop prior to the writing workshop. I know that computers always say coffee resistant on the label, but I bet they only test it on espressos. Lauren took us through a few different exercises and examples of good and bad prose. She also gave me some good feedback on my writing, so I feel like I’m on the right track.

A Glass of Wine and a Good Book

David Whish-Wilson interviewed Felicity Young whilst the audience relaxed with a lovely wine or three. David ran the workshop I attended on writing last year, so it was two of my writing tutors in one session. It was a good discussion, but the wine was even better. Check out Lamont’s winery, their white was the perfect end to the day.

Phantom

Take one international bestselling crime novelist, known for his talent and wit, not to mention a former career as a successful musician, and you should have a great evening. Pity the interviewer wasn’t up to the challenge. Either way, I got my novels signed by Jo. I remember having heard of Jo Nesbo as a result of his awards for crime writing. You would think that stores would stock his books as a result, but they didn’t. I ended up ordering Nemesis online (Booktopia rocks) only to find all of his novels in an indie store a week later. Another reason the big stores are dying.

I Believe In An Open Mind – But Not So Open My Brain Falls Out

If I had one highlight of the festival it has to be this Sunday session. The speakers were Misha Ketchell, Stephen Lewandowsky, Alom Shaha and James Paterson, and had a hearty discussion about science, communication, the media, think tanks (of which James is an editor of the notorious IPA) and climate change. Alom was someone I hadn’t heard of before and it was great to hear his contributions. It was also great to meet Stephen and Misha in person after the session.

Northern Lights

This was the second session I went to with Jo Nesbo featuring. This time he was joined by Johan Harstad, and a decent interviewer, Mark Naglazas. The discussion was around how fantastic the Scandinavians are at converting oil wealth into societal wealth, which trickles down into supporting the arts. Both authors had interesting things to say and Mark got the best out of them.

Truth In News

The media are a funny bunch. It was only in the previous day that George Megalogenis was discussing how poor a job the media did, yet this session was all back-patting. I admire the journalists that take the time to really dig their teeth into a story, do the hard yards and learn about their subject. There will have to be more of it in the future, well, unless we just want to know celebrity gossip.

Congratulations to the organisers for putting together a great event. I look forward to next year’s event.

A new site for a new year

Right What You No is now TysonAdams.com

That’s right, the blog you know and love is a year old, and with all things that get older in the entertainment industry, it was time for a facelift.

Blogger was a good platform, but I’ve decided to try WordPress with my own dot com address. Hope you all like the change.

Stay tuned: Rex Jameson has agreed to discuss his new book with me and the interesting reviews he has had recently; and I’m off to the Perth Writers’ Festival later this week, so I will have much to report on from that – can’t wait to meet Jo Nesbo.

Perth Writers’ Festival 2012

It is a busy day today. I have been booking my itinerary for the Perth Writers’ Festival for 2012.

I really enjoyed myself at the festival last year and am looking forward to this year’s event. For anyone who wants to go or just wants to see what is happening, check out the links for the program. Jo Nesbo will be there, so crime writing is well represented.

Online itinerary.
Download the brochure.

Book Review: Nemesis by Jo Nesbo

NemesisNemesis by Jo Nesbø
My rating: 4 of 5 stars


All of Jo Nesbo’s translated works have a giant sticker on the front saying, “The next Stieg Larsson.” You obviously expect that the sticker is indicating that Jo Nesbo is a dead Swede, rather than a healthily alive Norwegian. You also obviously expect that reading one of Jo’s books will bring you another boring, long winded, needlessly detailed, “thriller”. Clearly the first 50 to 100 pages will spend more time describing flowers, boats and home renovations than actually introducing the characters and plot.


Thankfully this isn’t the case. Nemesis was actually worth reading. At +700 pages it packs in a lot of plot, sub-plots, mystery and intrigue. This book reminded me of other crime novels by the likes of Michael Connelly and Ian Rankin. Although, at least Jo refrains from including a street map description of Oslo like Rankin does for Edinburgh.


The only complaint I have with this book is that it felt over-written. Nesbo and his translator have done a fantastically skilled job, but there are times when you feel a little lost with tangential prose.


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