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Book vs Movie: The Mask – What’s the Difference?

In this month’s What’s the Difference? the CineFix team delve into the crazy world of The Mask.

The Mask turns 25 this month AND the comics are coming back! So it’s time to look back at Jim Carrey’s half cartoon turn as the big green head. Based on a shockingly violent graphic novel, how did The Mask go from a splatterfest to slapstick? It’s time to ask What’s the Difference!?

When I was a young lad, The Mask was one of the most quotable movies that weren’t R-Rated Pulp Fiction. It was Jim Carey at his zaniest, a digitally enhanced Ace Ventura. It was funny… for teens and some adults.

I’m not sure if the movie has dated poorly, or if it became too popular and thus annoying – the ever problematic oversaturation phenomenon – or if we’ve had enough of the zany Jim Carey, or if I’m just an old man shouting at clouds now. But there was a time when this movie was cool and funny. It was Looney Tunes for teenagers who grew up watching reruns of Bugs and Daffy.

The comic… I remember trying really hard to read it. But after having watched the movie first, the differences were too much. The dark and violent humour of the comic was asking too much of a younger me who was expecting zany Bugs Bunny style slapstick.

This video did leave me with the question: what if they’d asked Sam Raimi to direct The Mask with Bruce Campbell in the lead? You could have the horror styled darkness and all the humour, just like Army of Darkness. Not too late!

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Book review: The Boys by Garth Ennis

The Boys Omnibus, Volume One (The Boys Omnibus, #1)The Boys Omnibus, Volume One by Garth Ennis

My rating: 4 of 5 stars

The words you don’t want to hear from someone with superpowers: Because I can.

The Boys series by Garth Ennis shows us a world where superheroes are a marketing gimmick for a military-industrial company – Vought America – and these all-powerful beings – such as The Homelander – have to be kept from overindulging in hedonism, vice, and collateral damage. But there is more at stake, as Vought scheme and The Homelander plots.

It was interesting to revisit this series 7 years later as the TV series is set to commence. I remember enjoying the series for its interesting take on superheroes. Much like Irredeemable and Incorruptible, The Boys tries to imagine a more realistic scenario for how people with superpowers would behave. This gives Ennis a chance to pour in his trademark nudity, sex, violence, and toilet humour.

But underneath that facade is a much more interesting story. The Boys team are comprised of trauma victims who (mostly) have interesting story arcs. The superheroes are portrayed in a way that feels much truer to life; especially if you take them as a stand-in for actors, models, rich socialites or the like and the shady stuff we know they get up to. The political and business machinations throughout stands as a cautionary tale. And the series is pretty much one big swipe at the military-industrial complex.

I think I appreciated the depth of this series more on the second read. The Boys is worth reading, especially if you’ve seen other Ennis comics and ever wondered what he really thinks of superheroes.

A quick comment on the TV show: I’m hoping the series is good. From the trailer, it appears they’ll be doing some things a bit differently to the comics, notably The Homelander’s personality and the more prominent corporate criticism. Karl Urban, Antony Starr*, and Elizabeth Shue are great actors, so just their presence should make it worthwhile.

* Antony was the lead in the criminally underappreciated Banshee. If you haven’t watched that series, do so.

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Book Review: Incorruptible by Mark Waid

Incorruptible Digital OmnibusIncorruptible Digital Omnibus by Mark Waid

My rating: 3 of 5 stars

Lifetime villains just don’t know the recipe for being good.

Max Damage was at ground zero the day the Plutonian went berserk. But Max knew it was coming, he’s known the Plutonian’s secret since the day he was sent down the path of criminality. Now with his own superpowers, he realises that if the world’s greatest hero has switched sides, he has to become a hero. It was never going to be that simple though.

Incorruptible is the companion series to Mark Waid’s fantastic Irredeemable. When I originally read both series in 2011-12, I thought they were both very comparable, but that I enjoyed Max’s story more. Now upon re-reading, I’ve switched sides.

The story for Incorruptible deals with more of the consequences to the world after Superman/Plutonian turns villain. The redemption of such a despicable and immoral character is much more interesting than good guy turns bad. But where Irredeemable looks at the repercussions on multiple characters, Incorruptible mostly focuses on Max. This would be fine if Max was actually the protagonist. Unfortunately, Max is merely along for the ride, with major plot points and decisions taken away from him by the events in Irredeemable.

So if you are going to read Incorruptible, do so at the same time as Irredeemable.

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