Book vs Movie: The League of Extraordinary Gentlemen – What’s the Difference?

Let’s dive into the book and movie that made Sean Connery give up acting and Alan Moore give Hollywood the finger.

This is one of those rare instances where I can say I didn’t like the book or the movie.

Back when I was graduating from junior to adult fiction, I went through a phase of reading all of the classic adventure novels. Everything from Tom Sawyer to Dracula. As such, I was familiar with every character Alan Moore put into his comic and none of them sat well with me. They were all slightly facile and nastier versions of the characters and stories I’d appreciated – love is far too strong a word.

When it came to the movie I was blown away by how terribly hamfisted it all was. Nothing in the movie really worked, despite there clearly being some talent involved.

For me, the worst part of the movie was Dorian Grey. I’d actually only gotten to that novel shortly before The League of Extraordinary Gentlemen movie came out so the character was fresh in my mind. To say that the character portrayed and the one from the novel were nothing alike is an understatement. Even the comic version is taking only the cliff notes version of the character.

It makes you wonder why either book or movie versions decided to use these public domain characters rather than make their own?

Oh look, Moore has commented on that, saying:

The planet of the imagination is as old as we are. It has been humanity’s constant companion with all of its fictional locations, like Mount Olympus and the gods, and since we first came down from the trees, basically. It seems very important, otherwise, we wouldn’t have it.

And:

“…it could be said that the theme of using popular fictional characters to comment on cultural and political mores has been carried over to “The Black Dossier” and the next volume of “The League of Extraordinary Gentlemen.” Source.

Or in other words, he thought it would be a cool narrative technique that might attract some readers. Not sure what the movie makers were thinking other than “franchise, franchise, franchise” while dancing in a conga line.

Book vs movie: Invincible – What’s the Difference?

This instalment of What’s the Difference? comes from Wisecrack and looks at Invincible.

I have to admit to having given the Invincible TV show a miss. Firstly because it is on Amazon, whose billing practices and worker treatment are terrible. Secondly because I read Irredeemable first and kinda felt I’d been down this path already.

It is interesting that several recent superhero adaptations have looked for material that explores the idea of “What would superheroes really be like?” Probably not surprising given the fact that comic book movie fatigue has started to hit.

Invincible: Does it have an attitude problem?

In a year full of comic adaptations, Invincible stands out as one of the best. But how do its 8 episodes compare to the 144 issues of the original comic? And what does attitude have to do with it? Let’s find out in this Book vs. Film: Invincible.

Book vs Movie: Logan vs Old Man Logan – What’s the Difference?

maxresdefault

Nothing like a comic book movie to analyse for differences. Much less reading. This month’s What’s the Difference? from CineFix looks at Logan and Wolverine: Old Man Logan.

Logan was a rare treat for me this year. I’m not saying it was a fantastic film that blew me away, more that I actually got to see the movie in the cinema for once. The film itself was okay. Probably one of the better X-Men films, if not the best. The strengths of the film are in it taking on the aesthetics of the Western genre. It’s weaknesses are the not unobtrusive plot holes.

The comic that inspired the movie is vastly different. While also enjoyable, the source material was never going to be adapted to the big screen. Just the number of superhero name rights they’d have to license would have made it an expensive two-hour name dropping session. But it would have been cool to see Wolverine get eaten by The Hulk and then suffer a few digestive problems.

So rather than this being an adaptation, it is more akin to thematic borrowing. Or to put it another way, they looked at the cover and thought that grey and scarred look would be a good idea for Hugh’s final outing as Wolverine. The film has more in common with Shane and Unforgiven than it does with the comic, in a good way. And I suppose if that is the sort of adaptation the movie goes for, it is a better idea than some of the others covered in this series.

And now for a philosophical take on Logan:

Movies that entertained me in 2014

best-movies-2014

Following on from my last post about my favourite music from this year, today I present the movies I watched that were released in 2014. Unlike my music list, this list is a review for the movies I watched, not just the ones I really enjoyed. As such I get the chance to highlight a couple of films that everyone should avoid watching, if they haven’t as yet been sullied.

There were a lot of good films released in 2014, especially in the action genre. But I will note that more films are suffering from the dreaded PG13 rating, whereby horrific violence is glossed over to save us from harm. All this really does is mean that we have violence without consequences portrayed in film. And no nudity. At least the DVD versions often have a more mature cut of the film available. Still no nudity. FSM forbid there be nudity. Won’t somebody think of the children!

By release date:

Snowpiercer
Technically released last year but only made it to Australia (US, etc) this year, as it was a South Korean production. I have been very impressed with the films coming out of Korea, with visuals and camera work that belie the production costs. Snowpiercer is no exception to this and managed to attract an international cast. Unlike many Hollywood films, Snowpiercer, and other Korean films I have seen, are not afraid of going for the hard ending to the film. Expect to see more from the Korean film-makers and their influence spread.

Jack Ryan: Shadow Recruit
Inspired by, or based upon, or royalty check paid to, Tom Clancy for his Jack Ryan series of novels; Shadow Recruit is the latest take on the character. Alec Baldwin, Harrison Ford (who killed Sean Bean) and Ben Affleck have all brought Ryan to the big screen, with adaptations of a series of books I gave up on back in my teens. There was nothing particularly wrong with this movie, it was entertaining enough, but there was also nothing that was going to see this franchise have another instalment soon.

The Raid 2: More Arse Kicking
You could be forgiven for thinking that there wasn’t further story to be had from The Raid. Given that the first film was pretty much one long fight scene that the hero won, what more was there to do? Aside from visit the hospital and spend months recuperating. But when a film that awesome is made there is always going to be a sequel, no matter how tenuous the narrative link is (although apparently the sequel is based upon a discarded script used in early development by the director). Where The Raid was flat out action, The Raid 2 has more suspense and plot, and plenty more awesome action. Can’t wait for the next Judge Dredd film to be based on it.

Non Stop: Taken on a Plane
Liam Neeson beats up bad guys on a plane. This time he’s an alcoholic and not really sure who he should be beating up. Not a patch on Taken but has a better plot than Taken 2.

RoboCop
It is hard to remake a classic film, especially in Hollywood, which generally requires writers and directors to gather up copies of the old classic to burn in a fire pit and then piss on the ashes in order to develop a script. When judged as a brand-new movie with no baggage from Verhoeven or the 80s (not one bad 80s suit or haircut appeared in this film), then Robocop is actually worth watching. In fact, I’d go as far to say that it is worth watching the film just to see Samuel L Jackson’s performance as a loud-mouth, arrogant, douchebag cable news anchor (you know, Bill O’Reilly). But we can’t ignore the baggage, so this comes off as a pale imitation. Still superior to the other Verhoeven remake, Total Recall.

The Lego Movie
Honey, where are my paaaants? The Lego Movie has grabbed a lot of attention and it is well deserved. The movie isn’t without its faults, but it is a kids film that doesn’t silently make parents wish they had decided to be ‘just good friends’ a decade ago.

3 Days to Kill
There were a lot of ingredients in this film that suggested it would taste fantastic. Instead it was a bit bland and made you feel guilty about eating all those calories for no reward.

300: Rise of an Empire
I am an unashamed Eva Green fan. I could happily spend 2 hours watching her stare at the camera, she is that good an actor (more on that in my 2014 in TV). All the ingredients that made 300 awesome are back (except Gerard Butler) with a more expansive stage. The director was clearly going for epic and almost made an action flick that got there. Unfortunately the cool visuals have been copied by too many other movies since the original, so much of the impact is lost.

Need for Speed
I played a lot of Need for Speed when I was younger, so it was awesome to watch the game being brought to life in the movies… Is that an oxymoron? Aaron Paul holds this film together, since the material is paper thin, and NFS wasn’t exactly weighed down with plot as a game. Enjoyable whilst being nothing amazing.

Captain America: Winter Soldier
This was just such an awesome film. The script was inspired by the classic run of comics by Ed Brubaker, with the writers and director managing to capture so much of what a good superhero comic is all about. Without much doubt, Captain America: Winter Soldier, was my favourite film of the year.

Sabotage
Just awful. There is virtually nothing to like about this film. All the characters are unlikable, the script doesn’t make sense, the ending feels like a let down, and not even Arnie’s charisma can stop this steaming pile of elephant crap from being one of the worst films I’ve ever watched.

Transcendence
Not many people liked this film, yet it wasn’t as bad as most claimed. The hate is probably a hangover from the last Johnny Depp vehicle, The Lone Ranger, which will haunt him to his deathbed. That doesn’t make Transcendence a good film, as it is slow, predictable, and crammed with undeveloped characters. But it has Cillian Murphy in it and Paul Bettany does his Paul Bettany thing, so the movie is watchable.

Brick Mansions
Brick Mansions is a remake of the French film District 13. They even got the original star, parkour legend David Belle, to play the same role again. There is nothing to like about this film, they even managed to ruin the parkour scenes with terrible camera work and editing. Watch the original, this was pitiful.

X-Men Days of Future Past
The problem with watching an X-Men movie is that we have seen The Avengers, Iron Man, and the previously mentioned Captain America. There is nothing particularly bad about this movie, but we have just had a slew of excellent comic book movies (which is a rarity), so this pales in comparison. X-Men suffers from being far too serious, lacking humour and interesting dialogue. Also, Hugh Jackman is a tad too lean and veiny in this film.

Edge of Tomorrow
I don’t know that I’ll ever forgive Tom Cruise for making Jack Reacher a foot shorter than he should be. But Edge of Tomorrow goes some way toward making amends. This was an excellent movie and was not the usual Cruise fare. The only thing that annoyed me about the film was the ending, which was the typical Hollywood rubbish. If they had stuck with the ending from the book then they would have had something remarkable.

A Million Ways To Die In The West
Family Guy is one of my favourite TV shows, despite having gone off the boil in recent seasons. Seth MacFarlane made a successful transition to movies with Ted, but some people aren’t enamoured with his brand of humour. I am and this was the funniest film I’ve watched since Ted. It isn’t as good, however, as A Million Ways To Die In The West suffers from being about 20 minutes too long. It seems all recent films are clocking in at 2 hours long, which is 30 minutes too long for a comedy, in my opinion. And A Million Ways could have retained most of the material and come in shorter, just by utilising tighter editing.

Guardians of the Galaxy
Of all the comics to become a blockbuster movie, Guardians is not an obvious choice. But everything about this film is done just right. Everything about Guardians says that it has to walk such a fine line that it should fail miserably. Instead the humour hits its marks, the acting stops the characters falling into Batman & Robin territory, the action is awesome but not overdone, and there is a sentimental note to the film that could have easily become soppy. My second favourite film of the year.

Lucy
It is hard to get past the ridiculous premise of this movie when it is a well known brain myth. But even if you dismiss that, Lucy is a rubbish film, so the use of the 10% Myth is the least of its problems. The main thing I hated was the problem that many of these “I’ve just become super smart” themed movies have (Transcendence had this as well to an extent), and that is the idea that the smarter you become, the more inhumane you become. Smart people = jerks, apparently.

The November Man
This was a solid action movie starring Pierce Brosnan (who killed Sean Bean) showing that he hasn’t lost his action chops. Nothing amazing about this spy-action-thriller, which means Brosnan carries the film. One thing I did hate was the ending, which seemed really odd. I’m sure there is a director’s cut that will be released that will make more sense, as clearly there was a scene missing.

The Equalizer
Denzel Washington is a Man On Fire…. Wait, different movie. Denzel Washington is a man with a particular skill set… Sorry, that’s Liam Neeson. Denzel Washington kills some Russian mobsters using hardware supplies and Sony product placement. The Equalizer is a pretty standard vigilante action movie. What sets it apart, or makes it worth watching, is Denzel, because when is he not worth watching, and the understated story-telling. A lot of films like this go out of their way to beat their audience over the head with various plot points, The Equalizer just pokes their audience in the face.

A Walk Among the Tombstones
Liam Neeson doesn’t beat up nearly enough people in this film.

Why Comic Book Movies Suck

an-origin-story-is-coming

With the run-away box office success of some of the comic book movie adaptations, you could be excused for thinking that comic book movies don’t suck. Sure, stick Robert Downey Jnr. in a movie and you are bound to bask the movie in his reflected awesome. Put Joss Whedon in the director’s chair and he could make paint drying fun to watch. But when all said and done, comic book movies are fatally flawed for the following reasons.

Origin Story

I was bitten by a cat. No increased agility, but I do clean myself with my tongue now.
I was bitten by a cat. No increased agility, but I do clean myself with my tongue now.

Did John McClane need an origin story? Did we need to see him join the police academy, walk the beat in montage form and get his detective shield before taking on Hans Gruber? NO! So why do we need to go back and see how every superhero became a superhero? If Charlies Angels can get away with having us believe that three rake thin girls can successfully beat the crap out of a group of guys twice their size whilst wearing stilettos without an origin story, I think we can just take it on faith that The Punisher has issues with criminals.

Superhero beating up normal people

doctor-octopus-spiderman-2
Super arms, normal pudgy body ripe for the beating.

He can leap tall buildings in a single bound, he can change the course of rivers with his bare hands, but he still needs to punch a normal person like he’s Ali squaring off against Foreman. Let’s face it, if a superhero actually wound up and threw a punch like we see in the movies (or comics for that matter) to hit a normal person, their fist would go clear through the person’s body, which would be kinda cool to see on the big screen.

The most egregious use of this strength imbalance, in my opinion, is in Spiderman 2. Remember how Spiderman stops a speeding train using just upper body strength? Remember how he then has an extended fight with Doc Oc where he repeatedly punches the mad scientist in the face? Now I know that the Doc did have some cool new appendages attached to his body, but the rest of his body is still pretty normal. Yet we are meant to believe that Spiderman can’t throw a punch to save his life or that Doc Oc’s head can withstand a blow that is stronger than a speeding train.

Spandex/Lycra

In reality land, never a good look.
In reality land, never a good look.

I’m almost certain that superhero costume designers and comic artists are BSDM fans, nothing else can explain Catwoman’s costume. Now being a heterosexual male I find nothing wrong with the casting of attractive women to be wearing spandex or lycra bodysuits. Sure, it must be hard for the women to stay in shape, kick ass and say their lines, but we sure do appreciate it! I’m sure the flip side is also true, that the female audience members love to see the chiselled muscle of the male actors displayed either shirtless or clad in the most figure enhancing costumes possible. I’m sure that the LGBT crowd have their respective tastes sated as well.

But here is my problem with spandex and lycra: no-one actually looks good in it and it is not very practical. If Batman were really deciding on what to wear when fighting crime, he wouldn’t be deciding on a cape and cod piece, he’d be looking for body-armour and a backpack for lugging around all of his Bat-gadgets. What about pockets? Where do you keep your phone and spare cash? And what happens if the superhero hasn’t had a chance to fight crime recently or has had a lot of charity dinners of late? Spandex and lycra are just going to display those meals and extra flab straight away. They’d become too self conscious to leave the house to fight any crimes. Norman Osbourne has taken hostages down-town  Sorry, I have a muffin top and can’t be seen in public.

Gratuitous PG rated violence

I'm a science nerd, that means one graph per article, minimum.
I’m a science nerd, that means one graph per article; minimum.

After an epic fight that levels half the city the bad guy goes to prison and we have ambulances treating all the poor people who sustained a few cuts and bruises. After beating the living crap out of each other for 20 minutes, the good guy and bad guy have a sum total of a bloodied lip and a bad case of out-of-breathness. Then, of course, the bad guy dies in some elaborate death scene that cuts-away just before the gory bit.

On the plus side, there is plenty of shooting, explosions, car chases, fight scenes and general mayhem to keep anyone amused. But no tits. Definitely no tits. Because we wouldn’t want kids to see anything that could harm their little minds.

The laws of physics don’t apply

iron_man_12-t2
I may weigh over 110kg, but this seat thinks I’m 50kg.

You know how when fat people sit down on something you hear it complain? What about the bowing that occurs? What about those permanent dents that your poor couch has from your fat uncle at Xmas time, not to mention the smell? Well, in the movies that doesn’t happen. Iron Man sits on a couch and doesn’t look a gram over 80kg, yet all that armour should be making it bow like your fat uncle after a plate of turkey. But it isn’t just that. Where are the crumple zones in that suit? What about air-bags? What about how squidgy Tony Stark would become being rattled around inside that suit?

Superheroes defy all sorts of laws of physics, whether it be jumping off a building and landing on the ground in high heels as though they just needed to tie their shoes, or casually picking up a car to throw at someone without their fingers tearing straight through the light aluminium panels. Also, why is it that the superhero always has super-clothes? Whether it be Wolverine’s amazing self healing singlets or the general indestructible nature of most costumes. Whoever designs those things could make a fortune!

Secret identity that isn’t really

The mask makes me look less like Ryan Reynolds, don't you think?
The mask makes me look less like Ryan Reynolds, don’t you think?

Is it a bird? Is it a plane? No, it’s quite clearly Clark Kent without the glasses.

How stupid are the people of Gotham? A Dark Knight rocks up wearing expensive high-tech gadgets, driving a really cool car at the same time a troubled billionaire returns home: how much of a leap do people have to take here? Even Hal Jordan was unmasked by his girlfriend, how long would it take other people to catch on? At least Tony Stark just came out and admitted it.

Big ass explosions

They're cool because they aren't looking at it.
They’re cool because they aren’t looking at it.

This is related to the physics point. Explosions in real life are never as spectacular as movie explosions. Car falls off a cliff: instant fireball. Helicopter stops helicopting: instant fireball. Gas from the stove left on for a few seconds: house explodes into a million pieces. Captain America ducks his head behind his shield as grenade explodes: doesn’t have exposed legs blown off.

In comic book movies everything explodes at the lightest touch. Somehow The Hulk crushing a car causes it to explode, rather than just leak. But not just explode, EXPLODE!!! I don’t know how much high-octane petrol and C4 the average person keeps in their car, but it must be a lot more than I do.