Tyson Adams

Putting the 'ill' back in thriller

Archive for the tag “Stanley Kubrick”

Book vs Movie: A Clockwork Orange – What’s the Difference?

Time for some ultra-violence with this month’s instalment of CineFix’s What’s the Difference?

I can’t remember if I read the book or watched the movie first. A Clockwork Orange was a novel in my parents’ collection of novels, which is why I turned out so well. I do remember the novel wasn’t as easy to consume as the movie, mainly because you can interpret spoken language more easily than understanding the lexicon employed in Burgess’ written words.

This may be a somewhat shocking statement, but I’m not much of a fan of Stanley Kubrick’s films. I always found them somewhat bland, as though there were a lot of empty space on the screen. As such, there are parts of the film I find to be bordering on dull, and others that strike me as weird and hammy (such as the scene with Alex’s parol officer). Meanwhile, the book managed to be entertaining and yet critical of youth culture whilst discussing free will.

It is ironic that I would enjoy a book that is critical of “kids these days”. But the fact that it was written in 1962 only further proves my point that complaining about the younger generation has been a popular pastime for old people since the invention of young people. Oh, and free will probably doesn’t exist.

Book vs Movie: 2001 A Space Odyssey – What’s the difference

The Cinefix team are back once again with their series on movies based on books. This instalment is in two parts and is slightly different. 2001: A Space Odyssey wasn’t so much a movie based upon a book as much as it was a collaboration between Kubrick and Clarke.

I think the summary in the second video (from about 9:40 onward) encapsulates the main differences between the book and the movie nicely. Essentially Kubrick dispensed with the pedantic explanations and descriptions in favour of stunning visuals and esoteric story telling. Whereas Clarke made that esoteric story telling understandable with all the motivations and insights. I.e. to understand the film read the book, to experience the book watch the film.

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