Book vs Movie: BlacKkKlansman – What’s the Difference?

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This month’s What’s the Difference? from Cinefix covers the amazing Spike Lee film based on the autobiography of the same name: BlacKkKlansman.

I have been reading quite a bit about fascism and racism lately. As someone who got lucky to be living in privileged skin, these are issues I feel we all need to be more aware of and actively standing against.

Instead of my normal comment on the film or book, I suggest watching the Vice coverage of the Charlottesville rally, Philosophy Tube’s videos on racism, Antifa and fascism, and reading the book on how to oppose fascism.

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Book vs movie: Pet Cemetary – What’s the Difference?

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It was inevitable that someone in Hollywood would try to reanimate the corpse of yet another classic film. So with the upcoming release of the remake of Pet Cemetary, what better time for CineFix to discuss the original book and movie in What’s the Difference?

Pet Cemetary is one of the many books lingering on my shelf in the TBR pile. While I have decided that this year will involve a concerted effort to make a dent in said pile*, it is unlikely I’ll get to read this novel anytime soon. If I’m completely honest, I want to read The Stand first.

What about the movie, I hear you ask. Back when I was a young lad – walking the obligatory 10 miles (whatever a mile is in real measurements) to school through 10 feet of snow (why would there be feet in snow?) after working 10 hours at the coal mine – Stephen King novels and movies were all the rage. Whether it was Needful Things, Carrie, Misery, Lawnmower Man, IT, or Children of the Corn, there always seemed to be someone bringing a Stephen King VHS** to watch. And after my hard lesson learnt with IT, I tried to avoid the obviously scary films – hence I have seen Lawnmower Man and most of Needful Things, but not Children of the Corn.

At this point, I probably sound like a wimp. It is odd that I generally don’t find horror novels that bad, and even movies with horror elements are fine. But movies whose goal is to creep you out or gross you out (think Saw franchise or Hostel) just aren’t for me, particularly the latter. It’s a little hard to be entertained by that sort of thing.

Yes, yes, more excuses as to why I haven’t read or watched something. Don’t worry, plenty of horror in my TBR pile. Stay tuned.

*I’ve managed to read one from the pile and added two more to it this month. That counts as progress, right?

**VHS, that’s right. I am truly that old.

Book vs Movie: Dracula – What’s the Difference?

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Since the annual American lolly festival is almost upon us, Cinefix is covering one of the classics. Bram Stoker’s Dracula and Francis Coppola’s 1992 Dracula.

Time for some straight talk. I don’t know how you discuss this particular adaptation without mentioning just how bad Keanu Reeves is in this film. Embarrassingly bad.

I actually tried to rewatch Dracula a couple of years ago and just couldn’t bring myself to sit through it all. Despite it being a bit of a who’s who of actors in the cast – and people like Tom Waits – it all feels so camp and silly. Even when I first saw it in high school, I remember Dracula being only average – with possibly the best visual explanation of the link between Dracula and Vlad the Impaler ever.

It is harder for me to talk about the book as I read it so long ago. And, let’s be honest here, I’ve since read way too many Anne Rice novels to not get the details confused. I read Dracula and Frankenstein at roughly the same time; because gothic horror novels are what pre-teen kids should be reading. Neither stood out for me as novels, but it is amazing how influential they have both been to genre fiction.

I wonder if there will be any modern equivalent. A novel that establishes an entire genre that is continuously reimagined, refined, and redefined such that we get analogues ranging from True Blood (coming out of the closet analogy) to Buffy (girl power).

Book vs Movie: Fear and Loathing in Las Vegas – What’s the Difference?

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This month’s What’s the Difference? from Cinefix covers Fear and Loathing in Las Vegas.

This month I’m just sharing.

Yep, that means I’ve neither read the book nor watched the movie.

Feel superior in the comments.

20 years ago a new generation was introduced to the peak of Gonzo Journalism with Terry Gilliam’s adaptation of Hunter S. Thompson’s Fear and Loathing in Las Vegas. Really great filmmakers have tried and failed to bring the savage journey into the American Dream, so what makes Terry Gilliam’s version so successful? Time to get cracking and ask What’s the Difference?!

Book vs Movie: Ready Player One – What’s the Difference?

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This month’s What’s the Difference? from CineFix covers Ready Player One.

Normally I’d add a few comments here about what I thought about the book and/or the movie, particularly the adaptation. But Ready Player One falls into an odd realm for me. I’d initially had the book on my TBR pile but ended up removing it after a discussion at a writers’ group. The gist was that the book is a great example of the “you’re not a real geek” toxicity that pervades geek culture, exemplified by rating pop culture references.

Then when the movie trailers came out, it too looked like one long list of pop culture references that only true geeks would appreciate… By appreciate, I mean argue and post overanalysed articles and Youtube videos online for weeks after most people have moved on.

Hey look, here’s a video of all the pop culture references:

This is a roundabout way of saying I haven’t read the book nor watched the movie, nor do I feel particularly inspired to do either. Enjoy the video anyway.

Update – This covers Ready Player One from a writer’s perspective:

Further Update – This video expands on my point above about toxic geek culture with reference to GamerGate.

Book vs Movie: When the Book Is Better

'We are making a film of the book.'

PBS Digital Studios have a new video series It’s Lit! which is part of The Great American Read, an eight-part series that explores and celebrates the power of reading. Featuring one of the premiere video essayists in Lindsay Ellis, this series should be brilliant.

The first video briefly discusses a topic I’ve frequently discussed here, what makes a good adaptation and why the book is so often regarded as better.

Lindsay has very concisely summarised why movies so often don’t make for good or faithful adaptations of the source material. But she also touches on why they can sometimes improve the book, or make an adaptation that uses the source material in an interesting way to tell a different story.

If you aren’t already subscribed to Lindsay or PBS Digital Studios, you may want to do so now.

Average Movie Superhero

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With the recent spate of superhero movies, it is easy to forget that not every movie has a superhero in it. Even the superhero films aren’t always about someone on steroids (Captain America) or weather presenters (Thor) but are instead about your everyday billionaire playboy (Batman, Ironman, Arrow). So it is easy to forget that feats of superhuman strength are not meant to be the norm in films.

Think about the scenes where the everyday hero is clutching the edge of a building by his fingertips – and I’m sure someday I’ll be able to write their instead of his. Valiantly they hold on to the ledge with one hand whilst the love interest or bad guy is dangling from their other hand. Of course, the hero never loses his grip on the ledge, but the bad guy may slip from his grasp.

We accept that scene as plausible because we have been brainwashed into thinking that the average person can hold their own bodyweight with a single hand for extended periods. Double their bodyweight? They can hold that for the length of a dramatic moment – a period of time that is impossible to measure in real time since dramatic speeches and slow motion really mess with reality.

The problem is that outside of gymnasts, rock climbers, or people who crush rocks with their bare hands for a living, the Average Joe wouldn’t even be able to hold their own weight with a single hand for more than a few seconds. Good luck having any unbroken fingers if they caught themselves from a fall.

Elite grip strength can be measured a few ways, but the Captains of Crush grippers are one easy way to distinguish strong hands. The #1 requires 64kg (140lbs) of force to close, while the #3 gripper takes 127kg (280lbs) and is regarded as world class grip strength. Just for shits and giggles they made a #4 gripper that requires 166kg (365lb) of force to close and has been officially closed by 5 people. Ever.

So let’s just assume that our generic action movie has an everyday hero who weighs a buff 80kg and his falling love interest is a sexy 55kg – because stereotypes. That’s 135kg hanging from the hero’s fingertips, a weight that even a really strong person wouldn’t have the grip strength to support. Two normal sized adults are not going to be hanging onto that ledge for any length of time.

Which brings us to the next amazing feat of strength in this scenario: lifting that falling love interest back to safety. For a strong person, lifting their 55kg love interest should be easy. Patrick Swayze managed it in Road House. A buff 80kg hero could probably clean and jerk a dumbbell weighing that much…. assuming they work out, have some chalk on their hands, were able to get some leg drive happening, had decent technique, and that the dumbbell wasn’t particularly unwieldy. But most falling love interests are a tad unwieldy, not designed for easy lifting – no obvious knurled handles – and there isn’t a lot of leg drive happening when you’re dangling from the side of a building by your fingertips. Yet without fail, the hero manages to get them both to safety. Well, unless it is one of those tragic character defining moments, in which case the hero will be in the same situation later and will find the determination to succeed the second time. Sucks to be the first love interest in that scenario.

Interesting to think about just how many amazing feats of strength are passed off as normal in movies.