Book vs Movie: Locke and Key – What’s the Difference?

This month’s What’s the Difference? looks at the comic book Locke and Key and its new Netflix series adaptation.

Okay, so not a movie as such. Get off my back!

I’ve had Locke and Key sitting in my digital TBR pile for ages. When they released the first omnibus, I got a copy and then proceeded to not read it. This was a problem with earlier digital formats of comics, as they had a habit of not working with the reader programs (I’ve discussed this before with Matt Hawkins’ comic series).

So it was only recently that I got motivated to read the first volume. And it was fine.

There is a lot going on with the story, with the world-building, and establishing the characters. It moves pretty quickly as well. And the art-work is on point to support the story (there’s a bit where an antagonist sees one of the supernatural characters in a photo that could only be in a visual medium). But I kinda wanted to read it as a novel rather than as a comic.

Development of a TV series has been in the works since the end of the second run (around late 2009). Fox had a pilot (2010), Hulu had a pilot (2017), and now Netflix has thrown money at something for Stranger Things fans. I mean, how could they not when it is written by Stephen King’s son?

I’m yet to see the series*, but I have an inkling that Locke and Key will work terrifically as a TV series. There is plenty of material to work with, there is depth (part of why I wanted a novel version, to spell it out), and the supernatural elements will be fun to see brought to life.

* This must be a first. I’ve read the book first and not had a chance to see the adaptation. Probably because we cancelled Netflix…

Book vs Movie: Snowpiercer – What’s the Difference?

This month, CineFix are discussing the excellent Snowpiercer and its comic book origins in What’s the Difference?

If you haven’t watched Snowpiercer then I recommend you do.

I kinda meant right now.

Go. Enjoy.

For everyone else, I think Snowpiercer did a number of interesting things. The first one was showing us Chris Evans looked good with a beard… I mean, that Evans could do more than Captain America. The second one was to usher in a mainstream filmic conversation around class and society that has been lacking in the public space despite a growing divide between the rich and the rest of us. The Occupy movement and the Global Financial Crisis fallout hadn’t been entirely ignored, but this did raise and further attention. The third was that a revolution is the only way forward out of a decaying system that Korean cinema is where a lot of interesting storytelling and action is to be found.

Once again I find myself with another book I have yet to read despite my enjoyment of the movie adaptation. If only there were more reading hours in the day.

See also: https://www.looper.com/108629/ending-snowpiercer-explained/

Bong Joon Ho’s Parasite is taking the world over, but in 2013 the Korean filmmaker ended the world with his dystopian action masterpiece, Snowpiercer. Set on a train carrying the last of humanity around a planet in the midst of a self-made ice age, Chris Evans leads a revolution against the trains elite class. While the film shares plenty with the 1982 graphic novel Le Transperceneige on which it’s based, Bong Joon Ho aims his satire in a different direction. So tuck into a protein bar and find your place on the train because it’s time to ask What’s the Difference?

Book vs Movie: Oldboy – What’s the Difference?

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This month in CineFix’s series What’s the Difference? they cover Oldboy. Live octopus not included.

Not having read the Manga, I don’t really have much to add to the above video. The film is amazing. It redefined “off-the-wall” and managed to make it compelling watching.

Let’s not talk about the Spike Lee remake. Because it wasn’t very good. Although, because it is an American adaptation of a South Korean adaptation of a Japanese work, it can be interesting in an intercultural sense. This article is very interesting in that regard.

Best Adaptations of All Time?

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In keeping with my monthly series of posts on book adaptations – Book vs Movie – I thought I’d share this CineFix video as my last post before the Festive Break. They cover a lot of great adaptations, even mentioning a few I was unaware were adaptations.

Thanks to my readers and commenters for dropping by this year. I hope you all enjoy whatever Holiday tradition you celebrate. Best wishes from me to you.

Now let’s argue over whether this video has missed any of our favourite movies based upon books.

Book vs Movie: The Amityville Horror – What’s the Difference?

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Because some people are obsessed about the official candy holiday based upon on former harvest festival, Halloween brings about the discussion of the horror genre. This month’s What’s the Difference? from CineFix covers the movie based upon a hoax, The Amityville Horror.

One great thing about horror novels is the ability to go wild with creepy ideas that will scare people. Blood suckers, flesh eaters, scary clowns in the closet, demonic possession, crazy inbreds, mild mannered fathers who go crazy and murder their family: all great ways to scare people and haunt their dreams.

But it is always hilarious to see the line “Based on a True Story” or similar at the start of a book or movie. Any time that has to be stated up front you can guarantee that the tale is pure fiction. It’s like how smart people don’t go around having to tell people they have a high IQ, or people who are successful don’t have to go around telling people how rich they are.

Needless to say, The Amityville Horror has long been known to be a hoax cooked up by the Lutzs and their lawyer, and then sensationalised in the “totally non-dramatised” book by Jay Anson.

To this day, the fact that The Amityville Horror story was an admitted hoax is still not widely known — as we often say, the truth never stands in the way of a good story. Though the story was made up by the Lutzes and further sensationalized by Anson, there were real victims of The Amityville Horror (the film, not the demons). In addition to the murdered DeFeo family, the subsequent occupants of the Amityville home have suffered a continual stream of harassment by curiosity seekers, horror fans, and gawkers who want to photograph and tour their infamous house. Then there are the people who, fooled by the films’ and book’s tagline, think they are partaking of works based on true events. (Source)

Book vs Movie: Die Hard – What’s the Difference?

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What better time of year for CineFix to do a What’s the Difference? episode on the best Xmas movie of all time!

While I have gotten my grubby hands on the Roderick Thorp novel (Nothing Last Forever), I must confess to not having read it as yet. It is probably a good thing I don’t mind spoilers. Hope you don’t mind either, because, you know, spoiler alert.

The differences between the two endings is interesting. Having the watch moment with McClane’s wife/daughter play out differently, and Dwayne Robinson’s sacrifice, would not have made this a classic Xmas movie. So it makes sense that the movie’s creative team changed those things to make this a more upbeat ending.

Enjoy the season rewatching all the the Die Hard movies… except A Good Day to Die Hard: that is an abomination and an offence against not only cinema, but the good name of Die Hard.

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Book to Movie: Harry Potter part 2 – What’s the Difference?

Goblet of Fire and Order of the Phoenix are covered in this month’s instalment of What’s The Difference? from CineFix. Previously they covered earlier books and movies, this is part 2 of 3. Grab a butterbeer and enjoy.

For me Prisoner of Azkaban and Goblet of Fire were when the series really took off. The earlier two books were clearly aimed at a younger audience than my snobbish adult reading ways would allow me to fully to enjoy. And when you look on your bookshelf, you’ll notice how much thinner those first two books are – yes, I am assuming you have them in paper on a bookshelf in your house. You aren’t weird, are you? The extra length of the later books in the Harry Potter series also signals a narrative that has matured with its audience – those pre-teens were going to become teens at some stage, just like their favourite book characters.

This extra length also makes the novels harder to adapt faithfully. As the video covers, there are some interesting ways they achieve this, but it also means they have to make other changes that are troublesome for the later movies in the series. For me the Society for the Promotion of Elfish Welfare being skipped over in the movies is an obvious choice, but also one that removes an important layer to the narrative. It is, after all, the Elfish uprising that helps turn the tide in the fight/war against Voldermort. This element can help you see the conflict as more worldly, rather than focussed on one school in the UK. Unless the Wizarding World is only confined to Europe and the UK is the centre of the EU….

There is probably an argument to be made for Harry Potter to be turned into a TV series that faithfully adapts the books to the small screen. HBO would be interested for sure, as long as they could cast +18 year olds with no nudity clauses in their contracts.