Book vs Movie: They Live – What’s the Difference?

This installment of What’s the Difference? covers one of the classics of 80s filmmaking. CineFix gives a big middle finger to the man with They Live.

Does anyone else remember video rental stores? No? Just me?

Okay, so imagine there’s a Netflix but instead of a library of movies of questionable quality and some series that will be cancelled after two seasons on your TV, there is a store you visit to borrow these shows and movies.* You can only borrow a few at a time for no longer than a week. And these borrowings are handed to you on a thing called a VHS tape cassette. This is deemed superior to watching broadcast TV, which consists of two channels, one of which is Elvis movie re-runs and sport, the other is designed to appeal to people whose hip isn’t up to making it out on Sunday mornings anymore.

Anyway, VHS rental tapes used to have a lot of junk before the start of the movie. This included anti-piracy warnings, a helpful reminder that this was a VHS tape, warnings about not pirating this tape, and trailers for other available titles. Fast-forwarding didn’t work that well, due in part to the slowness of fast-forwarding at the time, and the ingenuity of some dirtbag at the VHS factory who made sure all anti-piracy warnings took into account fast-forwarding in their design. Honestly, it was just easier to set the tape playing, go and fetch snacks, and come back when you stopped hearing super-serious voice-overs.

It was on one of those rented VHS tapes that I first saw an incredibly cheesy late 80s early 90s voice-over trailer for They Live. To say I desperately wanted to see it was an understatement

Of course, back in those days, we had to walk 50 cubits through freezing deserts up hill wearing a bag filled with bricks to get to the physical not-Netflix store. And while they called themselves a video rental business, there was no guarantee they had any of the films that were advertised on their videos. They Live was certainly one of the films not at our store. It wasn’t until almost a decade later that I saw a censored for TV version of the film.

The reason I tell this tragic story of childhood disappointment is to highlight how long I had to wait to actually see They Live. And despite that anticipation, the movie still met/exceeded my expectations. It is a classic of B-movies and one that has only gained more appreciation with time rather than less. As discussed in the Cinefix video, the themes about unrestrained capitalism are even more relevant today with a reality TV star for US president, billionaires splattered all over our media, and growing inequality.

The original short story and comic (linked below) are used as the premise of the movie. But as discussed in the video, you can do things in a short story that you can’t in a movie. That means we have to show more of the world, establish characters, kick-ass and chew bubblegum. If anything, I was disappointed with the short story after seeing the movie.

If there is any year to read Eight O’Clock in the Morning and watch They Live, it is 2020.

The comic based upon Ray Nelson’s story:
http://sapcomics.blogspot.com/2012/01/nada.html

The original short story Eight O’Clock in the Morning by Ray Nelson

* If anyone wants to comment on the origins of Netflix as a response to Blockbuster and late fees, feel free.

Book vs Movie: Locke and Key – What’s the Difference?

This month’s What’s the Difference? looks at the comic book Locke and Key and its new Netflix series adaptation.

Okay, so not a movie as such. Get off my back!

I’ve had Locke and Key sitting in my digital TBR pile for ages. When they released the first omnibus, I got a copy and then proceeded to not read it. This was a problem with earlier digital formats of comics, as they had a habit of not working with the reader programs (I’ve discussed this before with Matt Hawkins’ comic series).

So it was only recently that I got motivated to read the first volume. And it was fine.

There is a lot going on with the story, with the world-building, and establishing the characters. It moves pretty quickly as well. And the art-work is on point to support the story (there’s a bit where an antagonist sees one of the supernatural characters in a photo that could only be in a visual medium). But I kinda wanted to read it as a novel rather than as a comic.

Development of a TV series has been in the works since the end of the second run (around late 2009). Fox had a pilot (2010), Hulu had a pilot (2017), and now Netflix has thrown money at something for Stranger Things fans. I mean, how could they not when it is written by Stephen King’s son?

I’m yet to see the series*, but I have an inkling that Locke and Key will work terrifically as a TV series. There is plenty of material to work with, there is depth (part of why I wanted a novel version, to spell it out), and the supernatural elements will be fun to see brought to life.

* This must be a first. I’ve read the book first and not had a chance to see the adaptation. Probably because we cancelled Netflix…

Book vs Movie: Snowpiercer – What’s the Difference?

This month, CineFix are discussing the excellent Snowpiercer and its comic book origins in What’s the Difference?

If you haven’t watched Snowpiercer then I recommend you do.

I kinda meant right now.

Go. Enjoy.

For everyone else, I think Snowpiercer did a number of interesting things. The first one was showing us Chris Evans looked good with a beard… I mean, that Evans could do more than Captain America. The second one was to usher in a mainstream filmic conversation around class and society that has been lacking in the public space despite a growing divide between the rich and the rest of us. The Occupy movement and the Global Financial Crisis fallout hadn’t been entirely ignored, but this did raise and further attention. The third was that a revolution is the only way forward out of a decaying system that Korean cinema is where a lot of interesting storytelling and action is to be found.

Once again I find myself with another book I have yet to read despite my enjoyment of the movie adaptation. If only there were more reading hours in the day.

See also: https://www.looper.com/108629/ending-snowpiercer-explained/

Bong Joon Ho’s Parasite is taking the world over, but in 2013 the Korean filmmaker ended the world with his dystopian action masterpiece, Snowpiercer. Set on a train carrying the last of humanity around a planet in the midst of a self-made ice age, Chris Evans leads a revolution against the trains elite class. While the film shares plenty with the 1982 graphic novel Le Transperceneige on which it’s based, Bong Joon Ho aims his satire in a different direction. So tuck into a protein bar and find your place on the train because it’s time to ask What’s the Difference?

Book vs Movie: Oldboy – What’s the Difference?

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This month in CineFix’s series What’s the Difference? they cover Oldboy. Live octopus not included.

Not having read the Manga, I don’t really have much to add to the above video. The film is amazing. It redefined “off-the-wall” and managed to make it compelling watching.

Let’s not talk about the Spike Lee remake. Because it wasn’t very good. Although, because it is an American adaptation of a South Korean adaptation of a Japanese work, it can be interesting in an intercultural sense. This article is very interesting in that regard.

Best Adaptations of All Time?

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In keeping with my monthly series of posts on book adaptations – Book vs Movie – I thought I’d share this CineFix video as my last post before the Festive Break. They cover a lot of great adaptations, even mentioning a few I was unaware were adaptations.

Thanks to my readers and commenters for dropping by this year. I hope you all enjoy whatever Holiday tradition you celebrate. Best wishes from me to you.

Now let’s argue over whether this video has missed any of our favourite movies based upon books.

Book vs Movie: The Amityville Horror – What’s the Difference?

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Because some people are obsessed about the official candy holiday based upon on former harvest festival, Halloween brings about the discussion of the horror genre. This month’s What’s the Difference? from CineFix covers the movie based upon a hoax, The Amityville Horror.

One great thing about horror novels is the ability to go wild with creepy ideas that will scare people. Blood suckers, flesh eaters, scary clowns in the closet, demonic possession, crazy inbreds, mild mannered fathers who go crazy and murder their family: all great ways to scare people and haunt their dreams.

But it is always hilarious to see the line “Based on a True Story” or similar at the start of a book or movie. Any time that has to be stated up front you can guarantee that the tale is pure fiction. It’s like how smart people don’t go around having to tell people they have a high IQ, or people who are successful don’t have to go around telling people how rich they are.

Needless to say, The Amityville Horror has long been known to be a hoax cooked up by the Lutzs and their lawyer, and then sensationalised in the “totally non-dramatised” book by Jay Anson.

To this day, the fact that The Amityville Horror story was an admitted hoax is still not widely known — as we often say, the truth never stands in the way of a good story. Though the story was made up by the Lutzes and further sensationalized by Anson, there were real victims of The Amityville Horror (the film, not the demons). In addition to the murdered DeFeo family, the subsequent occupants of the Amityville home have suffered a continual stream of harassment by curiosity seekers, horror fans, and gawkers who want to photograph and tour their infamous house. Then there are the people who, fooled by the films’ and book’s tagline, think they are partaking of works based on true events. (Source)

Book vs Movie: Die Hard – What’s the Difference?

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Picture: There are two types of people in the world, those who think Die Hard is a Christmas movie and those who are wrong.

What better time of year for CineFix to do a What’s the Difference? episode on the best Xmas movie of all time!

Video: Die Hard – What’s the Difference?
Video: Die Hard – Lost in Adaptation.

While I have gotten my grubby hands on the Roderick Thorp novel (Nothing Lasts Forever), I must confess to not having read it as yet. It is probably a good thing I don’t mind spoilers. Hope you don’t mind either, because, you know, spoiler alert.

The differences between the two endings are interesting. Having the watch moment with McClane’s wife/daughter play out differently, and Dwayne Robinson’s sacrifice, would not have made this a classic Xmas movie. So it makes sense that the movie’s creative team changed those things to make this a more upbeat ending.

Enjoy the season rewatching all the Die Hard movies… except A Good Day to Die Hard: that is an abomination and an offence against not only cinema but the good name of Die Hard.

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Picture: It’s not Christmas until I see Hans Gruber fall off Nakatomi Plaza.

Book to Movie: Harry Potter part 2 – What’s the Difference?

Goblet of Fire and Order of the Phoenix are covered in this month’s instalment of What’s The Difference? from CineFix. Previously they covered earlier books and movies, this is part 2 of 3. Grab a butterbeer and enjoy.

For me Prisoner of Azkaban and Goblet of Fire were when the series really took off. The earlier two books were clearly aimed at a younger audience than my snobbish adult reading ways would allow me to fully to enjoy. And when you look on your bookshelf, you’ll notice how much thinner those first two books are – yes, I am assuming you have them in paper on a bookshelf in your house. You aren’t weird, are you? The extra length of the later books in the Harry Potter series also signals a narrative that has matured with its audience – those pre-teens were going to become teens at some stage, just like their favourite book characters.

This extra length also makes the novels harder to adapt faithfully. As the video covers, there are some interesting ways they achieve this, but it also means they have to make other changes that are troublesome for the later movies in the series. For me the Society for the Promotion of Elfish Welfare being skipped over in the movies is an obvious choice, but also one that removes an important layer to the narrative. It is, after all, the Elfish uprising that helps turn the tide in the fight/war against Voldermort. This element can help you see the conflict as more worldly, rather than focussed on one school in the UK. Unless the Wizarding World is only confined to Europe and the UK is the centre of the EU….

There is probably an argument to be made for Harry Potter to be turned into a TV series that faithfully adapts the books to the small screen. HBO would be interested for sure, as long as they could cast +18 year olds with no nudity clauses in their contracts.

Book to Movie: Harry Potter – What’s The Difference?

I guess it was only a matter of time. CineFix have finally gotten around to comparing the Harry Potter series of books to the movies. This is part 1 of 3. Grab a butterbeer and enjoy.

Truth be told, I had to be dragged kicking and screaming to the Harry Potter series. I disliked the first film – it was clearly made for children – and could not be convinced that this phenomenon was anything more than overhyped rubbish.

Yeah, I was wrong.

It was after the movie series took on the darker and more adult tone that I became interested. I decided to see what all the fuss was about and began reading; an easy thing to do since my wife had the books in our collection. I loved the books, reading the final two on our honeymoon.

With the fandom surrounding the books, this was always going to be a series that was as faithful to the source material as possible. Last thing you want to do is piss off a bunch of kids you’re planning to milk for the next decade with film, merchandise, and costume sales. Even though the CineFix guys talk about the first three films being largely faithful adaptations, I can think of a few minor points that were glossed over in the movies, such as the Phoenix tears healing all wounds. That moment in the film seemed to smack of deux ex machina, unless you had read the books. And that is a liberty you aren’t meant to be able to take with adaptations, as the reading audience is always smaller than the movie audience… usually.

I’m looking forward to the other instalments in this book versus movie comparison, as they may explain why the movies made some of the changes they did.

Book vs Movie: Casino Royale – What’s the Difference?

In the latest instalment of the What’s the Difference? series, the CineFix team have broken down the Ian Flemming novel and Daniel Craig movie, Casino Royale.

Unfortunately Casino Royale is not one of Bond novels I’ve read. The change between generations is very marked when reading a Bond novel, the little changes like letters and radio to texts and mobile phones (cells to US people) are expected. But the social change that has occurred is the biggest noticeable difference, mostly with the role of women and minorities in society. Felix Leiter being African-American in the movie? Vesper Lynd being the intellectual equal of Bond? These are not things that Flemming would have imagined for his world.

I like Daniel Craig’s Bond and think that Casino Royale was a shot in the arm for the long running series. The gritty take on things was needed after the cheese that was Die Another Day (etc). And you can’t help but love any film that has Eva Green in it. With rumours flying that Craig’s Bond will be no more, it will be interesting to see what the next take on Bond will bring us. Will the producers push back to a suave Connery take on Bond, or a tongue-in-cheek Moore version, or an in-between like Brosnan, or something really lame and poorly written like Dalton and Lazenby’s outings?

Whatever happens with the Bond series it is clear that the social update to the novels will continue.

Book vs Movie: V For Vendetta – What’s the difference?

In this outing for the CineFix team they have covered the classic graphic novel and movie adaptation of Alan Moore’s V For Vendetta.

So, truth be told, I’m not a huge fan of the Alan Moore graphic novel V For Vendetta – yeah, yeah, I know: sacrilege. I actually gave up on it about a third of the way through, as such, it is hard for me to compare the book to the movie. Actually, that’s not true, I can compare how entertained I was, since I enjoyed the movie and couldn’t be bothered finishing the book. That should say a lot.

Moore distancing himself from all adaptations of his work is odd, but completely understandable given it is based upon having watched* The League of Extraordinary Gentlemen movie. That was the film that caused Sean Connery to quit acting, which gives you some idea of just how bad that movie was. But you are still left with his admonishments of adaptations, like V For Vendetta or The Watchmen, that were good films (IMHO) and captured the essence of the source material. Like most of the book to movie adaptations discussed in the What’s the Difference? series, when you see the breakdowns of differences you can completely understand why the changes were made. The example in this video was of Evie’s character arc to help the audience empathise with both her and V in a shorter format. The book and movie occupy different spaces, have different constraints, and are often made at different times for society.

Which is why I find Moore’s stance – or is that complaints – on adaptations of his work to be a bit precious. I mean, he was, and I quote, “getting money for old rope” as well as a much wider exposure as an artist. He has managed to influence popular culture (The Killing Joke was the primary reference material for Heath Ledger’s portrayal of The Joker). Not much to complain about. Unless the movie studios paid him in beard trimmers.

*Being a little flippant here as he was also sued over accusations that someone else’s script was plagiarised.

Update: I rewatched V for Vendetta recently and started reading the comic again. I haven’t finished the comic, but after watching the video below, I think the sentiments expressed by Moore and Wisecrack are valid. I’m not sure if I’m just 5 years older and wiser, or if I’m just impressionable and a sound argument will sway my views.

Book vs Movie: Psycho – What’s the difference

Another great instalment of CineFix’s What’s the Difference? series. This time it is the famous Hitchcock film Psycho and the novel it was based upon.

Some interesting differences in the storytelling, aren’t there! The most interesting was the way Hitchcock sets up his viewers to empathise with the victim, Mary/Marion, as much as possible, whilst also moving away from the cliché of Norman being a chubby-loser. My highlight from the video is the revelation that the book, and obviously the subsequent movie, were based upon a real murderer. I suppose skin is pretty durable stuff, it would be a shame to just throw it away.

Book vs Movie: Alice in Wonderland – What’s the difference?

Another great instalment from the CineFix team. And don’t worry, they didn’t do the Depp/Burton movie comparison. Dodged a bullet there.


I can’t claim to have read all of Alice in Wonderland. I can’t even claim to be much of a fan of the movie; Disney animation or otherwise. My main reason for not liking either is that this is a classic example, and possibly the progenitor, of the “and then she woke up” ending. My wife dislikes the book because it lacks a point and is boring and waffly. Since it is a “classic children’s book” it could explain why kids used to hate reading: thank FSM for Harry Potter!

Book vs Movie: 2001 A Space Odyssey – What’s the difference

The Cinefix team are back once again with their series on movies based on books. This instalment is in two parts and is slightly different. 2001: A Space Odyssey wasn’t so much a movie based upon a book as much as it was a collaboration between Kubrick and Clarke.

I think the summary in the second video (from about 9:40 onward) encapsulates the main differences between the book and the movie nicely. Essentially Kubrick dispensed with the pedantic explanations and descriptions in favour of stunning visuals and esoteric story telling. Whereas Clarke made that esoteric story telling understandable with all the motivations and insights. I.e. to understand the film read the book, to experience the book watch the film.

Book vs Movie: Watchmen – What’s the difference

Another great breakdown of the differences between the book and the movie from Cinefix. This time it is Alan Moore’s Watchmen.

If I’m honest I’d have to say I prefer the movie over the book in this instance. I liked both, but I thought the changes they made for the movie made for better spectacle and entertainment. Obviously that wasn’t Moore’s original intention, so it is unsurprising that fans were annoyed with these changes. I felt that Snyder’s adaptation remained relatively faithful to the source material whilst also creating a film that cinema goers would enjoy. This is the hard path to tread in any adaptation: making sure the film works but remains true to the source.

Of course Snyder managed to make a film that people didn’t watch in the cinema and that fans of the book complained about. Guess there is just no pleasing some people.

Book vs Movie: Fight Club – What’s the Difference?

Another great installment from the Cinefix team.


A point I’d make about the final chapter of the novel is that I thought the implication was that the narrator was so drugged up in the mental hospital that he wasn’t sure what was going on. And I also thought that the people with the tell-tale bruising were the Project Mayhem members implying they were waiting for him to escape so they could try again.

Also one plot point I really liked in the book was the bit about the type of explosive used, the Narrator preferring one, Tyler the other. This explained why the explosives failed and also implied that the Narrator had been able to sabotage the plan.

Update: Wisecrack discussed the differences as well. Worth a watch.

Book vs Movie: Rambo – What’s the Difference?

Did you know the Rambo franchise started with a novel about a man bringing the war back home with him? Let’s watch What’s the Difference and Lost in Adaptation.

Video: Rambo – What’s the Difference? David Morell told me he liked this video.
Video: Rambo – Lost in Adaptation

David Morell’s career was really kicked off with Stallone wanting to make his first book into a movie. It wasn’t just that the franchise allowed him to become a full-time author, it was that he’d been rather savvy in retaining a few of the rights to the character and spinoffs.

Essentially, despite the fact that very little of his character remains in the sequels, Morell wrote the novelisations of the films, keeping his piece of the franchise $$. He has said that those sorts of IP negotiations can make a huge difference to a writer’s career.

Having read several of Morell’s books, I think most thriller fans would enjoy his work. And if you like the entire third act of a film being a buff guy shooting a large calibre machine gun at people, you’ll probably enjoy the Rambo films.