Book vs Movie: Oldboy – What’s the Difference?

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This month in CineFix’s series What’s the Difference? they cover Oldboy. Live octopus not included.

Not having read the Manga, I don’t really have much to add to the above video. The film is amazing. It redefined “off-the-wall” and managed to make it compelling watching.

Let’s not talk about the Spike Lee remake. Because it wasn’t very good. Although, because it is an American adaptation of a South Korean adaptation of a Japanese work, it can be interesting in an intercultural sense. This article is very interesting in that regard.

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Best Adaptations of All Time?

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In keeping with my monthly series of posts on book adaptations – Book vs Movie – I thought I’d share this CineFix video as my last post before the Festive Break. They cover a lot of great adaptations, even mentioning a few I was unaware were adaptations.

Thanks to my readers and commenters for dropping by this year. I hope you all enjoy whatever Holiday tradition you celebrate. Best wishes from me to you.

Now let’s argue over whether this video has missed any of our favourite movies based upon books.

Book vs Movie: The Amityville Horror – What’s the Difference?

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Because some people are obsessed about the official candy holiday based upon on former harvest festival, Halloween brings about the discussion of the horror genre. This month’s What’s the Difference? from CineFix covers the movie based upon a hoax, The Amityville Horror.

One great thing about horror novels is the ability to go wild with creepy ideas that will scare people. Blood suckers, flesh eaters, scary clowns in the closet, demonic possession, crazy inbreds, mild mannered fathers who go crazy and murder their family: all great ways to scare people and haunt their dreams.

But it is always hilarious to see the line “Based on a True Story” or similar at the start of a book or movie. Any time that has to be stated up front you can guarantee that the tale is pure fiction. It’s like how smart people don’t go around having to tell people they have a high IQ, or people who are successful don’t have to go around telling people how rich they are.

Needless to say, The Amityville Horror has long been known to be a hoax cooked up by the Lutzs and their lawyer, and then sensationalised in the “totally non-dramatised” book by Jay Anson.

To this day, the fact that The Amityville Horror story was an admitted hoax is still not widely known — as we often say, the truth never stands in the way of a good story. Though the story was made up by the Lutzes and further sensationalized by Anson, there were real victims of The Amityville Horror (the film, not the demons). In addition to the murdered DeFeo family, the subsequent occupants of the Amityville home have suffered a continual stream of harassment by curiosity seekers, horror fans, and gawkers who want to photograph and tour their infamous house. Then there are the people who, fooled by the films’ and book’s tagline, think they are partaking of works based on true events. (Source)

Book vs Movie: Die Hard – What’s the Difference?

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What better time of year for CineFix to do a What’s the Difference? episode on the best Xmas movie of all time!

While I have gotten my grubby hands on the Roderick Thorp novel (Nothing Last Forever), I must confess to not having read it as yet. It is probably a good thing I don’t mind spoilers. Hope you don’t mind either, because, you know, spoiler alert.

The differences between the two endings is interesting. Having the watch moment with McClane’s wife/daughter play out differently, and Dwayne Robinson’s sacrifice, would not have made this a classic Xmas movie. So it makes sense that the movie’s creative team changed those things to make this a more upbeat ending.

Enjoy the season rewatching all the the Die Hard movies… except A Good Day to Die Hard: that is an abomination and an offence against not only cinema, but the good name of Die Hard.

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Book to Movie: Harry Potter part 2 – What’s the Difference?

Goblet of Fire and Order of the Phoenix are covered in this month’s instalment of What’s The Difference? from CineFix. Previously they covered earlier books and movies, this is part 2 of 3. Grab a butterbeer and enjoy.

For me Prisoner of Azkaban and Goblet of Fire were when the series really took off. The earlier two books were clearly aimed at a younger audience than my snobbish adult reading ways would allow me to fully to enjoy. And when you look on your bookshelf, you’ll notice how much thinner those first two books are – yes, I am assuming you have them in paper on a bookshelf in your house. You aren’t weird, are you? The extra length of the later books in the Harry Potter series also signals a narrative that has matured with its audience – those pre-teens were going to become teens at some stage, just like their favourite book characters.

This extra length also makes the novels harder to adapt faithfully. As the video covers, there are some interesting ways they achieve this, but it also means they have to make other changes that are troublesome for the later movies in the series. For me the Society for the Promotion of Elfish Welfare being skipped over in the movies is an obvious choice, but also one that removes an important layer to the narrative. It is, after all, the Elfish uprising that helps turn the tide in the fight/war against Voldermort. This element can help you see the conflict as more worldly, rather than focussed on one school in the UK. Unless the Wizarding World is only confined to Europe and the UK is the centre of the EU….

There is probably an argument to be made for Harry Potter to be turned into a TV series that faithfully adapts the books to the small screen. HBO would be interested for sure, as long as they could cast +18 year olds with no nudity clauses in their contracts.

Book to Movie: Harry Potter – What’s The Difference?

I guess it was only a matter of time. CineFix have finally gotten around to comparing the Harry Potter series of books to the movies. This is part 1 of 3. Grab a butterbeer and enjoy.

Truth be told, I had to be dragged kicking and screaming to the Harry Potter series. I disliked the first film – it was clearly made for children – and could not be convinced that this phenomenon was anything more than overhyped rubbish.

Yeah, I was wrong.

It was after the movie series took on the darker and more adult tone that I became interested. I decided to see what all the fuss was about and began reading; an easy thing to do since my wife had the books in our collection. I loved the books, reading the final two on our honeymoon.

With the fandom surrounding the books, this was always going to be a series that was as faithful to the source material as possible. Last thing you want to do is piss off a bunch of kids you’re planning to milk for the next decade with film, merchandise, and costume sales. Even though the CineFix guys talk about the first three films being largely faithful adaptations, I can think of a few minor points that were glossed over in the movies, such as the Phoenix tears healing all wounds. That moment in the film seemed to smack of deux ex machina, unless you had read the books. And that is a liberty you aren’t meant to be able to take with adaptations, as the reading audience is always smaller than the movie audience… usually.

I’m looking forward to the other instalments in this book versus movie comparison, as they may explain why the movies made some of the changes they did.

Book vs Movie: Casino Royale – What’s the Difference?

In the latest instalment of the What’s the Difference? series, the CineFix team have broken down the Ian Flemming novel and Daniel Craig movie, Casino Royale.

Unfortunately Casino Royale is not one of Bond novels I’ve read. The change between generations is very marked when reading a Bond novel, the little changes like letters and radio to texts and mobile phones (cells to US people) are expected. But the social change that has occurred is the biggest noticeable difference, mostly with the role of women and minorities in society. Felix Leiter being African-American in the movie? Vesper Lynd being the intellectual equal of Bond? These are not things that Flemming would have imagined for his world.

I like Daniel Craig’s Bond and think that Casino Royale was a shot in the arm for the long running series. The gritty take on things was needed after the cheese that was Die Another Day (etc). And you can’t help but love any film that has Eva Green in it. With rumours flying that Craig’s Bond will be no more, it will be interesting to see what the next take on Bond will bring us. Will the producers push back to a suave Connery take on Bond, or a tongue-in-cheek Moore version, or an in-between like Brosnan, or something really lame and poorly written like Dalton and Lazenby’s outings?

Whatever happens with the Bond series it is clear that the social update to the novels will continue.