Can you name a book?

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Sounds like a simple challenge, right? Name a book, any book at all.

In the long tradition of asking Americans general knowledge questions on the street and filming their glorious ignorance, I present this video from Jimmy Kimmel.

Before we all laugh and point at the Americans and insult their intelligence, let’s remember that you could do this just about anywhere. Although, Americans do make this stuff easy at times. I’ve previously discussed the reading figures for the US, UK, and Australia. I’m sure those numbers are at least in the same ballpark as other countries, if not outright representative.

Wait, why guess when I can actually use the wonders of the greatest information resource in human history to look that up? Why have an unfounded opinion that I then rant about in indignant outrage, arrogantly assuming I’m right and belittling anyone who does bother to look up the data? To the research!

Let’s start with the data that the above video was citing from Pew Research.

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Source

As we can see, the 24% figure is showing that older, poorer, less educated, men (just), and Hispanics read less in the USA. This isn’t a new conclusion, as data from Pew in 2016 shows. The conclusion around the number who don’t read is also similar to the 2016 results of 26% not having read a book in the last 12 months. I’m not sure you can interpret much change over time in the number of people reading, but numbers might be slowly decreasing (although, look at the uptick in audiobooks as that format has come down in price).

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Source

Now we can look at how the USA sits in terms of reading. I’ve previously discussed how Aussies spend roughly 23 minutes per day reading (ABS figures), or an hour a day if you believe the Australian Arts Council report (I suggested there was possible survey bias in that figure). Below you can see that the NOP World Culture Score puts Australia at 6 hours 18 minutes – which I think makes this an “ALL-YOU bench-press” set of numbers.

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Source: Statista

This chart suggests that the USA is probably typical for English speaking countries, but that many other countries read far more on a weekly basis in terms of hours. Unless reading is code for something else in non-English speaking countries. Maybe they thought they were being asked about how many hours they spent having sex per week.

If we then look at the countries and how frequently they read books you can see in the chart below that they were afraid to include the bars for “didn’t read a book”. The high end has only 14% of Chinese people not reading a book, whilst the low end has the Dutch at 43% not reading (USA comes in at 29%, UK 28%, Australia 38% – I demand a recount!!).*

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Source: Statista

How about the number of books people read, or at least what they claim once they round up?

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Source: Eurostat
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Source
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What this all shows is that there are plenty of countries where you could ask ten people on the street to name a book and have one or two of them fail. You could ask those ten people what book were they reading today and only three of them could. Isn’t that sad? I reckon people would really enjoy reading if they made time for it. I’ve commented before on why I think people don’t read, suggesting that they don’t because they get told to read literature when they actually enjoy thrillers, sci-fi, and romance.

Maybe it is time to change that before someone sticks a camera and microphone in our faces.

*Be careful with my assumption here. Depending on how the question was asked and any other unreported categories, I may be very wrong in assuming the unreported numbers are non-readers.

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Book review: Raising Steam by Terry Pratchett

Raising Steam (Discworld, #40)Raising Steam by Terry Pratchett
My rating: 4 of 5 stars

AT LAST, SIR TERRY, WE MUST WALK TOGETHER.
Terry took Death’s arm and followed him through the doors and on to the black desert under the endless night.

It has been a while since I journeyed from Roundworld to Discworld and with Sir Terry’s passing, it seemed like the right time. The trouble with picking a Discworld novel to read is which of the 41* to choose. I settled upon Raising Steam, the ode to the very British obsession with steam trains.

Two things struck me when reading Raising Steam. First was that the TV miniseries adaptation of Going Postal was perfectly cast. Reading I couldn’t help but see Charles Dance as Vetinari and Richard Coyle as Moist (Slightly Damp). This gives me great hope for the forthcoming adaptation of the best novel of all time, Good Omens. The second thing was that as a non-British person I feel like I’m missing many of the jokes. There are so many references throughout the novel that hint at jabs being taken at various cultures, peoples, politicians, and institutions. Some are obvious, like the French and Aussie ones, but others I’m guessing I’d have to have been to the UK to understand.

This is all another way of me saying that there is no such thing as a bad Discworld novel. Goodbye, Sir Terry, thanks for the legacy.

*41 later in 2015, 40 as of this review’s writing.

View all my reviews

Choosing a location for your story

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As much as I love America, does every crime and thriller novel written have to be set there? Wouldn’t it be great if more stories chose some other locations?

Before anyone jumps on me, yes, I know, there are plenty of stories set in diverse locations. My comment is more about the way writers are so often told that people only want to read stories set in the US, that it has to appeal to the US market. I think we all know that this is a presumption on behalf of the industry for us readers. Let’s try and push for the more challenging locations in the stories we read.

E-book statistics for 2012

I seem to be finding a bunch of cool infographics recently, they are the future of communication (warning, sarcasm may be in affect here). It is always interesting to see what the status of sales, especially e-book sales. Personally, I see the e-book becoming the new paperback within a few years, and I also think that backlists will be all e-books. What will be really interesting is whether authors will be the one controlling their backlists or whether publishing houses will want to grab hold of those. Then it becomes a case of what rates are paid on backlist, because the sunk costs are a frontlist issue, so you would expect a greater author share of sales (although it could be argued that sunk costs are sunk, thus trying to recoup those costs as part of the sale price is bad economics).

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TV Shows From Around the World

I was viewing the new series of Sherlock, written by the fantastic Steven Moffat (Coupling, Dr Who, Jekyl), when a thought occurred to me; would the deli be open to sell me an ice cream at this hour? Sadly it wasn’t, which gave me plenty of time to think about how various countries differ in the way they do TV shows and movies.

I present my musings and gross generalities about TV shows around the world.

UK – Talkies.

The best Dr Who – Tom Baker a close second.

When I think of UK TV in general I think very little action but a lot of dialogue. Not much happens in any one episode of UK TV, but all the characters have a lot to say. The best shows – often written by the aforementioned Steven Moffat et al. – are also witty and intelligent.

A great example of this is Dr Who, the David Tennant version. The Doctor is stuck in a life or death situation – lets say its Darleks about to shoot him – and yet he talks his way out of it. Any other country would have him ducking for cover. Another example is the crime drama Luther. This is more an exploration of the main character and his strained relationships and his commitment to solving crimes.

Example: Sherlock, Luther.
Outlier: The Bill (cookie cutter).

USA – Explosions and cookie cutter formats.

Cookie-Cutter was a term invented for this franchise. 

The Americans are terrific at doing formulaic shows. Their crime shows follow the same patterns each episode, the dramas have a list of top topics – also used for identifying when they have jumped the shark – and all their comedies gradually morph into dramas. They also do gun fights and explosions. More bullets are fired in one episode of US TV than in the entire year of all TV shows from the UK and Australia (NB: made up statistic that is possibly true but I’d have no idea).

As a result they can attract audiences in large numbers to watch things go bang. The longer the show runs the less ideas are used in any one episode as the formulae takes over. In fairness, compared to UK TV, series in the US produce a lot more episodes, so writers would have a harder time coming up with fresh material.

Example: CSI whatever.
Outlier: Justified, The Wire.

Australia – Soapies.

Neighbours, the long running steaming pile of dog droppings.

Aussies can’t produce a TV show that isn’t a soapie. We have tried many times, failing miserably to make the show not morph into a soapie. Sometimes we start off with a great premise and even a few episodes that show promise, but it doesn’t take long before we have just another soapie.

I don’t watch Aussie TV any more.

Example: We don’t do anything other than soapies.
Outlier: The little watched Good Guys, Bad Guys.

Western Europe – Gritty and noir.

Unit One making you squirm.

Americans have recently started (re)making European shows with more explosions. They have realised that there are so many well written shows there that they just had to copy them. Since Americans can’t handle accents and subtitles they need to redo the lot. Of course the Americans are then surprised when there is something lacking in their version.

I don’t know why, but gritty seems like a default position in every drama produced in Europe (Inspector Rex doesn’t count). As a result shows can become very dark, but at the same time are generally more substantive.

Example: The Elephant, The Killing, Unit One.
Outlier: All the same soaps and reality TV that they produce like every other country/region.

Canada – USA shows

We’re in Canada Scully; it’s a conspiracy!

If it is a US TV show, it is likely to be made in Vancouver. My theory for this phenomenon is that American actors and stuntmen on TV shows generally aren’t making enough money to afford decent health care. As a result they like to locate themselves in a country that has proper health care available. Just a theory.

One of the ways to spot an Canadian TV show versus an American TV show is how much shooting and explosions occur during any one episode. At one end you have American shows, at the other end you have Canadian shows, and right in the middle are the Canadian produced American shows.

Example: Stargate, Supernatural.
Outlier: Any show that looks kinda American but hasn’t got people shooting someone every 2 minutes.

Eastern Europe, South America & Asia
I’d like to know more as Australians don’t have many of them on our screens.

NB: I’ve tried to be as intentionally insulting to the various countries with my observations as possible. There is a lot of great TV out there, Australia makes virtually none of it, so I’m bitter, resentful and ultimately jealous.