Book vs Movie: The Kingsmen – What’s the Difference?

This month’s What’s the Difference? from Cinefix looks at The Kingsmen and it’s comic origins in Mark Millar’s comic.

While I can remember reading Mark Millar’s Secret Service, I can’t remember having enjoyed it. I’m not actually sure if I read the whole first run. I do remember thinking that it was an interesting if average take on the suave spy genre. 

Needless to say, I was somewhat surprised when The Kingsmen arrived in cinemas. Secret Service didn’t exactly strike me as worth adapting. Bond had been reinvigorated, Vin Diesel’s XXX had come and gone*, and Austin Powers had mined a couple of jokes to death over three movies. Did we need this movie?

Yes.

And it was a surprisingly good movie. Not to mention, it also manages to be an adaptation that, I think, improves upon the source material. I think the “Kingsmen” aspect, as mentioned in the video, was certainly part of what elevated the movie above the source material.

I think if there is anything to learn from Secret Service being adapted, it is that a good adaptation will fully realise the potential of the source material. That doesn’t require faithfulness, but rather an understanding of the themes and ideas.

* And then came back again. Why, I’m not entirely sure.

Science fields mapped with infographics

Do you have trouble visualising where the various fields of science and maths sit?

Would you like to visualise all the fields in relation to one another?

It’s just me?

Again?

It’s a lonely life being a science nerd.

But I’m still going to share this really cool series of infographics that come from Dominic Walliman. He developed them as part of his Youtube science channel.

Check out the videos related to the infographics below!

infographic-map-chemistry

infographic-map-biology

infographic-map-physics

infographic-map-computer-science

infographic-map-mathematics

Dominic Walliman: YouTube | Flickr

Hat-tip: https://mymodernmet.com/science-infographics-dominic-walliman/

Book review: Feminism is for Everybody by bell hooks

Feminism is for Everybody: Passionate PoliticsFeminism is for Everybody: Passionate Politics by bell hooks

My rating: 4 of 5 stars

“The soul of our politics is the commitment to ending domination.”

Feminism is for Everybody is bell hooks’ attempt to have a text that acts as a summary of feminism in an easy to read format for everyone. She had always wanted a book she could hand to people that did away with the exclusionary academic language of feminism. So she caved and wrote one.

This was an interesting book. As much as it is a book about feminism, it also gives a fairly good argument and overview of intersectionality. Its strengths certainly lay in covering the goals of feminism and why it is important, despite the supposed rights gained since the feminist movement started.

Feminism is for Everybody isn’t without flaws. Aside from her inability to use the word “the”,* hooks doesn’t achieve her stated aim of a book free of academic language. While she does keep it to a minimum, I still noted an academic tone to the writing. So while this is accessible, it does fall short of its stated aim.

Overall, I’d recommend this book to everybody.

* Seriously, it was so distracting. Obviously, this was a style choice but I’m not quite sure why it was made.

View all my reviews

Book review: The Grief Hole by Kaaron Warren

The Grief HoleThe Grief Hole by Kaaron Warren

My rating: 4 of 5 stars

Who’d have thought musicians have a dark side?

Theresa helps women find emergency housing. But sometimes that isn’t enough. Sometimes she has to intervene because she can see ghosts clustering around an imminent victim. After an intervention leaves her battered, she goes to reconnect with her Uncle and Aunt, where she is drawn into the mystery surrounding her lost cousin and her art. Is she strong enough to not be drawn in too far?

This is a tough review for me to write as I haven’t actually finished it, yet feel compelled to say something before DNFing.

I bought Kaaron’s book almost two years ago and thought it was about damned time I read it. I was immediately drawn in. As much as I hate using the terms “powerful” and “evocative” in book reviews,* I actually think they are apt here. There are some real gut-punch moments that bring you to the world of grief. The list of awards it has won is thus unsurprising.

And of course, this is exactly the time to read such a book…

With the stress of a pandemic, the upheavals to work, the uncertainties of the near future, this was just not the sort of book I could keep reading. This is a compliment to Kaaron, as this book certainly “evokes”* but that is just not what I need right now. I will have to return to finish the last third when real-life feels less like a horror novel.

* There are quite a few buzzwords that appear in book reviews and blurbs that don’t really say anything. Powerful? Like a steroid munching Nordic strongman, or a highly effecting and engaging narrative? Evocative? As in the imagination is stirred, or the emotions, or both?

Expect my next fiction review to be of something a little more light-hearted.

View all my reviews

Book vs Movie: Jojo Rabbit – What’s the Difference?

This month’s What’s the Difference? from CineFix is the hilarious Jojo Rabbit based upon Caging Skies.

It shouldn’t come as any surprise that I haven’t decided to read a book about an abusive Nazi protagonist during the second World War. Obviously, that sort of book would be such a fun read and exactly the sort of rollicking good time I would make space for in my limited reading time.

It will probably come as a major surprise that I haven’t seen Jojo Rabbit as yet. How could I not have seen a movie involving Taika Waititi?

brody-jojorabbit

The answer is children. If you ever want to see a movie in cinemas ever again, either don’t have kids or be very happy abandoning them with a teenager who is only pretending to look after them while they mix your 30-year-old single malt with Coke.

… Or take them along to the cinema with you, like the kids we saw watching Deadpool 2. I’m sure those kids will grow up just fine. Especially once their teacher finally tells them what a strap-on is.

So the take-away from this post is that I want to see the movie even more now.

Book review: Pyramids by Terry Pratchett

Pyramids (Discworld, #7)Pyramids by Terry Pratchett

My rating: 4 of 5 stars

Camels would receive more admiration if they published in the peer-reviewed literature and spat in fewer people’s faces.

Teppic sets out from home to learn a trade. An honourable trade. An important trade. A valued trade. So he attends Ankh-Morpork’s famed assassins’ school. But he has barely graduated when his father dies and he has to return to the family business: king of an ancient land. His new worldliness clashes with the millennia of tradition held in place by the priests of Djelibeybi. These traditions lead to cataclysm and Teppic has to save the land of pyramids before war breaks out. Because war has to break out. It’s tradition.

As I was reading Pyramids – the bit with You Bastard calculating the flares – the sheer scale of the Discworld novels struck me. There are so many little pieces crammed into each book that you wonder how Sir Terry managed to repeat that effort over 40 times. It probably struck me because Pyramids is a more straight-forward narrative with a focus on the character of Teppic. When compared to many of the other Discworld novels I’ve read of late, this one is an “easy read”.

Definitely a 4 mathematical genius camels out of 5 novel.

View all my reviews

Afrofuturism: From Books to Blockbusters

Time for another instalment of It’s Lit. This month they discuss Afrofuturism.

I have to admit that my exposure to Afrofuturism outside of the MCU and music (see below) is limited to one aborted attempt at one of NK Jemisin’s novels. I do own Octavia Butler’s Wild Seed and Samuel Delany’s Babel-17… and haven’t read them yet. That should still get me cool points, right?

Which got me thinking about a point made in the video. Obviously, this genre is not new, yet my personal exposure is somewhat limited. So, just out of interest, I checked my library. No Du Bois, no Butler, no Womack. Jemisin and Tomi Adeyemi do feature. I guess you just need to be a very recent award-winning author to be picked up by libraries.

The point being, black storytelling does seem to face extra hurdles in reaching an audience. Aboriginal authors appear to face similar hurdles unless you’re a professor of writing at a major university and multi-award-winning author.

At least the video has some titles and authors we can all go out and buy.

With the success of Black Panther, the term Afro-Futurism got pushed into the mainstream. But what is Afro-Futurism and what is its place in Black storytelling? In this episode, we give you the starter pack on answering that question.

Hosted by Lindsay Ellis and Princess Weekes, It’s Lit! is a show about our favourite books, genres and why we love to read. It’s Lit has been made possible in part by the National Endowment for the Humanities: Exploring the human endeavour.

The greatest mashup you’ll ever hear:

Book review: Buddhism is Not What You Think by Steve Hagen

Buddhism is Not What You Think: Finding Freedom Beyond BeliefsBuddhism is Not What You Think: Finding Freedom Beyond Beliefs by Steve Hagen

My rating: 3 of 5 stars

Enlightenment or your money back!

How can we see the world in each moment, rather than merely as what we think, hope, or fear it is?
How can we base our actions on reality, rather than on the longing and loathing of our hearts and minds?
How can we live lives that are wise, compassionate, and in tune with reality?
And how can we separate the wisdom of Buddhism from the cultural trappings and misconceptions that have come to be associated with it?

Steve Hagen’s Buddhism is Not What You Think is pretty straight forward. He sets out to answer the above four questions whilst addressing the title of the book. And he does this in the introduction. The rest of the book is pretty much just examples to drive the main point home.

There aren’t too many books that wrap their entire argument/premise up quite this quickly. But that probably comes back to the message Hagen is trying to get across about Buddhism and truth. Essentially, we already know truth, but we are too caught up in everything else in life to see it. Thus, Zen practice and Buddhism are about helping get past the distractions.

This was a fairly solid book for advice around Zen practice. But the philosophy aspects I was after were a bit light on.

We often think we know things when in fact it’s only our imagination taking us further and further away from what is actually happening. What we imagine then seems very real to us. Soon we’re caught up in our imaginary longings and loathings. But if you’re here – truly present – you realize there’s nothing to run from or to go after. You can stay calm…Just be with this moment and see what’s going on.

 

View all my reviews

Book review: Blackwater by Jeremy Scahill

Blackwater: The Rise of the World's Most Powerful Mercenary ArmyBlackwater: The Rise of the World’s Most Powerful Mercenary Army by Jeremy Scahill

My rating: 5 of 5 stars

Let’s privatise the military. How could that possibly go wrong?

Blackwater: The Rise of the World’s Most Powerful Mercenary Army outlines the political landscape of Blackwater’s founding, the personal history of several key players – particularly Erik Prince – and the actions and intentions that made the company so infamous. It attempts to explain and document how mercenaries went through a rebranding to become the operators of choice in conflict zones around the world.

Okay, so I thought I had read enough news articles and the like to have some idea of what Blackwater was about. Mercenaries and the name Blackwater became something of a shorthand for “loose cannons”, becoming the villains in movies and TV shows. But as Scahill outlines, the reality and totality are so much worse than I’d thought. Blackwater and several other companies are discussed, along with the players who made this all possible. You’ll recognise many of the politician’s names, but maybe less so the “contractors”. This was disturbing reading.

They couldn’t get a coalition of the willing, so they turned to a coalition of the billing.

There were a few very important points that were made. The first was how senior political figures decided they wanted to privatise the military and associated intelligence work. This is such a terrible idea that you have to be pretty ideologically bent-out-of-shape to think it is good. The most troubling reason for this being terrible is the lack of accountability this gives these newly privatised people with guns, bombs, and shady contacts. As numerous leaks have shown over the years, the military is already far too unaccountable.*

Which brings me to the second point, that once they are privatised, the companies lobby hard to remain unaccountable, saying they don’t fall under military rules because they are private citizens, and that they don’t fall under civilian rules because they are acting as part of a military force. In essence, they can literally commit murder and they have been positioned by their lobbyists and key politicians to never be even investigated for the crime.

Those points should disturb everyone. You may not see a problem with war profiteering, or religious fundamentalists pushing for war and creating conflict (or at least involving themselves in them), or free marketeers wanting to privatise everything, or private companies hiring “shoot-first-never-answer/ask-questions” mercenaries to guard their kitchen supplies. But I think we can all agree that you have to be accountable for your actions, and Blackwater (et al.) has not been.

After reading this book you’d think Erik Prince would suffer some consequences…. Nope. He’s still going.

The only complaint I have about Scahill’s book is that it was somewhat repetitive. Several points were raised repeatedly, not to highlight them, but because the surrounding issues or players were being discussed again.

After reading this I can only hope that the various players involved aren’t allowed to have positions of power and influence ever again.**

* Because schools, hospitals, cafes, etc are totally legit military targets and not war crimes.
** My hopes will remain unfulfilled, I’m afraid.

View all my reviews

How much do we spend on reading?

A few years ago I published a table from the US Bureau of Labor Statistics.

Wow, you sure know how to party!

Thanks.

Anyway, that table highlighted how much Americans spent on reading per year. Because I’m a Nerdus scientificus, for fun I decided to collate the stats in a spreadsheet and create some graphs.

You are just one big party animal, aren’t you!

I certainly am.

So the first chart is a summary of inflation-adjusted US income, expenditure, entertainment spend, and reading spend by the average “consumer unit”. A consumer unit is obviously the economists’ way of referring to a living, breathing, thinking, cog in the economic machine. Apply the appropriate conversion factors for your country.*

Untitled-1

As you can see, US income and spending haven’t really changed in two decades in real terms. That’s right, despite more wealth having been created in the economy since 2000, the average cog in the machine hasn’t seen a change to their take-home pay. Sidenote: I noticed union membership is rather low in the US as well. Might be related.

Over that same time period, the spending on reading has declined. The line for entertainment wasn’t particularly clear in the above chart, so I made this second one.

Untitled-2

It could be argued that entertainment spend is roughly static over time, while reading spend is clearly declining in real terms. But the question is, what does this mean?

The obvious conclusion that Guardian columnists and other industry wonks will make is that (choose one or all to write your opinion column today!):

  • Kids these days are playing Facepage and Tweeters rather than reading books.
  • People have short attention spans and can’t handle reading decent books.
  • Too many people are Netflixing and Chilling.
  • Something derisive about gaming.
  • Blame falling education standards or immigrants or something.

Yes, the media landscape is more diverse now. This is a true fact, not an alternative one. But that doesn’t really explain the decline. Because reading also became cheaper over that time period. Amazon entered the market, heavily discounting paper books and shipped directly from the warehouse. E-books became a thing, which again changed the cost of buying books.

So you have to question how good a metric spending is to reading. Unless you are writing an industry opinion piece.

I also mentioned the lack of change in household income in real terms. It would be interesting to dig up some figures on financial stress for the average household over this same time period. And I’d posit that entertainment is more likely to involve passive forms, like television, than active forms like reading when stress is higher.

Another metric I’ve discussed before is the reported reading figures. Some of those figures suggest people are actually reading more now, while other figures of how much that is are less encouraging.

Ideally, the industry figures would be more transparent. That way someone could actually crunch the data and to track average individual book consumption and reading totals over time. Then we could put some opinion columnists out of work.

* By this I mean look at the currency conversions and think about whether you reckon your country-people would spend more or less of their household earnings on reading than an average American. More. The answer is going to be more. We’ve seen their leaders.

The Case for Fan Fiction

It’s Lit! is back and they have picked an easy subject to discuss: how Fan-Fic is actually awesome.

I wouldn’t really say I got my start writing fan fiction. Sure, I wrote some stories loosely based upon MacGyver and The Hitchhiker’s Guide to the Galaxy. But I’d say they were more homages to… Okay, they were fan-fic. Who am I kidding?

That paragraph essentially sums up what I used to think of fan-fic. I appreciated it, recognised it as a legitimate creative outlet, that it could be great fun to write, and that authors should be proud to have people passionate enough about the work that they are being inspired to write their own stuff. But at the same time, I saw it as what beginners did. It was really just for the writers, not readers. That it wasn’t “legit” writing.

It wasn’t worthy!

When Anne Rice was issuing cease and desist letters to her biggest fans, I thought she was a fool. What sort of idiot honestly thinks these fans are somehow ruining her characters and books?

But underlying this argument was the idea that none of those fan-fic stories was any good. Rice’s characters were safe from harm because no hack would be taken seriously compared to the internationally bestselling author. Those stories weren’t even available in real books.*

Then I had somewhat of an epiphany. An author friend made the argument against fan-fic from the premise of copyright and how fan-fic was low quality. They made a sizeable amount of their income from tie-in novels, the books that are licensed to a movie or TV show IP, and written to satiate fans who can’t get enough of the adventures. So you could see their points as defending their meal ticket. But after they made that argument, a professor of writing, who was a published author and also wrote tie-ins, pointed out how they also wrote fan-fic and how this wasn’t about copyright. This was about fans expressing themselves.

It is easy to say that copyright is being breached, despite the clear acknowledgement by everyone involved that fan-fic isn’t canon and isn’t even “sold” to people. No one picks up a Chewie and Yoda slashfic and thinks, “Can’t wait to see this will be in the prequel trilogy movies.” It is also easy to say that the people writing it are all hacks. Except we not only know that isn’t true (e.g. the above writing professor and award-winning authors mentioned in the video). And if these fans are working hard at writing lots of fan-fic, they are bound to become good at it.

So now I stand back and say: Fan-fic is legit.

I mean, where else will I read a steamy sex scene with cries of linguistically impaired pleasure and Wookie growls?

Welcome to It’s Lit on Storied – stay awhile, and subscribe! http://bit.ly/storied_sub

For years writers of fan fiction were shamed, the butt of jokes, and even subject to copyright litigation. However, in the past few years, with the fan fiction writers of today becoming the published mainstream authors of today the past time is a celebrated benchmark of one’s climb to publication.

In the season two premiere of It’s Lit, we explore what happened and how fan fiction writers were able to come out of the proverbial closet of shame.

Hosted by Lindsay Ellis and Princess Weekes, It’s Lit! is a show about our favorite books, genres and why we love to read. It’s Lit has been made possible in part by the National Endowment for the Humanities: Exploring the human endeavor.

* It was the 90s. If it wasn’t in print at your local bookstore, it didn’t exist. It certainly wasn’t going to overturn the canon.

Book review: The Entrepreneurial State by Mariana Mazzucato

The Entrepreneurial State: Debunking Public vs. Private Sector MythsThe Entrepreneurial State: Debunking Public vs. Private Sector Myths by Mariana Mazzucato

My rating: 5 of 5 stars

Government: We invented this.
Private company: Can we have it?
G: Sure. Just remember to pay you taxes.
P: Lol, our what?

The Entrepreneurial State is Mariana Mazzucato’s detailed effort to debunk some of the often claimed myths about government’s role in innovation. Her argument is that it is the public sector, not the private sector, that is often the innovators, risk-takers, and entrepreneurs in the economy. And because ideology has pushed for the state/government’s role to be smaller, we run the risk of not having the next generation of innovations/technologies.

I recently read Mariana’s The Value of Everything and wanted to read this earlier work. Similar to her arguments about how we measure the economy, Mariana’s arguments about innovation are well made, have plenty of references, piles of evidence, some great examples, and leave you with the head-scratching amazement that we need this book.

I’m sure that anyone who has worked in the public or private sector would read some of the examples in this book and be immediately reminded of some from their own field. Whether it be the government contract their company was gifted, or the publicly funded research that is commercialised, or the public infrastructure support given for that new project, we can probably all think of examples where entire industries or technologies wouldn’t have happened without governments taking the first step.

So how is it that myths (listed below) about the economy and who the entrepreneurs are persist?

Myths about Drivers of Innovation and Ineffective Innovation Policy
Myth 1: Innovation is about (private) R&D
Myth 2: Small (government) is beautiful
Myth 3: Venture capital is risk-loving
Myth 4: We live in a knowledge economy—just look at all the patents!
Myth 5: Europe’s problem is all about commercialization
Myth 6: Business investment requires ‘less tax and red tape’

There is only so much ideology that can stand in the way of reality. Unfortunately, I suspect that there is plenty of ideology floating around like an iceberg during a maiden voyage.*

An excellent book that is well worth reading.

We live in an era in which the State is being cut back. Public services are being outsourced, State budgets are being slashed and fear rather than courage is determining many national strategies. Much of this change is being done in the name of rendering markets more competitive, more dynamic. This book is an open call to change the way we talk about the State, its role in the economy and the images and ideas we use to describe that role. Only then can we begin to build the kind of society we want to live in, and want our children to live in, in a manner that pushes aside false myths about the State and recognizes how it can, when mission-driven and organized in a dynamic way, solve problems as complex as putting a man on the moon and solving climate change. And we need the courage to insist—through both vision and specific policy instruments—that the growth that ensues from the underlying investments be not only ‘smart’, but also ‘inclusive’.

* You only have to read some of the 1-star reviews for this book to find evidence of this ideology in action.

View all my reviews

Book vs Movie: Locke and Key – What’s the Difference?

This month’s What’s the Difference? looks at the comic book Locke and Key and its new Netflix series adaptation.

Okay, so not a movie as such. Get off my back!

I’ve had Locke and Key sitting in my digital TBR pile for ages. When they released the first omnibus, I got a copy and then proceeded to not read it. This was a problem with earlier digital formats of comics, as they had a habit of not working with the reader programs (I’ve discussed this before with Matt Hawkins’ comic series).

So it was only recently that I got motivated to read the first volume. And it was fine.

There is a lot going on with the story, with the world-building, and establishing the characters. It moves pretty quickly as well. And the art-work is on point to support the story (there’s a bit where an antagonist sees one of the supernatural characters in a photo that could only be in a visual medium). But I kinda wanted to read it as a novel rather than as a comic.

Development of a TV series has been in the works since the end of the second run (around late 2009). Fox had a pilot (2010), Hulu had a pilot (2017), and now Netflix has thrown money at something for Stranger Things fans. I mean, how could they not when it is written by Stephen King’s son?

I’m yet to see the series*, but I have an inkling that Locke and Key will work terrifically as a TV series. There is plenty of material to work with, there is depth (part of why I wanted a novel version, to spell it out), and the supernatural elements will be fun to see brought to life.

* This must be a first. I’ve read the book first and not had a chance to see the adaptation. Probably because we cancelled Netflix…

Book review: Mort by Terry Pratchett

Mort (Discworld, #4)Mort by Terry Pratchett

My rating: 5 of 5 stars

I’m not going to make a joke about learning a trade being a killer idea.

Mort is a tall skinny kid who just wants to know how the world works. Death has been flat out since the beginning of time. So when Mort’s dad decides it is time for him to learn a trade, Death offers him an apprenticeship to help cover some of the work. Hopefully, Mort doesn’t mess it up.

I quite like Death. As in the character. Death and his granddaughter Susan are two of my favourite Discworld characters. So it was definitely time to read the earlier Death instalments in the series. Worth it!

I was only a few pages into Mort when I found myself chuckling. Out loud. Normally I can keep that stuff to myself. But I couldn’t help it.

There doesn’t need to be much more said than that. Entertaining and chuckle out loud funny.

View all my reviews

Book Review: Bad Blood by John Carreyrou

Bad Blood: Secrets and Lies in a Silicon Valley StartupBad Blood: Secrets and Lies in a Silicon Valley Startup by John Carreyrou

My rating: 5 of 5 stars

“Fake it ’till you make it” should probably only be allowed for artists, not scientists, engineers, and medical companies.

Bad Blood is the full expose John Carreyrou started with his Wall Street Journal articles in 2015 on Theranos. For a decade, Theranos founder and CEO Elizabeth Holmes had managed to attract huge amounts of investment, respected board members, and media attention. But in that decade the company had been putting the cart before the horse, promising big whilst still being in the early development phases. The CEO and president (also COO) kept this all under wraps by keeping its own staff in the dark, often resorting to bullying and intimidation.

I first heard about Theranos via a couple of friends who work in medical research. Obviously, I surround myself with other science nerds, so they were dubious of the claims the company and the media were making about their tech. To be honest, I didn’t really pay much attention, nor remember my friends’ pronouncements until I picked up this book from the library.

In many ways, this tale is worse than the “Biggest Corporate Fraud Since Enron” would have you believe. And that tale isn’t necessarily on the page. The author and many of this book’s readers will be shaking their heads at how terrible Theranos was with all its lying, fraud, and bullying of staff. Amazing. Hard to believe. But the thing is that a lot of what was described was just close enough to normal, within standard business practices*, that the fraud managed to run for so long. Using the example of the frequent firings of staff who raised concerns, that would seem just normal enough to not raise a red flag. It doesn’t appear like a CEO and COO trying to cover anything up.

Just close enough to a normal business.

The other thing I noted was the lack of accountability. Sure, the closing chapters cover the lawsuits being brought against Elizabeth Holmes and “Sunny” Balwani, and since Bad Blood was written 9 counts of wire fraud and 2 counts of conspiracy to commit wire fraud have been brought against them. But that is just two of the culpable players in this tale. David Boies and his team of lawyers** spring to mind as having some responsibility here. No charges. Of course.

And wire fraud??? What about the danger patients were put in? What about all the underhanded tactics used against staff and former staff? Why isn’t this behaviour being held accountable in this instance so as to set some sort of precedent across the corporate world?***

There needs to be way more accountability for all involved. Not just for those who lost people money.

If it isn’t clear by now, this is an interesting read and one that will fascinate and annoy you. Carreyrou does a great job expanding on his reporting with an engaging book.

* As other reviewers have pointed out, this story isn’t really that different from a lot of Silicon Valley business tales. Wrapping staff up in non-disclosure agreements, working them for long hours, spying on them, firing them at the drop of a hat (in a country that ties health insurance to employment, and doesn’t believe in a social safety net), that’s all standard practice. Had Theranos been operating in tech rather than medicine, they’d have probably gotten away with it, as medicine has some regulations, unlike a lot of other fields.

** Same lawyers who covered up and intimidated Harvey Weinstein’s victims. They are well known for their nastiness, as mentioned in the book.

*** Not much was made of it in the book, but Holmes was mentored by Silicon Valley’s “best,” including Larry Ellison, who is a textbook example of the amoral, at-all-cost “entrepreneur” the area is so famous for. Which is why I don’t see this as exceptional.

View all my reviews

Ten Types of Authors Who Can Go F@#$ Themselves

This blog post did the rounds a couple of years ago from . It’s a fun piece and makes some great points. Enjoy!

Find the original here.

So yesterday I was thinking about an upcoming piece I’ll be writing for LitReactor and chuckled at the amount of reactions I’ll surely get. You see, I’ve been doing the columnist thing for almost a decade. It all started back home with a monthly political column. By the time I stopped writing it in early 2016, I’d received four death threats. In any case, I tweeted this: “Everyone who’s gotten angry at one of my columns should hear the stuff I don’t even bother to pitch.” The result was almost immediate; a bunch of authors said they wanted to read it. I’m all about making my friends happy, so here we are. Thank the writing deities that we have crazy, brave venues like CLASH. Let’s get started, shall we? Here are ten types of authors who can go fuck themselves (God I’m good at making friends!):

1. Authors who hate almost everything about writing

There are a bunch of authors out there who are constantly complaining about how hard editing is, how much it sucks not to be famous, how the market is flooded with books, how much rejection blows, and how they failed to meet their self-imposed word count for the day. Listen, if writing brings you nothing but pain, quit. Seriously. Everyone’s an author. We need more educators, honest police officers, taxi drivers, cooks, etc. There are other options. Editing is how you make your work better. Stop bitching about it. Rejection is part of the game. If you can’t take it, don’t play. I received a rejection last week. Did I complain? No, I thanked the editor for his time and sat down to read the story and try to figure out how I can make it better before sending it elsewhere. No one owes me anything, so I hustle and try to get into publications. I win, I celebrate. I lose, I work harder and try again. If writing is hard, painful task, stop doing it.

2. Authors who are professional coattail riders

Two things are bound to happen if you do the writing thing long enough. The first is that some good folks will reach out and help you. There are a lot of good folks in the publishing world, and they take the time to help others out. The second thing is that you will meet big-name authors at conventions or readings or online. We all need as much help as we can get, but what we do is mostly up to us. That’s why it makes me angry when I see authors out there befriending successful authors just because they think that being friends with them is a quick path to publication or an agent or a blurb. Stop doing that. Riding someone’s coattails makes you look like an asshole. I know many successful authors and the one thing they have in common is that they are humble people who sit down and put in the work. You should do the same.

3. Authors who forgot how to be humble

The previous one kinda ties in with this one. As many of you know, I’m also a book reviewer, and the easiest way to get me to turn down your book is an email telling me how exciting, great, amazing, genre-redefining, outstanding, unique, superb, and special your book is. You spent a lot of time working on your novel. I understand that. Trust me, I do. I want people to read it and enjoy it and say nice things about it. When that happens, you can quote them. What I don’t want is you to tell me how amazing your work is. Really, go fuck yourself. Stay humble, folks.

4. Authors who don’t know how to use social media

There are approximately a trillion articles online telling folks what works and what doesn’t when it comes to using social media as a selling platform. However, I still see folks every day sending out DMs about their book on Facebook and Twitter the second someone accepts their friend request or starts following them. Stop. Doing. That. Shit. It’s unprofessional and annoying. Yeah, too many people do it and this is probably the entry that’s gonna lead to the most hate. I don’t care. Pay attention to what people say about authors who do that and you’ll see I’m right. You can be interesting and engaging and that will lead to more sells and attention than plastering a link to your book in every thread you participate in. Don’t mention your book when folks ask for recommendations. Don’t use DMs to sell someone your book before you’ve ever interacted with them. Social media can be a great tool, but only if you use it right.

5. Authors who put down people for what they read and talk smack about other genres

I don’t read YA. I don’t read comics. I don’t read a lot of fantasy or cozy mysteries. You do? Awesome! If you make some good points, I’ll even check out stuff you recommend. Putting others down because they enjoy stuff you don’t is like considering someone an idiot because they like a different dressing on their salad. Likewise, I love horror, crime, bizarro, poetry, nonfiction, and many other things. I like to spend my time sharing my love for those genres instead of hating on romance and historical novels. The fact that I don’t like something doesn’t make it bad and doesn’t mean that someone who enjoys that thing is less smart. Authors who insult others based on what they love instead of sharing what they love can go fuck themselves.

6. Authors who want to “destroy narrative”

Let me explain this one before you react. I’ve seen too many authors who made their name with traditional narratives say that they now want to destroy narrative. I’ve also seen authors who have never told a story say that their main goal is to destroy narrative. I’m all for destroying shit. We can set out to destroy patriarchy, racism, or transphobia any day you want. However, when you say you want to destroy narrative, I have to stop, sit down, and analyze both your discourse and your work. Every time I’ve done that, the result is the same: usually it is an author who sucks at storytelling, or a known author who made his or her name writing traditional narratives, and is now out of ideas. Sure, I’ll check out your experimental work, but if your pitch is “My novel has no story, characters, plot, or dialogue. It’s basically about commas taking a shit on the page. I put some doodles in there, too,” well, I’m gonna take a pass on that one. Furthermore, this line almost always comes from folks who describe their work as “smart,” “cerebral,” or “post-narrative.” I’ve been fooled before, homie, so fooling me now is hard as fuck. You wanna kill narrative? Maybe we need to sit down and talk about how your storytelling sucks.

7. Authors who spend more time beefing than writing

You know who you are. You write 2000 words a day hating on folks, defending your previous comments, and engaging in nonsense. I look around at most of my successful friends and can’t find a single instance of them wasting time doing that. You’re angry? Write. You want to make a point? Write a piece like this one. I know some editors and will recommend your work if you need me to even if I disagree. You wanna spend all your time fighting online? Go ahead! We probably don’t wanna read the book you’re not writing anyway.

8. Authors who don’t support other authors

If you think every other author out there is your enemy, you can go fuck yourself. We’re all on the same boat regardless of our level of success. Retweet stuff. Share links. Give praise when someone deserves it. Be a good literary citizen and your grain of sand will help us all construct a nice little beach free of hate and stupid nonsense. Trying to hurt others or going out of your way to bring them down or mess up their careers makes you a douchebag. Don’t do it. Don’t engage with those who do it. Karma is a thing.

9. Authors who are so salty they feel the need to reply to this piece

Oh, went a little meta on you on that one, didn’t I? Hah. Seriously, if you’re guilty of one of these and you’re so angry at me that you have to write a blog post telling me I’m wrong and or you feel the need to drop a scathing comment below…go for it! Opinions and assholes, right? Well, these are my opinions and you’re not gonna change them, just like I’ll probably won’t get you to stop sending messages with a link to your book to every new friend you make (they’re gonna unfriend you with the quickness, by the way). In any case, I’m jaded. I don’t care about the opinions of most people, especially if they’re strangers. I care even less about the opinions strangers have about my opinions. I call it noncareception. You hate me and this piece so much that you wanna fight? Really? Fine, come see these hands or go fuck yourself, bud! Kisses.

10. Authors who think what they do is a gift to the world

You’ve met them. They share chunks of their WIP and want all of us to thank them with tears of joy running down our cheeks. They ignore all other authors because no one can surpass their greatness. They talk about writing all day and you have no idea when they actually sit and write. Oh, and their last published thing came out three years ago. They use words like “craft” and “polishing a gem.” Here’s the main things most authors need to internalize: if you stopped writing tomorrow, the only one you’d really hurt with your decision is yourself. Even if you have thousands of fans. Trust me, they’ll find something else to read. We’re lucky to do what we do. We love to do what we do. We write because that’s the only option. We write even when the stuff we write doesn’t get published. We take time away from friends and pets and partners and family and sit by ourselves and listen to the voices in our heads. It’s a beautiful thing and we need to be grateful that we get to do it. The moment you lose track of that and start thinking that everyone needs to pay attention, that people owe you their time and their focus, and that the world is a better place thanks to the stories you “gift” it, then…well, you can go fuck yourself.

18671306_10158851392690046_7686499707795541842_n

Gabino Iglesias is a writer, journalist, and book reviewer living in Austin, TX. He’s the author of ZERO SAINTS (Broken River Books),HUNGRY DARKNESS (Severed Press), and GUTMOUTH (Eraserhead Press). His reviews have appeared in Electric Literature, The Rumpus, 3AM Magazine, Marginalia, The Collagist. Heavy Feather Review, Crimespree, Out of the Gutter, Vol. 1 Brooklyn, HorrorTalk, Verbcide, and many other print and online venues. You can find him on Twitter at@Gabino_Iglesias

Book review: The Hunted by Elmore Leonard

The HuntedThe Hunted by Elmore Leonard

My rating: 3 of 5 stars

When hiding, try not to get your photo in the newspaper.

Al Rosen is living the dream. He has retired early, he has money, he’s charming and ladies love him, and he’s hiding in Israel from the Detroit mob. An evening with a woman he has just met ends in a hotel fire and his picture in the paper. By the end of the week, a hit team are in the country. But he can’t leave yet, not without his lawyer handing over his money, and his lady friend returning his passport. To survive he’ll need all the help he can get, like the marine Davis.

I don’t think there is any argument that Elmore Leonard was an amazing writer. Pick up anything he wrote and you’ll see it. The writing just flows. The dialogue, to quote one of those stupid pull quotes they stick on the covers of books, just snaps. The Hunted is no exception. I breezed through the book… when I was reading it.

And this is what has left me confused. I’m not exactly sure why I could read this story so easily and yet not find myself compelled to pick it back up. I’ve held off on writing this review because I’ve been expecting an opinion to form at some point.

That leaves me with speculation. I suspect that Leonard’s writing in The Hunted hid a largely uninteresting story. Kinda like a master artist giving your walls a coat of paint. Or maybe my interrupted reading time has pulled me out of the book too often and I’m just not appreciating the story.

To be clear, I’m not saying this is bad or unenjoyable, far from it. I was just expecting more from Leonard, especially considering his skills were on display here.

View all my reviews

Book review: The Conquest of Bread by Peter Kropotkin

The Conquest of BreadThe Conquest of Bread by Pyotr Kropotkin

My rating: 4 of 5 stars

“All things are for all.” Not sure if that is an Amazon store tagline or an anarchist catchphrase.

Pyotr Kropotkin’s The Conquest of Bread is an outline of the failings of capitalistic systems, a critique of the failings of communist systems, and a proposal for a system free from hierarchies and poverty. Regarded as a classic text of political anarchism, particularly as the criticisms of communism were seen to come true in the twentieth century, Kropotkin is probably more relevant today than when he was writing.

The Conquest of Bread was an interesting read that I couldn’t help but feel was politically current, whilst being socially historical. The overall political message and much of the details Kropotkin goes into are insightful and you can see why the Occupy Movement and Breadtube were inspired by this book. With the rise of higher levels of mechanisation, and with the coming automation of huge parts of the economy, there is much to be said for a rethink of how our society is run based on these ideas.

Socially, however, many of the points are a little dated and/or naive. After reading chapter 9 (The Need for Luxury) I commented that this was definitely written a hundred years ago. While I don’t think he is incorrect, removing status and consumerist ideals does change our wants, it was a statement that did exist in a time when cars didn’t exist. This changed landscape necessitates a slightly different idea of what people want, need, and what will be “normal”.*

There were a couple of points that I disagreed with. Kropotkin was a little simplistic in dismissing “middlemen” as doing nothing. While Bullshit Jobs apply, there is still the need for things like distribution and organisation by middlemen. This is probably because Kropotkin is imagining a system that is much more localised than our current global system. Which leads to my next point on specialisation. While there is something to be said for his ideas around everyone pitching in and learning something of what others do and contribute, Kropotkin doesn’t really appreciate the idea of specialisation and having high levels of skill vs the average person who can do it but sucks at it. His example, which is a critique of Adam Smith’s pin maker, is true to an extent. But our modern technology operates at a much higher level now. There is no way an office worker could go out to the farm and be a farmer for a few days. They could do menial labour on the farm, sure, but farming is highly complex now, and not something you can just do for a few days a year, as he suggests.

I could go further into the problems with his understanding of agriculture, which is… antiquated. But those quibbles don’t detract from the idea of being able to provide food for all. In fact, removing the profit motive from agriculture might alleviate a lot of problems.

A very interesting read that I’d highly recommend.

* It was notable that while “men” were the focus, there were some particularly progressive ideas about women in society. If he had been writing after the advent of the pill, I’d bet the comments would have been downright modern.

View all my reviews

10½ commandments of writing

Sean Williams, Flinders University

Every author is asked by new writers for advice. There is, however, no all-encompassing, single answer that also happens to be correct. Quite a lot of commonly offered suggestions (“write every day”) don’t work for everyone and must be approached with caution.

A few years ago, I set out to create a list that will benefit all new writers. I put ten commandments through the wringer of my peers, who suggested modifications and noted that this list applies not just to new writers but to writers at every stage of their career. Indeed, I’ve needed reminding of more than one myself.

Here, then, are the 10½ commandments of writing – with an extra one for free.

1. Read widely

To succeed as a writer, you must occasionally read. Yet there are wannabe-novelists who haven’t picked up a book in years. There are also, more tragically, writers too busy to engage with the end-product of our craft. If the only thing you’re reading is yourself you are bound to miss out on valuable lessons.

The same applies to reading only within a favourite genre. A varied diet will strengthen your literary muscles.

2. Write

No need to thrash out 1,000 words a day or pen a perfect poem before breakfast, but you do have to write. The fundamental qualification for being a writer is putting words on the page.

If you aren’t doing that now, it’s possible you never will.

3. Follow your heart

When you really want to write literary fiction, but the market wants paranormal romance, write literary fiction. Chasing paranormal romance will be futile. Writing well is hard enough without cynicism getting in the way.

Passion doesn’t always pay, but it increases the odds of your work finding a home.

The best books come from the heart.
Brooke Cagle/Unsplash

4. Be strategic

But the choice is never between just literary fiction and paranormal romance. You might have poetry and narrative non-fiction passion projects as well, and it’s possible narrative non-fiction will appeal to the widest audience. If a wider audience is what you want, narrative non-fiction is the one to choose.

If, however, you don’t give two hoots about your audience, write what you like.

There are lots of different kinds of writers and lots of different paths to becoming the writer you want to be.

5. Be brave

Writing is hard, intellectually and physically. It also takes emotional work, dealing with exposure, rejection, fear and impostor syndrome. It’s better you know this upfront, in order to fortify yourself.

These crises, however, are surmountable. We know this because there are writers out there, leading somewhat normal lives, even healthy and happy ones. You can too, if you don’t give up.

The ones who persist are the ones who prevail.

6. Be visible

Many writers would prefer they remain hidden in a dark cave for all eternity. But stories demand to be communicated, which means leaving that cave. Whether it’s you or your written word, or both, broaching the bubble of self-isolation is important.

This doesn’t mean assaulting every social platform and attending every festival and convention. Find the kind of engagement that suits you and embrace it, and don’t overdo it. Remember: you still have to write.

You have to come out from there at some point.
Matthew Henry/Unsplash

7. Be professional

Don’t lie. Don’t belittle your peers and don’t steal from them. Keep your promises. Communicate. Try to behave like someone people will want to work with – because we all have to do that, at some point.

8. Listen

Heed what people you’re working with are saying, because you never know what gems of knowledge you might glean – about craft, about the market, about something you’re working on – among the knowledge you (think you) already possess.

9. Don’t settle

Every story requires different skills. You’ll never, therefore, stop learning how to write. The day you think you’ve worked it out is the day the ground beneath you begins to erode, dropping you headlong into a metaphorical sinkhole – and nobody wants that. Least of all your readers.

Readers can tell when you’re getting lazy, just like they can tell when you’re faking. You’re one of them. Deep down, you’ll be the first to know.

10. Work hard

Put in the hours and you’re likely to get some return on your investment. How many hours, though?

There’s a wonderful saying: “Even a thief takes ten years to learn her trade.” Writing is no different to any other career. Hope for overnight success; plan for being like everyone else.

The bonus commandments

When I put this list to my friends, several raised the importance of finding your people. Although I agree this is an important principle, I would argue it is implicit in commandments 6-8: these have no meaning without engaging. I decided to encapsulate this as 10.5. Embrace community

Find those who will walk alongside you.
Kenny Luo/Unsplash

After I’d been teaching and giving talks on this topic for several years, someone suggested another commandment that lies beneath the rest. It is so fundamental none will work unless you have this in spades. It is 0. Really want it, which sounds so obvious that it barely needs stating – except it does.

One day, I may no longer want to write. If that happens, I will take every mention of writing from this list and substitute the name of a new vocation – because this list applies to everything.

The Conversation

Sean Williams, Lecturer, Flinders University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Book vs Movie: Snowpiercer – What’s the Difference?

This month, CineFix are discussing the excellent Snowpiercer and its comic book origins in What’s the Difference?

If you haven’t watched Snowpiercer then I recommend you do.

I kinda meant right now.

Go. Enjoy.

For everyone else, I think Snowpiercer did a number of interesting things. The first one was showing us Chris Evans looked good with a beard… I mean, that Evans could do more than Captain America. The second one was to usher in a mainstream filmic conversation around class and society that has been lacking in the public space despite a growing divide between the rich and the rest of us. The Occupy movement and the Global Financial Crisis fallout hadn’t been entirely ignored, but this did raise and further attention. The third was that a revolution is the only way forward out of a decaying system that Korean cinema is where a lot of interesting storytelling and action is to be found.

Once again I find myself with another book I have yet to read despite my enjoyment of the movie adaptation. If only there were more reading hours in the day.

See also: https://www.looper.com/108629/ending-snowpiercer-explained/

Bong Joon Ho’s Parasite is taking the world over, but in 2013 the Korean filmmaker ended the world with his dystopian action masterpiece, Snowpiercer. Set on a train carrying the last of humanity around a planet in the midst of a self-made ice age, Chris Evans leads a revolution against the trains elite class. While the film shares plenty with the 1982 graphic novel Le Transperceneige on which it’s based, Bong Joon Ho aims his satire in a different direction. So tuck into a protein bar and find your place on the train because it’s time to ask What’s the Difference?