Book Review: The Republic by Plato

The RepublicThe Republic by Plato

My rating: 4 of 5 stars

Old white guys sit around discussing how to set up a totalitarian military state with them as the rulers.

Plato’s famous text covers a lot of ground as it tries to establish what justice is. It covers politics, personal and political ethics, idealised states (democracy ranks third out of four), education, and virtue. The Republic is a heady read, whilst being fascinating.

The strawman style to the interlocuter dialogue did annoy me as a reader. Whilst it was in service of making a larger point, it did make the discourse feel more shallow than it is. Plato’s thinking was also amazingly progressive for an age that predates the enlightenment by the best part of a millennium. But this thinking was also confined by the times.

Plato, along with Socrates and Aristotle, were the drivers behind western society. Books like The Republic put forward a lot of ideas for discussion and dissection, opening the dialogue that would lead to progress. That alone makes The Republic worth reading, but I also found it was worth reading if only to see much of it in context rather than discussed second-hand. E.g. The famous allegory of the cave takes on a slightly different light when not viewed in isolation.

For a more detailed understanding:
https://plato.stanford.edu/entries/plato-ethics-politics/

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Book review: Dune by Frank Herbert

Dune (Dune Chronicles, #1)Dune by Frank Herbert

My rating: 4 of 5 stars

Tangential foreshadowing from the Collected Sayings of Maud’Dib by the Princess Irulan.

After his dad is asked to take over keeping the oil supply flowing out of the Middle East, Paul, a promising MMA fighter, witnesses the death of his family and friends, narrowly escaping into the desert with his pregnant mother. Befriending a small band of freedom fighters, Paul becomes their holy leader and prophesied deliverer. Meanwhile, the military-industrial-complex of the infidel are trying to apply their bootheel to the impoverished desert people. Can Paul use guerrilla tactics to overthrow the infidel, become Emporer and bring jihad to the west?*

Okay, so Dune does predate the general cluster-truck that is the Middle East conflict, but you do have to wonder if Herbert was munching on a bit of spice for inspiration when writing.

Unlike some other sci-fi classics, Dune does hold up as a novel in the modern day. There are some aspects that mark this as a book of the 60s (e.g. anything related to women) but it isn’t as jarring thanks to the complex worldbuilding. A lot has been poured into this novel that had me marveling at the efforts involved for one book. And yes, I know about the sequels and expanded universe novels, but this was clearly written as an open-ended standalone.

I have previously tried the expanded universe books that were co-written by Kevin J Anderson and Herbert’s son Brian. They did not grab me. The amazing worldbuilding that defined many of the concepts of space opera sci-fi** didn’t appear to have enough legs for those novels. I’m glad I picked up the original Dune to understand what the fuss was all about.

* https://www.goodreads.com/review/show…

** https://www.goodreads.com/review/show…

https://www.newyorker.com/books/page-turner/dune-endures

https://www.theguardian.com/books/2015/jan/30/frank-herbert-dune-at-50-sci-fi-masterpiece

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Readicide

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I have long-held a disdain for the way reading and books are presented in schools. At a time when kids are trying to be cool by gaming, watching the right TV shows, seeing cool movies, Snap-chatting themselves half-naked, and sleeping until noon, schools try to suck all the fun out of reading.

Up until high school kids are more likely to read regularly for pleasure. At high school this rate declines markedly, and doesn’t really recover until retirement (if at all, as I’d argue that the older people making up those Pew survey numbers grew up in an age before internet, decent TV, and gaming). Not only are teens exposed to more other potential entertainment sources, they also find less enjoyment in reading. Something happens in high school. Something terrible. We assign them standardised texts to read!

In his book, Readicide, Kelly Gallagher explains why the American system has been failing kids and how to fix it. I think many of the points apply to any nation that utilises an emphasis on standardised testing for schools. Below is a summary presentation that you can navigate to by clicking on the image. Worth a look for any fellow book nerds and/or parents.

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I don’t actually agree with everything in the overview, namely the idea that classics are classics for a reason. You have to remember that the reason a book becomes a classic is often chance, or because some person reckons it should be, not because it is always good. Plenty of good books have undoubtably been lost in obscurity and thus to history. An example of a book now regarded as a classic that was almost lost to history is Moby Dick. It faded into obscurity after its release and was pretty much forgotten until one literary critic – Carl Van Doren – revived the novel 70 years after its publication. So one guy reckoned it was good, others nodded and agreed with him, and so that means it’s a classic.*

The idea that kids should be reading classics or literary “masterpieces” is part of the problem, in my opinion. This is very much a top down decree of what is important by people who have made a career out of lecturing others on what is important…. to them. Just because they like it doesn’t mean that it will inspire kids to be lifelong readers.

Now, that isn’t to say that those “important” books aren’t worth reading. But it is to say that there is a stark difference between what a literary critic or scholar deems good, and what a kid who just read Harry Potter for the first time deems good. School curriculums would be better off without trying to bash kids over the heads with books they are unlikely to enjoy.

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*Yes, I’m being overly simplistic.

Book vs Movie: Alice in Wonderland – What’s the difference?

Another great instalment from the CineFix team. And don’t worry, they didn’t do the Depp/Burton movie comparison. Dodged a bullet there.


I can’t claim to have read all of Alice in Wonderland. I can’t even claim to be much of a fan of the movie; Disney animation or otherwise. My main reason for not liking either is that this is a classic example, and possibly the progenitor, of the “and then she woke up” ending. My wife dislikes the book because it lacks a point and is boring and waffly. Since it is a “classic children’s book” it could explain why kids used to hate reading: thank FSM for Harry Potter!

Lying about books you’ve (not) read

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As with most things Hank and John Green are involved with, I have become a fan of Mentalfloss. Their recent article on embarrassing things we all do was interesting, but had one point in it that made me think “what the hell is wrong with you people”.

By “you people” I obviously mean it in the pejorative dissociative sense, in that I’m not having a shot at you, or Mentalfloss, just the ubiquitous and ethereal “them” and “you”. Unless of course what I’m about to write does hit home, in which case, stop it now!

One of the items listed as an embarrassing thing that everyone does, was people claiming to have read books and watched movies they haven’t in order to appear more intelligent. I have previously discussed the list of books people claim to have read and I’m not ashamed to say I’ve haven’t read certain “classics”. I do have to admit to having claimed to have read a book I haven’t, To Kill a Mockingbird (still on my TBR pile), but that is also why I’m coming out against the practice.

And that is the point I wish to make here, there is no shame in not having read a classic book or watched a classic film. Maybe you don’t like extraordinarily long and self-indulgent wedding scenes in a movie (Deer Hunter). Maybe you don’t like novels with more than 450 main characters (War and Peace has over 500). There isn’t any shame in that. And how many “classics” have gone unread because they were in the wrong language, poorly translated, never got published, or just lucked out (John Green made mention of this recently).

Essentially we are worried about our subjective taste disagreeing with someone else’s subjective taste. The stupidity here is that we are being judged for something we haven’t done, rather than a strong opinion one way or the other on the actual topic. If we came out and said “Well, I hated 1984, it was rubbish” or conversely “Well, I loved 1984, and anyone who says it’s rubbish is a poo-poo head” we’d get into deep arguments about the relative merits of the novel. That is perfectly acceptable. But if we say “I haven’t read that one (yet)” or “Never seen it” then the response is something along the lines of calling us crazy, implying we have lived too sheltered a life, and/or that we have missed out on something great.

They could be right, of course. We may have missed out on the single most impressive book or movie ever. Our lives may be dramatically improved by reading or watching the work in question.

Or not.

The reality is that it really doesn’t matter. Some people will never have enjoyed a Jack Reacher adventure, or clung to the edge of their seat reading a Matthew Reilly novel, because they have been busy reading all the “great literary works”. Who is to say that their choice of entertainment was superior? Some people prefer to watch sports: are they any less entertained?

I think we have to stop pretending that our subjective opinions are something to be ashamed of. Like what you like, don’t be ashamed to say so either. I’m always amazed at the number of closeted Buffy fans there are, which only shows how damaging this mindset of “worthiness” is.

From Cracked.com
From Cracked.com

Music that lasts

I was recently having a discussion about Zeitgeist. No, not the concept of a spirit of the age or spirit of the time, I mean the 2007 album from the (not) Smashing Pumpkins. I’ve been a massive fan of the Smashing Pumpkins’ music since about 1994 (wow, 20 years!) but have to say that Zeitgeist was the last of their albums I bought and I don’t listen to it, Ava Adore (1998), nor Machina (2000). Essentially, I’m no longer a fan of the Smashing Pumpkins, I’m a fan of their early work only.

What amazes me is you can listen to Gish (1991), Siamese Dream (1993), Mellon Collie (1995), even their b-sides album Pieces Iscariot (1994), and they still hold up really well. With the exception of the song Untitled (from their retrospective Rotten Apples, 2001) and maybe Tarantula (from Zeitgeist), the Smashing Pumpkins haven’t released a song or album that compares to any of the material on those early albums. With the more recent material the songs sound unfinished. When old b-sides sound better than your new a-sides, you really have to question what you’re doing.

But this isn’t just about the Smashing Pumpkins, name a Rolling Stones song released in the last 30 years (i.e. everything post Dirty Work from 1983). Can’t, can you!? They’ve released 5 studio albums and countless – well you can count them, but who cares to – live and collection albums in that time. Fans everywhere dread this announcement at a Rolling Stones concert, “And here’s a song from our new album.”

There are a few factors at play here: the idea of talent and inspiration meeting, the idea that even great artists can’t continue at that elite level indefinitely, and the idea that some art is transitory whilst some is timeless. I’ll leave the first two points for another day, the latter point gives me an opportunity to insult pop music.

Some art, music, TV, movies, books, etc, rise through the charts, become hugely popular, and dominate the media. Then a few years later everyone is embarrassed to talk about those artists and art, digging a deep pit of denial to throw those pieces of crap where they will never be found again. I’ve discussed this before in my article on Good versus Popular, suggesting that popular music/art/things aren’t necessarily good and that time and perspective sort the wheat out from the chaff. Some of the music we enjoy is just because it is played everywhere we go. Some music just filled a hole in the age bracket or life journey, such as Limp Bizkit for all the angry teens, or Placebo with their dark depressing (teen) angst music. A decade on and you’d battle to find anyone who would admit to having bought a Limp Bizkit album, and when I recently relistened to those albums I wondered how I ever listened to that junk.

So what music (or art) lasts? Is it immediately obvious? What lasts isn’t easy to define, because I would never have picked Yellow Submarine to last in the same way that Get Back has. A kid’s song versus a satire of attitudes to immigration in the UK. Would we even listen to Yellow Submarine now if it hadn’t been a Beatles song or bland and inoffensive enough be played to us as kids in primary school? I digress. I think the answer to what will last is often, but not always, immediately obvious. And what lasts is rarely categorised by the prefix* pop.

Take for example everyone’s current objects of pop music derision: Justin Bieber (or Miley Cyrus, whichever you prefer to hate more). Bieber’s music is popular, he’s famous as a result, and I don’t think anyone would argue that his music will be forgotten in 5 years time and laughed at in 10, much like The Spice Girls. Remember them? Me neither. We** already know his music won’t last. And how about an example of something that will stand the test of time…. Wow, this is the part where I admit I’m a metal fan and haven’t listened to ‘commercial’ music in over a decade. I’d say Daft Punk’s most recent work will last, but they have been around for over a decade now, so hard to call them a new artist.

But I will give you another prediction, Pearl Jam will be my generation’s Rolling Stones. They will be still touring long after anyone has realised they still record new albums. And people will go to see them live because of those first few albums that everyone loved and still loves.

Essentially I think that lasting comes down to quality. I’m not talking about the recording studio, production values, or hair gel and dance routines. I’m talking about the quality that arises from talent and inspiration meeting. Bob Dylan’s songs had terrible production and his voice sounds like someone gargling gravel, whilst strangling a cat as their foot is fed into a wood chipper. Yet he had talent and inspiration, subsequently capturing the zeitgeist and lasting (see what I did there). But that music/art has to find a fanbase, whether immediately, or growing it over time as Led Zeppelin did. Now the only question remains: which is better, to last or to grab the headlines for 15 minutes?***

* Yeah, I know, not actually a prefix, more of a noun or adjective dependant upon the context.
** Having not ever heard any of Justin Bieber’s music and only accidentally heard part of a Miley Cyrus song at the gym, I can’t actually judge how good or bad their music is and how long it will last. I’m basing my judgement upon what has happened with previous pop stars.
*** The answer is easy: to last. If everyone forgets your 15 minutes did you even have those 15 minutes?

Why are books abandoned?

Goodreads survey

This is a great breakdown of why readers give up on reading and which books are the biggest culprits. I largely agree with most of the sentiments and books listed. It is very interesting to me that “slow and boring” is the #1 reason people abandon a book. Not just #1, it is number two and three as well, as the next reason had less than half the polling. I’ll offer a few comments on each part of the infographic.

Top Five most abandoned:

Casual Vacancy by JK Rowling – This is no surprise really. I’ve heard it is a particularly dark book and the remark that people were expecting it to be more like Harry Potter shows that no-one read the blurb.

Fifty Shades of Grey by EL James – Who’d have thought that Twilight fan-fiction would be poorly written?

Girl With the Dragon Tattoo by Stieg Larsson – When you have a trilogy that could have been edited down to a single book there are bound to be a few readers, like me, who think this ‘thriller’ is slow going.

I haven’t read or heard of anything to do with the other two on the list.

Top Five most abandoned classics:

Catch-22 by Joseph Heller – When people don’t get it then of course they will abandon it. One of the rejection letters for Catch-22 said, “I haven’t the foggiest idea about what the man is trying to say…Apparently the author intends it to be funny – possibly even satire – but it is really not funny on any intellectual level.”

Lord of the Rings by JRR Tolkien – I can see why some people wouldn’t like this book. While I loved it, there are unnecessary characters, events, chapters, scenes, language use… Okay, it’s long and waffly.

Ulysses by James Joyce – At a thousand pages, unless you like an abridged, tiny text, 600 page version, this was never going to be an easy read.

Moby Dick by Herman Melville – I read this when I was in primary school. It made my brain hurt. Very hard to read and spent a long time between the interesting scenes.

Atlas Shrugged by Ayn Rand – Great doorstop, selfish drivel to read.

Reasons for and against abandoning:

It really doesn’t surprise me that the reason most people give up reading a book is that it is boring and slow (46.4%). What does surprise me is that the reason people keep reading a book is not because people are enjoying the book but that they like to finish a book regardless (36.6%). Clearly too many people are reading books that they don’t like. Given the popular books, like the already mentioned Stieg Larsson and EL James, it shouldn’t be surprising. I’ve read instruction manuals with more action than The Girl With the Dragon Tattoo.

I remember working out roughly how many more books I could read in my life. I have averaged reading roughly 100 books per year for the last few years. Now excluding a major accident or the zombie apocalypse, I should be able to continue this average until I die peacefully in my car travelling the wrong way down the freeway at age 90. That means I can only read another 5,500 books in my life! There are more than 8,500 books published every year in Australia, so my chances of reading all the great books I’d like to are slim. We really don’t have time to waste on bad books.