Tyson Adams

Putting the 'ill' back in thriller

Book reviews: you’re doing it wrong… apparently.

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It is no secret that I like to write book reviews. Except when I’m sleepy. Or if I’m busy. Or if I get distracted by… Where am I?

Anyway, to my mind, book reviews are about helping people find good stuff to read and promoting authors whose work you’ve enjoyed. Of course some reviewers use it as a an opportunity to break away from the internet commenter stereotype and be jerks to others. This can be frustrating for authors and readers, but about par for the course as far as internet comments goes.

Fortunately an author has written a blog post advising people how to properly review books. Because you’re doing it wrong…

As a reader, reviewer, and occasionally sober writer, I don’t think authors should be telling readers what to do or how to do it, so the post doesn’t sit right with me. Actually, a lot of things don’t sit right with me, especially if they aren’t single malt and well aged.

Who are book reviews for?

You might be forgiven for thinking that writing a book review is primarily to flatter the author, or thank the author for writing an enjoyable book.

Book reviews are for prospective readers; to inform those buyers who are browsing the Amazon bookstore, chatting on Goodreads or following on-line bloggers, to decide if they might enjoy the book as much as the reviewer did. 

The first major point is one I agree with: book reviews are for readers. But maybe not the readers the author thinks. Reviews are primarily about that reader and their thoughts. Sure, they may be trying to communicate with other readers and make recommendations, but let’s face facts, it is mostly just about sharing an opinion. Or is that shouting into the void? I can never remember the difference.

My philosophy on book reviewing – helping and promoting good stuff – is probably shared by many, or not, I haven’t checked. But I see it as an important aspect of being a reader and writer. Thanks to the wonders of technology we have access to more books than we’ll ever be able to read, and some of them are worth reading. Sharing your opinion of a book can help others find stories that will entertain them. Personally I’m not a fan of sharing reviews of books I haven’t enjoyed, just the ones I think others will enjoy reading, but negative and positive reviews are both helpful.

The next points:

What to include:

The best single rule to remember is this: Only write about the actual book!

You can include a very brief outline of the story, but remember the book description is already right there, so consider these points:

Was the story believable, did it keep you engaged right to the last page?

Did the structure of the plot work for you?

If it’s a mystery, was there one?

The characters. Did they seem real, multi-dimensional people?

The author’s writing style. How was it for you?

The first point on this list is, frankly, rubbish. A book does not exist in a vacuum. Well, unless it was taken into space, but why would anyone do that? Unless they are an astronaut, but they’d want the book in the ship with them. Anyway, all art/media is a product of the space it was created in, it has cultural and philosophical underpinnings that are part and parcel. And following on from that, the cultural landscape changes over time and individuals consuming the art/media are going to evolve as a result. So you can’t just write only about the book in a review, you will always bring baggage with you. Want an example? Try watching the original Ghostbusters movie without thinking Bill Murray’s character isn’t just a tad rape-y by today’s standards.

The next points about the story and how it is written are fair enough advice on things you could include. But you could include all or none of those things and still write a good review. The next part is where this blog post gets juicy:

What not to include:

Your possible relationship to the author, however vague.

If you need to reference the author, then use the surname only or call them the author or include their full name. Never use Christian names as it may compromise the validity of the review and some sites will remove them permanently.

Imagine if you saw this review on the latest Dan Brown: Hello Dan love, fabulous book, Five stars!  I expect the vast majority of us would laugh, Dan Brown would most certainly cringe – but most importantly, would this sort of review help you form a decision to buy the book if you’d not read it?

I don’t know about this, I’ve read Dan Brown’s Inferno; I’m not sure he knows how to cringe.

There are two points to unpack here: the first is the idea that your relationship with the author doesn’t have any bearing on a review; the second is the idea that you’re trying to help the author sell books. To suggest that there is a way to refer to an author or that you shouldn’t mention conflicts of interest is wrong. If I like someone I will naturally be inclined to think their book is better than someone whom I don’t know or like. Similarly, if I already like someone’s writing, their lesser works are likely to viewed more favourably than a new author’s work.

It also irks me that the blog is implying that the author is off limits for criticism. That is rubbish. If I know that the book or author is controversial, then that will also colour my review and is worth raising. An example was James Frey’s Lorian Legacies series published under a pseudonym. During my reading of I Am Number Four I noticed several very lazy factual inaccuracies and wanted to know who the author actually was. It was then that I found out that Frey had scammed a bunch of writing students to produce the series. Not only did that colour my (lack of) appreciation of the novel, but it was information I felt other readers should know. Because screw that guy.

This links nicely into the next point about reviews helping to sell books. It is true that book reviews help sell books: who’d have thunk? It is also true that if you want to see more great material from an author one of the things you can do is make sure people know you enjoyed the book. But since when is it the reader/reviewer’s obligation to help sell books for an author? Shouldn’t an author be happy that you bought and enjoyed their book? Well, unless you borrowed the book from a library, friend, or got a freebie. I understand the desire of authors to encourage people to review their book/s, and what it can help do in terms of recognition and thus sales, but a review isn’t about selling a book. The review is about the reader sharing their thoughts on a book they have read. Book store clerks get paid, readers don’t. Worth remembering.

The weather! I’m being tongue-in-cheek here but really, no honestly, there’s no need to mention the weather…

How long the book took to arrive in the post, or that it was damaged. This isn’t the fault of the author – stick to reviewing the book.

Likewise, problems with your Amazon account: It won’t download. This is not the author’s fault and should never form part of a book review.

These next few comments are mainly about Amazon reviews and how people talk about the buying of the book in their review. While it is completely understandable for an author to be frustrated with comments in a review that are unrelated to the story they wrote, this recommendation is not only self-serving drivel, it forgets who the review is for. If someone orders a book from Amazon and the shipment is not filled quickly, or won’t download, or the pricing is ridiculous, or the bonus “massager” didn’t arrive with the romance novel order, then that is a legitimate gripe. Other readers on the Amazon store will want to know this stuff. But even if this wasn’t on the Amazon store, there is legitimate griping to be done. For example, in Australia several major publishers price their ebooks based upon the currently available paper version’s price. So if the hardcover is out, you pay hardcover prices for an ebook. Where else but a book review are you going to express your consumer discontent on this? Well, aside from in a blog post like this one. Or if you are talking to one of the publishers at a writers’ festival. Or if you know someone, who knows someone, who is related to a publisher. If the author was raising the point that there needs to be a distinction made been the store’s service, the publisher’s pricing, and the novels, then that would be something I’d support. Along with free hats. Everyone loves a free hat.

Spoilers: giving away crucial parts of the plot and therefore spoiling it for other readers, e.g. I’m glad Susan was dead by chapter three.

Copying and pasting the entire book description – please dont.

And the worst of all: I haven’t read it yet… so one star. Why on earth do sites allow these ‘reviews’ to remain?

Some people really hate spoilers, others love them, others still are ambivalent, others still still will hunt you down and kill you with your own keyboard for posting them. As such there is an etiquette to posting spoilers in a review. If you are an undefeated Muay Thai fighter with a decent ground game, then you can post whatever spoiler you like. If you are anyone else, you can post spoilers as long as you warn people you are going to do it. Then people can read or skip the spoilers to their heart’s content, assuming the Muay Thai fighter hasn’t ripped their heart out of their chest for posting a spoiler.

I’m not sure I’ve ever seen someone post a book review that includes a copy and paste of the book description. If this actually happens then it is either a compliment to the blurb author for capturing the book perfectly so as to act as an appropriate review, or someone needs to learn how to type their own thoughts.

The final point is about the dismissive one star review. Now some people, such as the blog post author, complain about these sorts of reviews are not legitimate. Nonsense. Books have a cover, a blurb, the reader might have read other books by the author, etc, all of which can be more than enough information for the reviewer. For example, let’s say that someone has written a book – fiction or non-fiction, it doesn’t really matter – that claims climate change is a hoax perpetrated by the Chinese, NWO, Zionist Bankers to something something profit-gravy-train. Do I really need to leave a long and extensive review once I’ve read the book? Or can I just point out that it is nonsense? Is that not legitimate comment?

Now these have all been relatively minor gripes to quibble with. Fun fact: Quibbles are the Earth equivalent of Tribbles. Bonus fact: the most famous Quibble currently sits on the next president of the USA’s head.

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Quibbles and Tribbles aside, let’s talk about complaining about book reviews not being done the way you want when you yourself don’t review books. There is that inspiring – or is that insipid? – quote about being the change you want to see which applies here. The author of the blog post has exactly zero book reviews on their site, not counting the promotion of reviews of their own novels. The author’s Goodreads page has no books listed as having been rated or reviewed. Do as I say, not as I do. I mean, sure, that isn’t demanding at all.

In summary, it’s best to be thankful for readers writing reviews, even the bad reviews.

 

Are Bob Dylan Lyrics Literature?

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PBS Ideas Channel had an interesting take on this contentious topic. And as is always the case, it isn’t really that simple.

I’m near the front of the queue to criticise literature for being a dry and dreary form of art that sucks the life out of its audience. But of course, as Mike discusses in the video, literature isn’t as easily defined as my dismissive rhetoric would imply. What defines literature isn’t arbitrary, but it is often about who is defining or classifying a work as such. My criticisms of literature stem from who perform this classifying, as they will often be people like Jonathan Jones – who said Terry Pratchett sucked – who will criticise the literary merits of works they haven’t read. These arbiters of artistic merit (i.e. snobs) like certain things, thus those certain things are worthy. They create lists of these worthy things and tell us we need to read them at school, study them at university, and expound on how much better these works are… until they actually read one of the unworthy ones and have to eat humble pie.

So the literary and artistic merit we often operate under in society is more about what a certain group of people like. But as Mike points out, that isn’t a good definition, and literature, and “good” art in general, are harder to define. Essentially anything can be literature. And even then the status of a work being literary may be revoked, or instated, as tastes change. Thus referring to Dylan’s lyrics as literature is probably about making us all think about lyrics as an art-form, something that has social defamiliarization. Lyrics are, after all, a form of poetry that are no less artful. Maybe this award will help us acknowledge that art/literature is all around us.

Don’t worry Nickelback, your literary award is surely just lost in the mail.

Book review: Finders Keepers by Stephen King

Finders Keepers (Bill Hodges Trilogy, #2)Finders Keepers by Stephen King
My rating: 3 of 5 stars

Enter a world where people obsess over books that aren’t Harry Potter. Of course it is a fictional world.

Peter Saubers’ family is having a tough time of it. The GFC has hit hard, his dad was hit hard with a car, and the arky-barkies might tear the family apart. Then he stumbles upon a literal treasure chest: stolen money and notebooks from the late John Rothstein – a reclusive author in the mould of JD Salinger. Of course, the man who killed for those notebooks, Morris Bellamy, has a wee fixation on Rothstein and his character Jimmy Gold, so not even a life sentence will stop him coming for Peter Saubers and his treasure.

I’ll be honest, I was going to give up on this book. If it hadn’t been written by Stephen King I probably would have. This is the second novel in the Bill Hodges trilogy, and Bill doesn’t show up until a third to half-way through the novel. That is part of what makes this novel frustrating. It takes a long time to set things up and get the plot moving, with that first third or more acting as back story that you’re not quite sure has a point to it.

But the final third of the novel redeems this ignoble start in a taut and suspenseful manner. Definitely not one of King’s better works, but if you can get past the waffly back story, this is an okay read.

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Book review: Killfile by Christopher Farnsworth

KillfileKillfile by Christopher Farnsworth
My rating: 5 of 5 stars

There are times that I’m glad people can’t read my mind: I’d hate to have someone else humming The Proclaimers.

John Smith is a specialist who helps wealthy clients with tricky problems. He has a talent for hostage negotiations, corporate espionage, and gleaning people’s deepest secrets thanks to his ability to read minds. Who’d have thought that reading people’s minds would turn his latest job into a death sentence.

Killfile is the first novel I’ve read from Christopher Farnsworth since his excellent Nathaniel Cade series went on hiatus four years ago. I read the Nathaniel Cade series back to back and loved every second of those supernatural thrillers. Killfile was similarly enjoyable with the paranormal thriller element pitched nicely into the realms of corporate espionage and CIA interrogation programs.

Also, as a scientific skeptic (i.e. scientist who hears all the kooky claims and demands evidence) it is always fun to read the conspiracy claims in a more rational format. Dusting off MKUltra and utilising it as a plot point in fiction rather than an outlandish conspiracy tickles me in all the right ways.

Chris’ novels continue to be highly enjoyable reads.

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Rise of the Sophists

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Surprisingly this is not a post about a new Terminator movie. It isn’t even a post about the rise of Donald Trump and Pauline Hanson; but let’s mention them for the bonus clicks. This post is actually a short essay I wrote last year as part of a philosophy course I did on Soren Kierkegaard. As you will see there is quite a bit of relevance to the current political and media climate, although looking back as far as Socrates reveals that not much has changed: sophists have undue influence on our society.

What did Kierkegaard learn from his study of Socrates?

Kierkegaard saw parallels between his time and Socrates’ time. Once again there was a rise of Sophists in society, people who knew very little but pretended they did. While it could be argued that the Socratic Method is always relevant in society, Kierkegaard came to see certain aspects of Socrates differently to his peers. He was interested in using the negative as well as drawing people into argument by asking questions from feigned ignorance. These tactics could be used to expose those who were lacking knowledge or understanding.

Kierkegaard expanded upon his interpretation of the Socratic Method and has subsequently influenced many, both in the field of philosophy and thought, as well as wider society. Notably his ideas have influenced things like existentialism and post-modernism, which have influence into such diverse areas as the arts and science. But Kierkegaard was a precursor to modern philosophical movements, as he wasn’t trying to educate or enlighten, but rather stimulate and encourage people to look for the truth.

There is a downside to Kierkegaard’s influence on society. In our modern age we have seen the rise of those who would use Kierkegaard’s negative and questioning as a tool, rather than for helping others find the truth, but for harassment. While the idea behind aporia and maeuetics is to question what we and others know, there is a point at which this stops being about questioning knowledge for understanding and starts being about someone just trying to annoy others.

Obviously this comes down to the intent of the person: are they trying to help others understand, or understand themselves; or are they more interested in having an argument, or annoying someone. But is it subtler? Is it a progression whereby someone has engaged in discussion only to run up against something they disagree with – due to whatever personal bias – and thus use the questioning as an attack or avenue to annoy others? Regardless, those who are trying to annoy are not following the intent of Kierkegaard, nor Socrates, and will miss the essence and benefits of aporia and maeuetics.

Why is this connection between Socrates and Kierkegaard still relevant in the world today?

Much like the parallels Kierkegaard saw between his time and Socrates’ time, there exists a similar parallel today. Once again in the modern age we see the rise of the Sophists. They are our elected officials, they are our media, and through technology they have the ability to reach more people and influence the world.

With more information available more easily than ever, people have come to receive that information in bite sized pieces. Often a headline – which may have been designed more for attracting attention than providing information – will be as much as a person will read about a topic. Our leaders and elected officials are reducing their policy statements to sound bites that can be easily remembered. And while we have this overly simplistic form or information presented to us, we are seeing less critical assessment of the information.

Kierkegaard was correct to look at the rise of Sophists in his time and act to apply Socratic methods to their arguments. By taking the approach of “knowing nothing” and questioning the person presenting information, it can be revealed how little the person actually knows. This is something that our media, and we, are failing to do. By taking the negative position it is possible to force the Sophist to explain themselves.

The most interesting aspect of Kierkegaard’s connection with Socrates is how comedians are applying it today. Irony was something Kierkegaard regarded as an invaluable tool. Today we see comedians such as John Oliver using irony – and other comedic devices – to dissect topics and arguments in the public space. It could be said that the modern Socrates or Kierkegaard comes in the form of the satirist news programs. Their viewers are noted to be better informed about news topics, and this comes from the use of Socratic tools.

A little more on Kierkegaard from The School of Life:

Book Review: Cry Wolf by Patricia Briggs

Cry Wolf (Alpha & Omega, #1)Cry Wolf by Patricia Briggs
My rating: 4 of 5 stars

Do werewolves smell of wet dog when they are in human form?

Anna is having a tough week. After breaking up with her old pack she moves to the middle of nowhere with a guy/wolf – Charles – whom she has only just met. Then when a rogue wolf starts attacking people, she has to help Charles track it down before it exposes the pack. But is it really a wolf?

Cry Wolf is another werewolf series from Patricia Briggs set in the same universe as the Mercy Thompson series. After being won over by the Mercy series, I decided to give Alpha and Omega series a read. So I started with the Alpha and Omega novella and I am still scratching my head as to why it wasn’t just included as the first few chapters of this novel. If you intend on reading Cry Wolf, do read Alpha and Omega first. Or don’t: I’m not your mother.

This was quite a hard book to rate/review. It was an enjoyable read, but the breaking of the story between the main novel and the introductory novella throws out the narrative a bit. The romance between an abuse survivor and a really old life-long bachelor as the central plot is interesting, but it does tend to wander as the other events of the novel occur. At times I felt the story was just happening with no real point or destination in mind, but it felt like things tied together in the end. And for a Patricia Briggs story set in the same universe as the Mercy Thompson series it is going to draw comparisons. Whilst I’d recommend this book (and novella), it isn’t as good as Mercy and her adventures.

My recommendation is that you’ll enjoy reading this to sate your hunger for werewolf stories when you run out of Mercy Thompson novels to devour.

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Book vs Movie: The Crow – What’s the Difference?

Is The Crow one of your favourite cult movies? Well, it should be. CineFix discuss the movie and the comic it was based upon in this month’s What’s the Difference?

The Crow remains one of my favourite films, which probably says a lot about my teenage years. The comic it is based upon, however, was not a book I enjoyed reading.

As the video mentions, author James O’Barr wrote the comic as a way of coping with the death of his girlfriend at the hands of a drunk driver. The book is bleak, and when not being directly about revenge, it is darkly introspective and depressing. The main character is clearly a form of Super Id – drawn as lean, muscular, 6’5″, invulnerable, unstoppable – and acts as a form of cathartic revenge against a cruel world. That might be fine for a Steven Seagal movie, but there’s a reason why you had to look up who Seagal was just now.

The movie is an example of a great adaptation, especially considering the film couldn’t be completed as intended after the unfortunate death of Brandon Lee. They managed to capture so much of the tone and character of the book whilst not making a movie that would have you slitting your wrists halfway through. The video refers to this as Hollywoodising, but I think they are being too harsh. The story was a revenge tale, but the movie manages to create an actual character arc and have more compelling bad guys. Case in point: Michael Wincott’s Top Dollar. The movie also trims off the bleak stuff in favour of a more cohesive narrative. This is why I had a poster from the movie on my wall and gave the comic away.

Friday Funny!

Photo post by @4IrishGirl.

Source: Friday Funny!

Do we consume media?

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It is common for us to refer to books we read, movies and TV shows we watch, and whatever it is we do with news, in terms of consumption. But is that accurate? PBS Ideas Channel has an interesting video on this topic.

I like the idea of decoding as an explanation for how we interact with media. It certainly offers a better explanation for how some people will interpret something completely differently than if they were to merely consume it. Decoding also makes me feel much better about writing violent stories, and that is the important thing here: justifying stuff I already like.

What are some great books that will teach me to be a creative writer?

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I love creative writing and I’m good at university dissertations, but when I try to write a story, I struggle and the writing is often awkward. Yet I love doing it. What pratical guides or reading list would you recommend for people who wish to masted the art of writing and creative writing?

Creative writing is as much about practice as it is about any advice you can read in a book. Part of that practice is writing, part of it is editing your own work, and part of it is reading to see how others construct their prose.

Essentially, if you already know the mechanics of how to write, then the part that is missing is the hours and hours of practice and analysis of that practice.

That said, there are plenty of manuals on style and grammar that would be helpful. E.g. Strunk and White’s Elements of Style is regarded as a classic of writing.

I personally think Stephen King’s On Writing is a must read for any author.

This post originally appeared on Quora.

Brooding over the city

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Attn: if anyone knows the creator of this – the logo is unfamiliar to me – I’d like to link to the original.

Book Review: Summer Knight by Jim Butcher

Summer Knight (The Dresden Files, #4)Summer Knight by Jim Butcher
My rating: 4 of 5 stars

If blasting rods and staffs are standard wizard fare, what do they use for euphemisms?

Harry Dresden is having a bad day, or is that week, month, and year? His girlfriend has been semi-turned into a vampire, it’s raining frogs in the park, a ghoul is trying to assassinate him, the vampire Red Court want to torture him to death, the Wizarding White Council are tempted to let the vampires have Harry, the Winter Court of faeries want him to investigate a murder, he has no money, and his house is a mess. Oh, and a war is about to start if Harry can’t find the killer; so there’s that as well.

This is my first foray into Jim Butcher’s much vaunted Dresden Files series. Summer Knight indicates that there is a lot to like about this Harry’s world. The story could be described as an urban fantasy thriller: with thriller being a selling point for me. Butcher doesn’t shy away from piling on the hardships for Harry to overcome, and keeps the action coming thick and fast. I’m honestly wondering why I took so long to dive into this series that has been repeatedly recommended to me.

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Banned Books Week 2016

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Source: ALA.org

Banned Books Week is an American event, but us Aussies have been known to ban books for silly reasons as well. As such, I think this should be a global event. So read something that some overbearing busybody decided was offensive today.

Book Review: The Shepherd’s Crown by Terry Pratchett

The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5)The Shepherd’s Crown by Terry Pratchett
My rating: 3 of 5 stars

“YOUR CANDLE…WILL FLICKER FOR SOME TIME BEFORE IT GOES OUT – A LITTLE REWARD FOR A LIFE WELL LIVED…YOU HAVE LEFT THE WORLD MUCH BETTER THAN YOU FOUND IT…NOBODY COULD DO ANY BETTER THAN THAT”

Tiffany Aching has a lot on her plate. She is the witch of two areas, she has some big boots to fill after the passing of Granny Weatherwax, and trouble is brewing with the elves. The elves love a bit of mischief, and with the passing of Granny Weatherwax, the barrier between their world and the Disk is weaker. With iron and steam now coming to the lands, they want to strike before they lose a place on the Disk. Only the Witches and Nac Mac Feegles stand in their way.

This was Terry Pratchett’s final instalment in The DiskWorld novels. There will be no more. As such, I really wanted this to be better than it was. Unlike other novels in the series, this lacked the levels of humour and satire you would expect from Pratchett. Where he was normally brilliant, this was only okay. Of course, okay for a Pratchett novel is still better than most novelists could ever hope to achieve.

AT LAST, SIR TERRY, WE MUST WALK TOGETHER.

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Book Review: Nemesis Games by James SA Corey

Nemesis Games (Expanse, #5)Nemesis Games by James S.A. Corey
My rating: 5 of 5 stars

Let’s split up, we can cover more plot that way.

With the Rocinante in desperate need of repairs, Holden and the team take the chance to spend some time apart and do their own things. That goes swimmingly for them all. Between ships going missing, someone dropping rocks down the gravity well, people trying to blow them up, and the start of another war, they start to wish they’d never left the Roci.

Daniel Abraham and Ty Franck (James SA Corey) have excelled themselves. In a series that has managed to serve up stories that don’t head in the direction you expect, here is a novel that takes the series in a direction you don’t expect. In hindsight, the plot for this fifth instalment is a logical one for The Expanse universe now that the Stargates have opened up a ‘goldrush’, but it wasn’t the step you expected. I expected to be covering the wave of frontiers people in their wagon-trains to the stars, but instead we cover the repercussions of that social change. A nice little twist. It was also great to have the entire Rocinante crew be viewpoint characters in this novel. For characters that have been with us from the beginning it was about time to get to know them all properly.

The only real downside of this novel is that I can’t just pick up the next instalment in the series to continue the adventure. I have now caught up. I have to wait 3 months for Babylon’s Ashes to hit the shelves. Guess I’ll read the novellas while I wait…

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How Long Did it Take to Write the World’s Most Famous Books?

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Let’s be honest, Lord of the Rings did feel like it took 16 years to write, but I was surprised Stephanie Meyer took a whole 3 months to write Twilight.

Original courtesy of PrinterInks.com.

Book to Movie: Harry Potter part 2 – What’s the Difference?

Goblet of Fire and Order of the Phoenix are covered in this month’s instalment of What’s The Difference? from CineFix. Previously they covered earlier books and movies, this is part 2 of 3. Grab a butterbeer and enjoy.

For me Prisoner of Azkaban and Goblet of Fire were when the series really took off. The earlier two books were clearly aimed at a younger audience than my snobbish adult reading ways would allow me to fully to enjoy. And when you look on your bookshelf, you’ll notice how much thinner those first two books are – yes, I am assuming you have them in paper on a bookshelf in your house. You aren’t weird, are you? The extra length of the later books in the Harry Potter series also signals a narrative that has matured with its audience – those pre-teens were going to become teens at some stage, just like their favourite book characters.

This extra length also makes the novels harder to adapt faithfully. As the video covers, there are some interesting ways they achieve this, but it also means they have to make other changes that are troublesome for the later movies in the series. For me the Society for the Promotion of Elfish Welfare being skipped over in the movies is an obvious choice, but also one that removes an important layer to the narrative. It is, after all, the Elfish uprising that helps turn the tide in the fight/war against Voldermort. This element can help you see the conflict as more worldly, rather than focussed on one school in the UK. Unless the Wizarding World is only confined to Europe and the UK is the centre of the EU….

There is probably an argument to be made for Harry Potter to be turned into a TV series that faithfully adapts the books to the small screen. HBO would be interested for sure, as long as they could cast +18 year olds with no nudity clauses in their contracts.

The Best Comedian On The Planet!

The audience were a bit remote.

My review of the book.

Differences between the book and the movie.

What is a genre of music invented in Australia?

There are three genres that were invented in Australia:

  1. Pub Rock
  2. Bush Ballads
  3. Indiginous music

People around the world may be familiar with Pub Rock thanks to a little known band called AC/DC. They and many other rock bands were touring at a time when the live music scene revolved around the Aussie Pub. As a result, the music, and particularly the lyrics, reflected this.

Bush Ballads are the lesser known and more antiquated Aussie music style. Think of it as folk music written by people who loved sheep a bit too much. As a mix between love of rural Australia, folk music, country music, and oldy time-y nostalgia, the genre is less popular now than when gramophones were a thing. That isn’t to say that Bush Ballads had no influence, as Waltzing Matilda is regarded as the unofficial national anthem, and some songs have gained international audiences from cover versions (see Dr Hook example below).

Indiginous music as it stands today would generally be better referred to as fusion. This is because it combines traditional Indiginous musical styles and instruments and fuses them with other genres (rock, hip-hop, rap, country, etc). What makes it such an Australian genre is the cultural themes and lyrical content, which is very unique.

 This post originally appeared on Quora.

Book review: Cibola Burn by James SA Corey

Cibola Burn (Expanse, #4)Cibola Burn by James S.A. Corey
My rating: 5 of 5 stars

“I’m gonna need to shoot that guy at some point,” Ahhh, Mondays.

Book 4 of The Expanse series has Holden and the Rocinante crew sent to a new solar system as UN Negotiators. Displaced Belters have taken up residence on a newly discovered planet through one of the Stargates (they’ll always be Stargates to me), only to have an RCE research vessel arrive, necessitating Holden and Amos to smooth things out. They get along as well as you’d expect, but their conflict is the least of their problems.

Cibola Burn thoroughly impressed me. At a stage in the series where the quality would usually take a nosedive, James SA Corey has managed to keep it onwards and upwards. Part of this is giving us a great villain in Murtry; someone who is the antagonist but not necessarily the bad guy. The other part is that Corey’s plots are much more extensive than you initially expect. I’ve seen other reviewers complain about this aspect, in that the story starts off headed in one direction but ends up going somewhere else entirely. But I see this as a strength and a justification for a novel that cracks 600 pages.

I enjoyed Cibola Burn more than Abaddon’s Gate – although it was still a great read – and there are no signs that this series will rest on its laurels. I started the next instalment, Nemesis Games, immediately after finishing Cibola Burn: that should tell you everything you need to know.

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