Book review: Kill All Normies by Angela Nagle

Kill All Normies: Online Culture Wars from 4chan and Tumblr to Trump and the Alt-RightKill All Normies: Online Culture Wars from 4chan and Tumblr to Trump and the Alt-Right by Angela Nagle

My rating: 1 of 5 stars

“Your mild demands made me become a Nazi.”

In Kill All Normies, Angela Nagle attempts to document and explain the rise of the Alt-Right out of the online space and into the Oval Office. She discusses many of the toxic forums and their leading mouthpieces and their war against the left/liberals in their forums/safe-spaces.

This book hit my TBR list as it was highly recommended and one of the few to document the online culture that lead to the rise of a change in political and social discourse worldwide. Having existed online and been familiar with many of the “players”, I was hoping for some deeper insights and analysis of how these forums become toxic and how that spreads out.

Let’s just say that this is not the book I was hoping for.

For much of Kill All Normies, I found myself thinking that I don’t just disagree with many of the points made, but that Nagle gets many things factually incorrect or offers up a very poor understanding of points raised.* If I was unfamiliar with much of the material, this book would have been very misleading. Just one example of this, in a later chapter Nagle refers to Germaine Greer being de-platformed over transphobic comments, to which she claims Greer hadn’t written about trans-issues in 15 years. That’s blatantly false. In fact, worse, it is a lie from transphobic sources that this book is meant to be, in part, critiquing.

This article offers a few more examples, including the Greer example. Another accuses her of plagiarism. Apparently, Nagle and Zero Books (her publisher) had both offered rebuttals to these pieces, but they are now dead links.

Another problem I had with Kill All Normies was that a lot of Nagle’s expressed opinions seemed to utilise the terms of reference used by those she was supposedly exposing. But only in one direction. For example, when Nagle criticised the online misogynists she would treat their claims as having merit, but when she was criticising the multiple genders of Tumblr** they were treated as though they didn’t have merit.

There was also a level of misrepresentation or laziness in the accurate portrayal of several events mentioned. One of the above-linked articles discusses a Jordan Peterson example. I noted an egregious one about Milo Yiannopoulos. The Berkley campus protests that shut down Milo’s talk supposedly shows an unwillingness to engage him in debate and challenge his ideas, instead resorting to shutting down free speech… Except that’s revisionist nonsense that ignores several hard facts. Milo wasn’t actually available for a debate, he was there to lecture and browbeat unprepared audience members during Q&A. Given that these examples were key to Nagle’s argument about how these bad ideas should be addressed and challenged with the liberal idea of debate and free speech and the market place of ideas and… Well, that might be a tad hard to do when you don’t get to have any free speech other than protests outside the venue.

There were also several things I felt were lacking in the coverage of the online culture wars. Very little was said about the atheist and skeptic YouTube movements that are noted for their early adoption of anti-SJW and anti-feminist stances. This is especially important given many are seen as gateways to the Alt-Right, often platform Alt-Right figures, and would fit the definition of Alt-Lite. I mean, Carl “Sargon” Benjamin even went into politics with the far-right UKIP party and was referred to as a great entry point to the Alt-Right by white nationalist*** Richard Spencer. How can you leave that out?

Nagle also didn’t cover a very important part of the Alt-Lite and Alt-Right, particularly the online media it has created. The money. While much of the book makes it sound like the internet is filled with communities living off of one another, crowdfunding being racist or bronies – depending upon your kink. This ignores the documented money coming from rich conservatives interested in promoting their agenda on one side of this culture war. And prior to this, there was also the organised astroturfing that occurred, again funded by rich conservatives, that fed into a lot of the online communities (some of this was documented in training sessions organised during the Tea Party movement). Suddenly that crowdfunded “both sides” feel to the online communities takes on a more one-sided and darker reality than portrayed in the book.

Finally, I come to my main critique which is also the underlying thesis of the book. Nagle is essentially arguing throughout that all of these really nasty, racist, sexist, bigoted forums and subsequent culture is the left’s**** fault because they have been successful in getting gay married, not having women tied to the kitchen sink, and having public discussions of other progressive ideas. The Shock! The Horror! This is the classic “the left caused people to drop liberal principles and become alt-right extremists” argument that Matt Bors skewered. It is no less stupid and unsupported here than elsewhere.

fault right
Source. Check out Matt’s other comics as well.

I’d be near the front of the line to agree that “the left” is filled with smug intolerant people, a la the Vampire Castle. But much like the criticism of Exiting the Vampire Castle, it’s a tad unwise to treat the issues being raised by those “lefties” as somehow wrong or a valid reason for someone to pushback and become a Nazi. There has always been pushback against successful progressive social changes, and while many of the reactionary behaviours we see in the culture wars exist across the political spectrum, a proper critic of these culture wars would address these arguments more carefully, with more insight, and would stop pretending that Alt-Right propaganda claims are valid points to base a thesis around.

I was highly disappointed and annoyed with this book.

* There is also a very important point to be made about Nagle’s lack of quantitative insight. One piece of data I keep thinking back to is the demographics of various online platforms. It is interesting to note that male-dominated forums (4chan, sub-Reddits, Youtube comments sections) tend to be more toxic than those with a neutral or female dominant audience (Tumblr). Almost as if there is an important point to be made here. With stats. With some analysis. Something. Side note, women are larger users of social media than men.

** The Tumblr list used in the book wasn’t actually from Tumblr and most likely a satirical version.

*** Richard Spencer loves to dance around being called a white nationalist or neo-Nazi, but that’s just because he knows those terms are toxic. It’s why he coined the rebranding term Alt-Right.

**** A lot of the points being made about left/liberal people (two very different groups that appear to be used somewhat interchangeably in the book, odd given that Nagle identifies as a feminist lefty) amount to lefties can be reactionaries too (call-out culture, etc). Oddly, not much discussion of the reactionary nature of all the groups being discussed and how that feeds the culture wars.

I apologise for posting a negative review. As I said in my negative review of Neil Postman’s Amusing Ourselves to Death, I will try to keep my blog reviews 3 stars and above. I will endeavour to keep the exceptions to a minimum.

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Another review of Kill All Normies.

Book Review: Broken Angels by Richard Morgan

Broken Angels (Takeshi Kovacs, #2)Broken Angels by Richard K. Morgan

My rating: 4 of 5 stars

Grave robbing is still cool in the future.

In the infirmary, Takeshi Kovacs is approached by a soldier who is sitting on the artefact discovery of several lifetimes. Kovacs, currently operating as an elite commando, takes his leeway to recruit the soldier, an archaeologist (archaeologue), a merry band of mercenaries, and a corporate bankroll. Together they are trying to uncover ancient alien technology in the middle of a warzone before any other interested parties, including the warring armies, come for them.

After reading Altered Carbon I threw caution to the wind and dived straight into Broken Angels. It is rare that I read instalments of a series back-to-back as I usually feel like I’ve had an adequate sufficiency of that character/world/theme for the time being. Wanting more is a sure sign that the author gave me some good stuff. Oh, yeah, that’s the stuff.

Broken Angels is quite different in thematic style from Altered Carbon. Where the latter was a hard-boiled cyberpunk mystery, the former is a noir Artefact-MacGuffin-Adventure* with a more languid pace than those sorts of novels tend to be. The change of pace and style didn’t extend to the themes. While there is less critique of elitist wealth hoarding, there is some delving into corporatism, warmongering, and capitalist drivers behind war that ties to Morgan’s social commentary. His comments on capitalism and war reminded me of Smedley Butler’s War is a Racket – Butler was a Major General of the Marine Corps who did not hold back in discussing what war was really about (hint: money).

Another enjoyable Kovacs adventure. The only thing that stopped me reading the third instalment straight away is that despite owning a copy I didn’t have it on my ereader.

I shook my head. “I don’t have the energy to hate the corporates, Hand. Where would I start? And like Quell says, Rip open the diseased heart of a corporation and what spills out?”
“People.”
“That’s right. People. It’s all people. People and their stupid fucking groups.”

* A term I use to describe the style of thriller churned out by authors like James Rollins, Steve Berry, Matthew Reilly, Andy McDermott, etc.

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Book review: Altered Carbon by Richard K Morgan

Altered Carbon (Takeshi Kovacs, #1)Altered Carbon by Richard K. Morgan

My rating: 4 of 5 stars

Invent technology to make interstellar travel possible. Use it to make rich people immortal.

Takeshi Kovacs is a former elite soldier – Envoy – who becomes a criminal on Harlan’s World and has his body killed. Thanks to the technology of stored consciousness – via cortical stacks – he is revived on Earth to solve the body death of one of the richest men on the planet. The police think Bancroft committed suicide, the evidence suggests suicide, but Bancroft is convinced he wouldn’t kill himself after centuries of living. Kovacs starts treading through the underbelly of Earth and tries to discover if it was suicide or murder.

Altered Carbon has been on my TBR pile for almost a decade. My uncle recommended it again a few years ago, which got it bumped up the list. But, as with all TBR piles, it took a TV adaptation to get the novel read. I enjoyed the TV series, particularly on a second viewing. I’d say I enjoyed the book a similar amount but in a different way.

I commented in a blog post about the show that I enjoyed the themes even if the aesthetic was borrowed from Blade Runner. Kovacs in the show is a grumpier and more adept character than the novel. The show also has a more personal feel to many of the characters and makes the female characters feel less like a description of sexy body parts. Pretty amazing given the amount of nudity in the show.

What I think I liked most about the novel was one of the themes. Morgan expressed it like this:

“Society is, always has been and always will be a structure for the exploitation and oppression of the majority through systems of political force dictated by an Ă©lite, enforced by thugs, uniformed or not, and upheld by a wilful ignorance and stupidity on the part of the majority whom the system oppresses.” Source.

This resonated with me given the sorts of non-fiction I’ve been reading lately. Not to mention some of the things happening in the world these days… It made this hard-boiled cyberpunk novel very entertaining.

Well worth reading before or after watching the TV show.*

A couple of quotes related to that theme:

“Kristin, nothing ever does change.” I jerked a thumb back at the crowd outside. “You’ll always have morons like that, swallowing belief patterns whole so they don’t have to think for themselves. You’ll always have people like Kawahara and the Bancrofts to push their buttons and cash in on the program. People like you to make sure the game runs smoothly and the rules don’t get broken too often. And when the Meths want to break the rules themselves, they’ll send people like Trepp and me to do it. That’s the truth, Kristin. It’s been the truth since I was born a hundred and fifty years ago and from what I read in the history books, it’s never been any different. Better get used to it.”

“You live that long, things start happening to you. You get too impressed with yourself. Ends up, you think you’re God. Suddenly the little people, thirty, maybe forty years old, well, they don’t really matter anymore. You’ve seen whole societies rise and fall, and you start to feel you’re standing outside it all, and none of it really matters to you. And maybe you’ll start snuffing those little people, just like picking daisies, if they get under your feet.”

* Is it accurate to call them TV shows now? We watch them on TV, but would it be more accurate to call them streaming shows since they aren’t made for TV networks?

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Book review: Capitalist Realism by Mark Fisher

Capitalist Realism: Is There No Alternative?Capitalist Realism: Is There No Alternative? by Mark Fisher

My rating: 4 of 5 stars

You will be assimilated. Resistance is futile.

Capitalist Realism is a long essay or short book that argues we – as in Americans, but pretty much everyone on the planet – are so emersed in capitalism that we have no frame of reference for anything else. Mark Fisher argues that this both impedes our ability to reform or fight back against the worst aspects of capitalism, and/or to develop other socio-political societies. This is, of course, he argues, bad.

This was an interesting book. There were some truly eye-opening and enlightening moments where Fisher managed to capture an idea or concept in a concise and accessible way. He makes high-level critical analysis easy to read and understand, and not like an obtuse – or is that acute? – philosophy textbook.

It was somewhat less interesting when it drew upon pop-culture references. These references were often very good and served as a great way to make points or analogies. But some undermined any points being made by the very subjective interpretations and associations used. E.g. Kurt Cobain being the last self-aware musician was a little too reductionist. Trying to argue that Cobain could see himself being commodified and thus sought escape ignores so much of what made Cobain the person he was.

Then there were the Zizek references… and so on and sniff so on. I’ve only a passing knowledge of Zizek, but many of the philosophers I follow on social media have the same thoughts on him as I have. That is, Zizek is a sloppy thinker who gets distracted from any point he is trying to make and ends up chasing his tail around. To quote Chomsky: “There’s no theory in any of this stuff, not in the sense of theory that anyone is familiar with in the sciences or any other serious field. Try to find in all of the work you mentioned some principles from which you can deduce conclusions, empirically testable propositions where it all goes beyond the level of something you can explain in five minutes to a twelve-year-old. See if you can find that when the fancy words are decoded. I can’t.” Which, again, tends to undermine the points a bit, as it can be seen as selective and potentially misrepresentative.

Overall, this was fascinating. I think Fisher’s main points are worth serious thought and action. And at 80 pages, this probably needs to be read a few times.

https://www.reddit.com/r/ChapoTrapHou…

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Book review: Death on the Nile by Agatha Christie

Death on the Nile (Hercule Poirot, #17)Death on the Nile by Agatha Christie

My rating: 3 of 5 stars

You will never find a more wretched hive of scum and villainy than a group of rich people travelling together.

Hercule Poirot decides that he has earned himself a holiday and thinks it would be nice to travel up The Nile in Eygpt. As he ventures out he meets a newlywed couple, their stalker, their maid, their trustee, a romance novelist and her daughter, a socialite and her cousin and nurse, a mother and son, a communist, an archaeologist, a solicitor, a doctor, and Poirot’s friend Colonel Race. He is soon taken into the confidence of newlywed Linnet and her stalker Jacqueline and thinks that it will not be long before something tragic happens. But more than one person is targeting Linnet and it isn’t long before Poirot has another mystery to solve.

I read my first Agatha Christie Poirot novel a couple of years ago and felt that it was time for another. In that previous outing, I had enjoyed discovering many of the mystery tropes in their original form. This time, knowing what to expect, I was more interested in the story itself. Which was okay.

This mystery was interesting and I enjoyed the use of multiple crimes to muddy the waters. Christie certainly earned her reputation. But it did all feel just a little bit quaint. Whether it be the characters reminding you of the class system the Brits loved (and still do), or that the setting could have been the steamer or a country manor – as long as it had a sitting room. You can’t help but agree with the commie character that a few more could do with shooting.

I’m probably being a little harsh. This was a quick and entertaining read that was enjoyable. And they are making it into a movie soon, so best to read it before watching the movie.

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Book review: Bullshit Jobs – A Theory by David Graeber

Bullshit Jobs: A TheoryBullshit Jobs: A Theory by David Graeber

My rating: 5 of 5 stars

Bullshit is, of course, the technical term.

Bullshit Jobs builds upon David Graeber’s 2013 essay titled On the Phenomenon of Bullshit Jobs. He posits that many of us are working in jobs that we know don’t need to be done, that we could stop doing them and no one would notice. And he suggests that these jobs are bad for us as individuals and society. If you’re nodding at this point, my condolences.

When David’s essay was released in 2013 it was something of a viral hit. It resonated with people.* For evidence supporting his proposed phenomenon, you need look no further than that response. Since then, some studies and a lot of discussions have taken place, which led David to more fully explain his ideas and evidence them with this book. He tries to distinguish between bullshit jobs, shit jobs, and bad jobs, and why they come about.

It is this discussion of the larger system that brings about bullshit jobs that is the most interesting aspect of the book. While the idea of bullshit jobs is still hazy – the definition is subjective when all said and done – the changes to our society, economy, and personhood are well documented and discussed. The combination of this discussion with the theory lends weight to another idea presented within: that the role of jobs in society needs to change.

Currently, we place a large amount of prestige and identity on what we do for work.** Our exchange of labour for money is how we afford to live and often how we understand our contribution to society. But is that all we have to offer? Will we be remembered by our job titles? Does that mean that unpaid work doesn’t have value, either in the identity or contribution sense? The answer to these questions is clearly no, making this discussion a highlight of the book.

This was a very interesting book and tied in well with Rutger Bregman’s Utopia for Realists.

* Nope, I’m not going to comment one way or the other about it resonating with me. That would give away how I feel about my day job slowly killing me.
** One of the first questions you will be asked is, ‘What do you do for a living?’

Update: this review at Current Affairs is also worth a read.

Update Sept 2020: David Graeber has passed. It is sad to hear that someone who got dirt under their nails as well as brought intellectual depth to their work is gone. Rest in Power!

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http3a2f2ffarm4.static.flickr.com2f31522f2685313387_0d616bb6f7_o

Mousetrap
Source

Book review: Curing Affluenza by Richard Denniss

Curing Affluenza: How to buy less stuff and save the worldCuring Affluenza: How to buy less stuff and save the world by Richard Denniss

My rating: 4 of 5 stars

“Advertising has us chasing cars and clothes, working jobs we hate so we can buy shit we don’t need.”*

Richard Denniss’ Curing Affluenza seeks to define the problems our current consumerist society has and how to address it. He posits that we need to abandon consumerism and opt instead for materialism if we have any chance of changing the shape of our economy, which will, in turn, allow us to address issues like climate change and environmental degradation.

For many years now I’ve been a fan of Richard and The Australia Institute’s work. He and they manage to talk economics without making it feel like you’ve been hit with a brick made of buzzwords.** As such, this book has been on my TBR pile since its release. It has not disappointed.

Richard makes his arguments simply and clearly, in a way that make sense. Even if you disagree with him politically, you would have to agree with his points about economics and politics being about choosing a shape for the economy – the shape being what we choose to spend money on and value. You may argue that we need more spending on tanks and less on healthcare, which has a different shape than an economy where I want fewer tanks and more healthcare. This also applies to our purchases; so if I’m buying tickets to see bands play live rather than upgrading my phone every 6 months, the economy changes shape.

On the Affluenza front, Richard suggests 7 principles for tackling it:
1) First, do no harm.
Think of this as consumer boycotts and active decisions about consumer/lifestyle choices.

2) Some change is better than no change.
Baby steps. It isn’t possible to stick 100% to #1, and larger changes may take longer.

3) It’s not about sacrifice and denial; it’s about saving money and having a better life.
We’re trying to change the shape of the economy, not become monks.

4) Services are good for you.
New status symbol phone or see a live music act? Stuff doesn’t make you happy but experiences do, and they help change the economy’s shape.

5) When you are full, stop consuming.
Because there is such a thing as too many books… Wait, what?

6) Get yourself and your country into better shape.
Our saving and spending, especially when organised with others, can reshape the economy.

7) Flatter is fairer.
Equality of resources and opportunity for all. I.e. redistribution.

Whilst this was a very good book, I did have two problems with it. The first issue was that the middle chapters labour the point, so much so that it felt like needless padding. This was frustrating because as someone who has read various articles and essays from Richard before, I know he can be very concise. It also didn’t help that I was already familiar with what he was trying to argue and the examples used. Though, this may be from that familiarity, so others may appreciate these chapters more.

The second issue was that Richard was largely dismissive of options that didn’t involve capitalism. There was a big assumption that we still need/want capitalism and thus should be reforming/tinkering with it. This assumption was never examined nor justified adequately. It would have been nice to see some discussion addressing those other options, especially in a pros and cons manner.***

A very interesting read and one that ties into several other books I have read recently.
Utopia for Realists
Austerity: History of a bad idea
Winners Take All

* Quote is obviously from Fight Club and not this book. I’m almost certain that Richard is not advocating young men beat each other up and try to destroy capitalism.
** Richard appropriately calls the indecipherable economics talk Econobabble.

*** Richard responded to this point on Twitter. He felt it was outside of the scope of the book and would have muddied the message. I think that is a fair point.

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Book review: Manufacturing Consent by Noam Chomsky and Edward Herman

Manufacturing Consent: The Political Economy of the Mass MediaManufacturing Consent: The Political Economy of the Mass Media by Noam Chomsky

My rating: 4 of 5 stars

Don’t believe everything you see in the news… but which bits?

There is a narrative we hold to be true: that the news media are trying to inform us of the facts; that they search high and low for the truth; that they are honest and hardworking; and that they hold truth to power. Manufacturing Consent presents the argument that they often don’t do that at all but instead operate under the Propaganda Model of media.

Almost a decade ago, I attended a panel session about news journalism that billed itself as to how award-winning journalists hunted down and exposed the truth. I walked out about half-way through from disgust. You see, these award-winning journalists had been patting themselves on the back for having done what I regard as the bare minimum of fact-checking on a story and had managed to discover something. These were the people we relied upon for our information.

While that wasn’t the first time (nor the last) that I’d run up against the failings of the media, it was the moment that has come to summarise my view of the media. I think that is why Chomsky and Herman’s thesis in the book feels familiar.* The way media act to perpetuate the status quo and the interests of power and influence is well articulated if unsurprising.

There were a few issues I had with Manufacturing Consent. The first was that the introductory chapters, including the preface written in the early 2000s, and the final chapter were excellent, but the middle case study chapters erred on the side of exhaustively labouring the point. I mean, the history of various conflicts was fascinating, but not exactly what I signed up for when I started reading.

The second issue I had was that this book feels somewhat out-of-date. The examples were from a previous generation of media. While it appears that much of the propaganda model still holds, you have to question if it isn’t far more nuanced now. Media ownership has become even more consolidated, the diversified online media landscape has made attention seeking and funded agenda pushing the norm, partisanship is leveraged for audience retention, media owners and management are more overtly pushing agendas, and lobbyists and other bad faith actors exist in all aspects of public discourse driving narratives. Power is Feeding the Chooks** now more than ever. It feels like the propaganda model and the 5 filters are still highly relevant but in need of an update to capture the new realities.

Another issue was one that was briefly touched upon in the final chapter. The propaganda model tends to assume a level of competence and diligence to journalism and the media. I often use Hanlon’s Razor: Never attribute to malice that which is adequately explained by stupidity. A lot of the reporting being attributed to a propaganda model may actually fall under the lazy, incompetent, and uninterested model instead. Although, that could be seen as part of the 5 filters of media selection – or to paraphrase Chomsky: if they were actually good at journalism they wouldn’t be working there.

My final issue was around solutions: what are they? There aren’t any solutions posed, both from the point of view of a media consumer trying to be well informed and from the point of view of a society wanting a reliable media. Some ideas are alluded to, such as the reports from independent groups covering an issue (e.g. Amnesty and America Watch were mentioned), which also requires an active audience who seek out information (i.e. lateral reading and fact-checking). But I feel as though this was an important set of recommendations to explicitly state.

A very interesting and insightful book that is well worth a read. Be warned that the case studies are more of a history lesson than you’d probably be expecting.

The 5 Filters of the Mass Media Machine

* Although, it may feel familiar because this text has been in the “mainstream” for decades, so much of it will have found its way to me without having read it directly.

** For the non-Aussies, Feeding the Chooks was a term for Press Conferences from one of Australia’s most corrupt politicians. Sir Joh would wait until journalists were desperate for information and then feed them timed propaganda that they wouldn’t question due to deadlines – hence, feeding the chooks. He was an authoritarian who rigged elections (sorry, gerrymandered…), essentially ran a police state, held the press in disdain, was generally racist and homophobic (although, kinda standard for an Aussie conservative from Queensland), and marginalised workers and unions.

Update: I’ve learned that Matt Taibbi wrote a book called Hate Inc. that was originally intended to be a modernising of Manufacturing Consent with Chomsky’s approval. It changed a bit, but addresses some of the issues I raised above.

Framing a viewpoint
Media descriptions summarised by Tom Gauld.

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Book vs Movie: Johnny Mnemonic – What’s the Difference?

keanu_johnny

This month’s What’s the Difference? from CineFix looks at a not-so-classic movie starring the indomitable John Wick  Neo  Keanu Reeves.

Woah, the 90s were, like, 25 years ago. So long ago that the movie is set 2 years from now.

And that is also how long it has been since I’ve read the short story and watched the movie. I barely remember the story – but it was the reason I’d had Neuromancer on my TBR list for decades – and only recall a handful of scenes from the movie (e.g. Dr Allcome).

Does that mean a nostalgia trip is in order? Around the time of Johnny Mnemonic, there were several cyber-themed movies that would be interesting to watch now in The Future™. Seeing Keanu or Sandra Bullock talk tech could be a lot of fun or as cringy as those 60s and 70s movies with futuristic reel-to-reel computers.

Maybe not.

One of the advantages of books is that descriptions spur imagination whereas visuals (movies) tell you what you should be imagining. As a result, they don’t tend to date as badly as the visual medium*. So it is probably time to dust off some more Gibson.

Johnny Mnemonic, Keanu Reeves’ second best character named John, may not be the high water mark of his career, but it’s a significant piece of sci-fi nonetheless. Cyberpunk pioneer William Gibson’s original short story about a data trafficker with a time bomb in his headset the stage for decades worth of movie tropes you know and love. So how does a Sci-Fi classic turn into a great piece of mid-90’s guilty pleasure cinema? It’s time to ask What’s the Difference?

* Except for all of those pesky social changes that tend to date fiction badly.

Book review: Utopia for Realists by Rutger Bregman

Utopia for Realists: And How We Can Get ThereUtopia for Realists: And How We Can Get There by Rutger Bregman

My rating: 5 of 5 stars

“You can’t pull yourself up by your bootstraps if you have no boots.”

Rutger Bregman’s Utopia for Realists starts with a simple premise: since we are already living in the utopia imagined by previous generations, what’s the utopia we’re aiming for now? We need big ideas to strive toward in order to keep progressing forward.

I have been meaning to read Utopia for Realists for several years now. Prior to the book’s publication, I read the sections Bregman had made available from two of his chapters on Medium. Those were my first introduction to the concept of a Universal Basic Income and how there was some fairly compelling, if limited, evidence for just giving people money to fix just about every problem. Poverty, it seems, isn’t a moral failing or a lack of work ethic, it’s a lack of cash. Since then I have watched several of his interviews and discussions (yes, including the Davos inequality panel) and still managed to gain more insights from his book.

It seems odd to note that we’ve stopped thinking about our future utopia. Outside of Star Trek*, most of our future visions are of dystopias which warn us of our mistakes, but also underline what happens when we stop thinking of a utopia to strive for. We can only see the negative futures, not the potentially great futures.

Bregman spends a lot of Utopia for Realists outlining several of our current societal problems and then introduces some of the evidence for his utopian vision of a Universal Basic Income, lower inequality, and a shorter working week as solutions. These are not new ideas – Mill, Russell, and Keynes have all written on these topics – but they are the utopia that Bregman thinks we need to be aiming for. In outlining the evidence in favour of this vision, he also shows how close we have come on several occasions to implementing some of these reforms and how easy it is for naysayers to win the day.

Utopia for Realists is very well written**, is easy to read, and not particularly long. The only reason I didn’t finish this quickly was that I kept tracking down the extensive references and surrounding literature for further reading. My own fault for being a giant nerd. One of my favourite references was this one on the value created by various professions, which suggests that we are rewarding some who are actively bad for the economy, whilst under-paying those who are good for the economy.

This book is highly recommended reading.

See also: https://tysonadams.com/2019/04/05/book-review-austerity-the-history-of-a-dangerous-idea-by-mark-blyth/
https://tysonadams.com/2019/03/19/book-review-winners-take-all-by-anand-giridharadas/

* Although, how much of a utopia is Star Trek, what with the wars, the planet of hats, and Borg collectives? Discussed further here.
** Not sure whether to credit this to Bregman or his translator – Elizabeth Manton.

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Book review: A Dirty Job by Christopher Moore

A Dirty Job (Grim Reaper, #1)A Dirty Job by Christopher Moore

My rating: 3 of 5 stars

Tedious job, flexible hours, remuneration package includes invisibility powers, some harassment involved, and if quotas not met world will end in darkness.

Charlie Asher’s world is turned upside down the day he becomes a father. His wife dies, he becomes a grim reaper, his daughter can kill by pointing at things, and he may never get laid again. His new job is confusing – the JDF is in the mail – the forces of darkness are calling to him from the sewers and people are starting to suspect he’s a serial killer. At least the pay is good.

Over the last month, I’ve tried to read several humorous novels, and have only managed to complete two of them. The two I have finished – A Dirty Job and Redshirts – have had similar pros and cons. Both have had a strong premise, were mostly well executed and were reasonably entertaining. But neither were as funny as they thought they were.

Moore’s absurdist writing style is a strength to this novel. But I couldn’t help but feel he didn’t capitalise on that with more humour. And some of the humour that he does inject… Let’s just say that cringy white guy jive-talking or ethnic caricatures probably don’t amuse me as much as they used to.*

I think it was because of this only mildly amusing level of humour that I started nitpicking aspects of the story. The continuous references to ‘beta males’ became tiresome as, aside from being scientifically debunked, it made the author sound like he was posting on Reddit subforums. Another was the use of weapons against the forces of darkness.** Whilst the humour of this was done well, it did trivialise the threat at several points.

So, much like I said in my review of Redshirts, I think A Dirty Job wasted its potential as a comedic novel and was only okay.***

* I’m going to pretend it wasn’t deliberately racist.
** Also, since when does an American not have access to an arsenal of firearms? One handgun? One?
*** I feel as though I’m being a bit too harsh/critical of humorous novels of late. Maybe all the Terry Pratchett I’ve been reading has spoiled regular books for me.

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Book review: The Boys by Garth Ennis

The Boys Omnibus, Volume One (The Boys Omnibus, #1)The Boys Omnibus, Volume One by Garth Ennis

My rating: 4 of 5 stars

The words you don’t want to hear from someone with superpowers: Because I can.

The Boys series by Garth Ennis shows us a world where superheroes are a marketing gimmick for a military-industrial company – Vought America – and these all-powerful beings – such as The Homelander – have to be kept from overindulging in hedonism, vice, and collateral damage. But there is more at stake, as Vought scheme and The Homelander plots.

It was interesting to revisit this series 7 years later as the TV series is set to commence. I remember enjoying the series for its interesting take on superheroes. Much like Irredeemable and Incorruptible, The Boys tries to imagine a more realistic scenario for how people with superpowers would behave. This gives Ennis a chance to pour in his trademark nudity, sex, violence, and toilet humour.

But underneath that facade is a much more interesting story. The Boys team are comprised of trauma victims who (mostly) have interesting story arcs. The superheroes are portrayed in a way that feels much truer to life; especially if you take them as a stand-in for actors, models, rich socialites or the like and the shady stuff we know they get up to. The political and business machinations throughout stands as a cautionary tale. And the series is pretty much one big swipe at the military-industrial complex.

I think I appreciated the depth of this series more on the second read. The Boys is worth reading, especially if you’ve seen other Ennis comics and ever wondered what he really thinks of superheroes.

A quick comment on the TV show: I’m hoping the series is good. From the trailer, it appears they’ll be doing some things a bit differently to the comics, notably The Homelander’s personality and the more prominent corporate criticism. Karl Urban, Antony Starr*, and Elizabeth Shue are great actors, so just their presence should make it worthwhile.

* Antony was the lead in the criminally underappreciated Banshee. If you haven’t watched that series, do so.

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Respect for genre

I’ve previously written about how some literary authors don’t really understand nor respect genre fiction. Of course, that doesn’t appear to give them pause before sitting down with their quill and parchment – literary authors exclusively use olde timey equipment: true fact – to knock out a genre novel. Their attempts at writing genre tend to reflect this disdain and ignorance of the form, and they end up doing a poor job of writing it.

Enter the nineteenth most powerful person in British culture, Mr Ian McEwan, an author so influential that Simon Cowell ranked higher on that list. He – Ian not Simon – recently made headlines for his comments about science fiction.

genre respect
Source

Well, at least we know he’s treading on well-worn paths and reinventing all the tropes he’s painfully unaware of with his latest novel. But good on him for flying the ignorance flag so high so we don’t waste our time as readers.

It gets better. I received the monthly recommended review books from Penguin and saw McEwan’s new novel, Machines Like Me, on the list. This was the publisher’s blurb:

Our foremost storyteller returns with an audacious new novel, Machines Like Me.

Britain has lost the Falklands war, Margaret Thatcher battles Tony Benn for power and Alan Turing achieves a breakthrough in artificial intelligence. In a world not quite like this one, two lovers will be tested beyond their understanding.

Machines Like Me occurs in an alternative 1980s London. Charlie, drifting through life and dodging full-time employment, is in love with Miranda, a bright student who lives with a terrible secret. When Charlie comes into money, he buys Adam, one of the first batch of synthetic humans. With Miranda’s assistance, he co-designs Adam’s personality. This near-perfect human is beautiful, strong and clever – a love triangle soon forms. These three beings will confront a profound moral dilemma. Ian McEwan’s subversive and entertaining new novel poses fundamental questions: what makes us human? Our outward deeds or our inner lives? Could a machine understand the human heart? This provocative and thrilling tale warns of the power to invent things beyond our control. Source.

Yes, it even has a love triangle. This is certainly not a bog-standard sci-fi novel at all. No sir. This explores big ideas… This is the cover art…

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Looks very professional. Not a first attempt at self-publishing nor creepy at all. 

There are several potential explanations here:

  1. McEwan is one of the arrogant literati who would never stoop to reading such crass material as genre fiction. Of course, when they write it, it is very important literature that you should absolutely buy and praise them for writing it.
  2. McEwan is painfully ignorant to the point that someone really should have taken him aside during the (above quoted) interview and shown him the Wikipedia page for Science Fiction on the magical communication box they carry in their pocket.
  3. McEwan is hoping that his comments will stir controversy that will help sell more copies of his books.

Now I am a bit late to the internet pile-on that inevitably results from modern faux pas as it is reactionary and lowers the quality of discourse. Definitely not because I got distracted on other things. Anyway, the reason why I have come back to this incident is that it ties into a thread I have been commenting on for several years now: Literary snobbery, or the Worthiness argument.

People like to think of the difference between genre and literature as akin to the difference between entertainment and art. Because no art is entertaining. Some have suggested the difference is in the plot-driven versus character-driven narratives. This doesn’t hold up to much scrutiny, as some call literature just another genre, and others have suggested it is more about genre being built on structure. A lot of people will also exclaim, “I know it when I see it.” But this ignores the reality that literary merit is a spectrum.

But the most interesting argument I have seen defining the difference between literature and genre fiction was around the class divide. The snobbery was literally built into the divide because genre stories were published in cheaper books for the workers and the more literary stories were published in fancier books for the new middle class.*

So it is quite possible that the reason why we have comments like McEwan’s is because they are tapping into 150 years of class snobbery that disallows them from reading or appreciating genre fiction. If they do read some, it will be classed as a guilty pleasure, because they can’t be seen actually acknowledging genre as having substance.

Or it could just be about attention seeking to sell some books.

* The argument doesn’t really discuss what rich people read. I assume that the rich people were too busy counting money to be bothered reading either genre or literature. 

Book Review: The Society of the Spectacle by Guy Debord

The Society of the SpectacleThe Society of the Spectacle by Guy Debord

My rating: 3 of 5 stars

“Quotations are useful in periods of ignorance or obscurantist beliefs.”

The Society of the Spectacle is an aphoristic set of polemic essays that examines the “Spectacle,” Debord’s term for the everyday manifestation of capitalist-driven phenomena; advertising, television, film, and celebrity. He argues that we have become alienated from ourselves and reality in order to have us serve the economy/capitalism with the production of commodities and accumulation of wealth.

I first encountered the idea of the Spectacle from Peter Coffin (see below) and his video essays related to what he terms Cultivated Identity. This is a fascinating idea and particularly relevant today in the age of mass media, late-stage capitalism, and the commodified zeitgeist. Look at how much of our society is obsessed with or based upon edifying upward mobility, celebrity, fame, reputation, and positions of power or prestige.

This ultimately means that our media has become the thing that tells us how to think and it is essentially inescapable within our modern society. Thus, the limits of our conversations and thinking have already been defined, which then becomes a feedback loop for the media we consume. Click “Like” if you already agree.

The only drawback of this work was that it is obscurus and jingoistic. Aphorisms might be cool for ancient philosophers, but they don’t make for great enlightenment nor clear communication of ideas. I’ve actually gained more from reading and watching related overviews of The Society of the Spectacle than from Debord’s actual work.

Wikipedia
Illustrated Guide to Debord’s The Society of the Spectacle
Super Summaries

Peter Coffin’s video essays on the Spectacle:

Discussion of the Spectacle by a philosopher:

And her blog post on it: https://dweeb.blog/2018/12/21/the-society-of-the-spectacle/

Another explainer on the Spectacle:

An audiobook in Spectacle form:

A detailed review:

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Book Review: Redshirts by John Scalzi

RedshirtsRedshirts by John Scalzi

My rating: 3 of 5 stars

Sometimes you can create characters that are a little bit too realistic.

Ensign Andrew Dahl has just been assigned to the Intrepid as a xenobiologist. But from his first day onboard he notices that something is wrong with the rest of the crew. He and his fellow new recruits quickly realise that people on away missions have a nasty habit of dying. Except for a select handful of important crew members that is. They also notice that reality doesn’t make much sense at times when The Narrative takes over. Can Dahl and his friends figure it out before an away mission kills them too?

After reading the first chapter of Redshirts I had to consult with the interwebz to answer a question about this book: Is it worth reading the whole thing? Aside from one notable review that captured several of my concerns, the vast majority of my fellow readers loved Scalzi and this book. So I decided to persist and found myself at the end of Redshirts with the same reservations as I had at the end of the first chapter.

Firstly, this book was good enough to keep me reading. Redshirts has a very strong premise and the story is mostly well executed. The main story – more on the codas in a minute – steams along and is pretty entertaining. It won a Hugo, so clearly it has a lot to offer.

Now, let’s get to the buts.

For what is clearly a comedic novel, Redshirts is nowhere near as funny as it thinks it is. He said. He said. It has a cast of characters that are meant to be shallow and interchangeable, but they are so interchangeable that you wouldn’t know who was talking if you weren’t constantly reminded. He said. He said. The premise may be very strong, but I felt it wasn’t fully realised, which left me frustrated. And then the three codas arrived and shifted away from the previous 25 chapters’ lighthearted tone. All three, but especially 2 and 3, had a much more serious tone and felt like they belonged in a different novel.

So while I mostly enjoyed reading Redshirts, I feel it wasted its premise and wasn’t as well-executed as I’d have liked.

NB: My wife said I had to tell everyone that I’ve spent all day complaining about the ending to Redshirts. She feels it would be disingenuous of me not to mention that and to also give you an idea of how much she is looking forward to me reading something else.

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The Beauty and Anguish of Les Misérables!

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It’s Lit! returns to discuss Les Miserables.

Yeah, I haven’t read it, nor seen the musical nor the musical movie. A title that literally means the miserable and a narrative to match isn’t really my cup of tea. The issues discussed in Les Mis were very real, if romanticised somewhat, and still bear some relevance to the modern day. I discussed one such issue in a previous It’s Lit post.

Maybe I’ll read it one day. Meanwhile, quick overviews will have to suffice.

Victor Hugo’s Les Miserables is one of history’s most famous novels and one of the longest-running musicals in Broadway history. On this special episode of It’s Lit! we explore how Les Miserable became both a national and revolutionary anthem, and so publicly adored that all 1,900 pages never went out of print.

Book Review: Socialism A Very Short Introduction by Michael Newman

Socialism: A Very Short IntroductionSocialism: A Very Short Introduction by Michael Newman

My rating: 4 of 5 stars

How will we have anyone to look down upon if we all work together to make a better and fairer society?

The “A Very Short Introduction” series explores the topic of Socialism promising exactly what the title suggests. Michael Newman seeks to give an overview of socialism; the good, the bad, the misunderstood, and the misrepresented.

In my continued effort to dig into a few of the current bogeymen of cultural discourse, I went looking for an introductory text on socialism that wouldn’t shy away from the flaws but would also be more honest than most detractors. I think Newman succeeds in this respect. Many discussions of socialism treat it as a monolith – which they ironically still manage to misrepresent – which Newman is able to dispell by discussing some of the many iterations. Socialism also tends to have many ills landed at its door without adequate context – e.g. Stalin’s totalitarianism and Lysenkoism are all treated as completely socialism’s fault whilst under other policial regimes we divorce or distance those issues (people starving under capitalism isn’t capitalisms fault… apparently). Newman discusses examples like Cuba and Sweden with enough context to show how internal and external forces impacted what we regard as socialism.

This was a handy overview of socialism and certainly one that people should be encouraged to read before espousing views on the subject.

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